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The Tremaines

Posted on by dion1

The Tremaines

The Tremaines (Brooklyn, New York)

 

Personnel :

Toney Hughes (lead)

Julius Williams (Bass)

 

Discography :

1958 - Jingle, Jingle / Moon Shining Bright (Val 100/101 / Cash 100/101 / Old Town 1051)
1962 - Wonderful, Marvelous / Heavenly (Kane 007 / V-tone 507)

Biography :

The Tremaines were a vocal group from  Gates Ave, Bed-Stuy, Brooklyn  with Toney Hughes on lead and Julius Williams on Bass. The group recorded "Jingle Jingle" and "Moon Shining Bright" for Cash records. VAL Records bought the rights to Cash which produced the single.

The Tremaines The Tremaines

In 1958, Old Town Records released the master purchased from Val Records "Jingle Jingle" and "Moon Shining Bright" under their name. But for some reason they reissued it in June, with the Tremaines renamed the "Packards." This has led many over the years to believe that there's a link between the "Ding Dong" Packards and the "Jingle Jingle" Tremaines. There isn't. The group will record nothing more and Julius Williams will join the Camelots in 1963.

Songs :
(updated by Hans-Joachim) 


  
Moon Shining Bright                             Jingle, Jingle     
 

 
Moon Shining Bright  (Cash unreleased version)


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The Personalities

Posted on by dion1

 The Personalities

The Personalities (Bronx, New-York)



Personnel :


Ralph Molina (Lead)

Larry Gilbert (First Tenor)

Billy Johnson (Second Tenor)

Bobby Schneider (Baritone)

Arthur Slaughter (Bass)



Discography :

Singles :
1957 - Woe Woe Baby / Yours To Command (Safari 1002)

Unreleased :
1957 - Little Girl I Want You (Safari)



Biography :

This group Started in the Morrisania section of the Bronx in New York in 1954. They would get together in the basement of the apartment house in which Arthur Slaughter lived, imitating the groups with the popular songs of the day. While Slaughter was at Morris High School in 1957, he started cutting classes and handing out in the halls in order to sing harmony. He Began assembling a vocal group. When finally structured, the group members were all fifteen years old except the lead - twelve Year old Ralph Molina - And they integrated as well.

 The Personalities

They performed at school functions and other benefits until they felt ready to seek out a recording deal. In 1959, they called on Old Town Records, where they were redirected to the offices of Safari Records. Safari management liked them and their high tenor lead songs but told them to go home and write some original tunes and then return. They did just that and returned weeks later for a recording session at Bell Sound. For "Woe Woe Baby" and "Yours To Command", the Safari Label showed "The Personalities-Featuring Ralph Molina", deciding to spotlight the Lead Singer. They received no payment for the session, no royalties, and nothing for live appearances. Yet Safari management stated that the tune did well. This was a relatively later group from the Morrisania section of the Bronx.
Mitch Rosalsky "Encyclopedia of Rhythm and Blues and Doo-Wop Vocal Groups"

 



Songs :

    
Woe Woe Baby                      Yours To Command                      Little Girl I Want You


 

 

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The Infascinations

Posted on by dion1


The Infascinations (Staten Island, New York)

 

Personnel :

David Mapp “Frenchman“  (Lead)

BoJack Lovett (Bass)

Earl Allen (First Tenor)

Richard Hyter (Second Tenor)

Joe Smith (Baritone)

 

Discography :

1961 - One Chance / I’m So In Love (Clauwell 003/004)

 

Biography :

All the group members hailed from Staten Island, New York. They used to practice in a house on Richmond Terrace and cut their only record in Port Richmond released by Clauwell Records.

The Infascinations     The Infascinations

The Infascinations consisted of David Mapp “Frenchman“ (Lead), BoJack Lovett (Bass), Earl Allen (First Tenor), Richard Hyter (Second Tenor) and Joe Smith (Baritone).

 

Songs :
(updated by Hans-Joachim) 


  
I’m So In Love                                    One Chance
 
...

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The Portraits (3)

Posted on by dion1

The Portraits (3)

The Portraits (3) (New York)


Personnel :

Joni Carol

Steve Harris

Noel Gordon


Discography :

1961 - Yo-Yo Girl / My Big Brother's Friend (RCA 47 7009)


Biography :

In 1961, Ray Ellis, A&R director for RCA Victor Records has signed The Portraits, a vocal trio, to an exclusive recording contract. The group, comprised of Steve Harris and Noel Gordon, both 22, and Joni Carol, who is 19. In June 1961, The portraits recorded  “Yo Yo Girl” and “My Big Brother’s Friend.”

The Portraits (3)     The Portraits (3)

Steve Harris, who is responsible for most of the group’s arrangements and who is co-author, with Noel Gordon, of “Yo Yo Girl,” is a policeman, specializing as a court and warrant officer, in New York City. Harris and Gordon also vrote “Love Message,” recorded by The Kane Triplets, and  released by Victor.


Songs :

  
 My Big Brother's Friend                                 Yo-Yo Girl         


...

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Elroy & The Excitements aka The Enchantments (1)

Posted on by dion1

The Magnets
The El Dupreys

Elroy & The Excitements (Pittsburgh, Pa)
aka The Enchantments (1)


Personnel :

Leroy Grammmar (Lead)

Ronald Hill (First Tenor)

Leon Harvard (Second Tenor)

Paul Brently (Baritone)

Wayne Walker (Bass)

 

Discography :

Elroy & The Excitements
1961 - My Love Will Never Die / No One Knows (Alanna 189)

The Enchantments (1) (featuring Leroy )
1962 - Lonely Heart / Popeye (The Dance To Do) (Romac 1001)

 
Biography :

This group began as the El Dupreys from Pittsburgh. They were always the opening act for big name groups coming to the area. They split up and later reformed as the Excitements. Ronald Hill had a medical condition that initially forced him to leave the Excitements. When the group was traveling, Hill stayed home. Therefore on the road the group was a quartet. When they were about to record for Alanna, they asked Hill to join them for the recording — which he did.

The Magnets    The Magnets    
                            Elroy & The Excitements

Following their audition, they learned that Alanna management loved them and signed them to record. They cut two discs for Alanna, the first of which was released in the fall of 1960. Following these two recordings, Elroy and the Excitements kept busy with live appearances but did no further recording. Eventually they were released from their contract with Alanna. After leaving Alanna, they auditioned for Motown but met with no success. They then became Leroy and the Enchantments and recorded for Romac.

The Magnets     The Magnets
Bob Mack                                                                                                        

Bob Mack founded his own record label Romac Records in 1962.  He scored a regional hit with the release of Leroy and the Enchantments single "Lonely Heart" that was written by Johnny Jack  
http://oldmonmusic.blogspot.fr/2008/10/el-dupreysexcitements.html

 

Songs :
(updated by Hans-Joachim)

Elroy & The Excitements

  
My Love Will Never Die                                 No One Knows     

The Enchantments (1)

  
       Lonely Heart                            Popeye (The Dance To Do)


...

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The Showcases aka Mr. Zulu & The Warriors

Posted on by dion1

Mr. Zulu & The Warriors aka The Showcases
With James Brown

The Showcases (Los Angeles, Ca.)
aka Mr. Zulu & The Warriors   

 

Personnel :

James Hubbard (Lead)

Curtis Popps (Baritone)

Tommy Johnson

Ulysses Coleman

 

Discography :

The Showcases
1964 - This Love Was Real / Anna My Love (Galaxy 732)

Mr. Zulu & The Warriors   
1965 - Come On Duckie With Me / Anna (My Love) (Score 7/11)

 

Biography :

While attending Lincoln, Curtis Popps, along with a few classmates and a couple other neighborhood friends from the "Ramona Gardens" and the "Estrada Courts" Housing Projects founded the now legendary Doo-Wop groups, "The Showcases" and "Cannibal and the Headhunters". They sang, rehearsed and performed together throughout East LA and upon Curtis' graduation in 1960, both groups subsequently signed major record deals; "The Showcases" (Galaxy Records) and "Cannibal and the Headhunters" (Rampart Records).

Mr. Zulu & The Warriors aka The Showcases    Mr. Zulu & The Warriors aka The Showcases

The Showcases were Curtis Popps, Tommy Johnson, James Hubbard, James Colford, Ulysses Coleman, Thomas Keyes and Bobby Watts (Colford, Keyes and Watts eventually leaving the group before recording). The Showcases signed with Galaxy in 1961. They recorded "This Love Was Real" and "Anna My Love" in early 1963.

Mr. Zulu & The Warriors aka The Showcases    Mr. Zulu & The Warriors aka The Showcases
                                                                                                                        Curtis Popp

The record was released on the Galaxy label in 1964 (Galaxy 732) but only 2 or 3 promotional copies are know to exist. The record was legally reissued on the Falco label (Falco 308) in the early 1980's. Curtis Popps was drafted to the Army in 1963 so the group disbanded and became Mr. Zulu & The Warriors & signed w/Score. They all co-wrote their 1st single "Come On Duckie With Me".

 

Songs :

The Showcases

  
This Love Was Real                                  Anna My Love     

Mr. Zulu & The Warriors   


Come On Duckie With Me

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The Kenjolairs

Posted on by dion1

The Kenjolairs
Ken Mowery

The Kenjolairs (Los Angeles, Ca)




Personnel :

Ken Mowery

Larry New

Joe Campbell




Discography :

1962 - Little White Lies / The Story of an Evergreen Tree (A & M 704)
1963 - Such a Good Night for Dreaming / When It Comes to Loving You (A & M 708)






Biography :

Ken Mowery  was part of The Fascinations with Dave Walker, Tom Holder, Dave Bilgen and Chuck Stansfield . They recorded "If I Had Your Love" arranged by Paxton and "Why". It sold a few copies, but didn't make the charts. The song was distributed nationally by another Hollywood label : Dore, formed by Herb Newman and Lou Bedell as a companion to their Era label. The Fascinations broke up the following year. Sometime in 1962 or 63 Ken Mowery and Chuck Stansfield with a friend and fellow Townsmen Larry New, were going into Hollywood to meet a new promoter.

The Kenjolairs    The Kenjolairs 
Ken Mowery                                                                                          

 They met a guy that had just come back from a year spent in Mexico. He had formed a band, and played the trumpet.  He also had just released a novelty song . He seemed to know a lot about music. His name was Herb Alpert of the soon to be major recording stars The Tijuana Brass.  Herb then went on to develop the very popular and prosperous A & M records Production Co.   He was just beginning and was looking for talent to produce music. Finally Chuck Stansfield decided to quit music because he was engaged to be married and was working full time.

  The Kenjolairs   The Kenjolairs
                                                                                                          Herb Alpert

Ken & Larry went on to form a group adding Joe Campbell and called themselves the KenJoLairs. They signed with Herb Alpert and produced their first song “Those Little White Lies”   It broke the top 50 charts and sold some copies.  Herb, unlike Paxton was a very good producer, his arrangements and recording talents were excellent. They recorded several more songs with Herb but none made the big time.  






Songs :

  
            Little White Lies                Such A Good Night For Dreaming

  
When It Comes To Loving You              Story of The Evergreen Tree   

 

 


...

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The Butanes

Posted on by dion1

The Butanes
Leroy Williams & James "Petey" Martin

The Butanes (Newark, N.J.)

 

Personnel :

James "Petey" Martin (First Tenor / Piano)

Leroy Williams (Tenor)

Howard Curry (bass)

Nelson Lamb (High Tenor)

Bobby Jones (Baritone)

 

Discography :


1961 - Don't Forget I Love You / That's My Desire (Enrica 1007)

 

Biography :

When the Parakeets broke up in the late 1950s, James "Petey" Martin (first tenor and piano) and Leroy Williams (tenor) decided to go ahead and formed The Butanes with Howard Curry (bass), Nelson Lamb (high tenor), and Bobby Jones (baritone). The group had a single record on the Enrica label : "Don't Forget I Love You," backed with the old standard, "That's My Desire". "Don't Forget I Love You" appeared on the charts in July, 1961 and scored a total of nine weeks of strong national sales. The Butanes only climbed to # 96 during the traditionally slow-selling summer months when the teens were snapping up "Pretty Little Angel Eyes" by Curtis Lee and "Michael" "by The Highwaymen. Sometimes the secret to a good hit is found in the small print at the bottom of the label.

The Butanes    The Butanes
                                                                                          James "Petey" Martin &   Leroy Williams

Teddy McRae and his orchestra backing the Butanes, and Enrica was his label. Teddy McRae, an arranger, composer and sax player, started in music with his own band in 1928. He wrote songs and recorded with many orchestras and vocalists in the 30s and 40s including artie Shaw, Chick Webb, Ella Fitzgerald, Lionel Hampton, Cab Calloway and Louis Armstrong. McRae had no problem bringing his talent to R&B and Rock without missing a beat. In May 1955 he made his vocal debut as "Mr Bear" on "Daybreak Rock" with Jack Dupree on King. Now a "singer", McRae cut some tracks for Groove, including the novelty "Radar". In 1959 he started Enrica/Rae-Cox with old friend Eddie Wilcox.

 

Songs :

  
     That's My Desire                             Don't Forget I Love You


...

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The Debonairs (3)

Posted on by dion1

The Debonairs (3)
The Debonairs (3) (New York)

 

Personnel :

Paul Dino (Lead)

 

Discography :

The Debonairs (3)
1962 - Going To Town / Will You Marry Me (Carol Ann 1001)

Paul Dino
1960 - Goin' In Town / Will You Marry Me (Flame 301)
1961 - Ginnie Bell / Bye-Bye (Promo 2180)
1962 - That's How I Miss You / Tonight's The Night (United Artists 481)
1963 - I Like Your Style / Your Candy Kisses (Entré 101)

 

Biography :

Paul Dino  Bertuccini is a former American singer-songwriter and musician, who appeared fleetingly as a teen crooner in the early to mid-1960s.  Paul Dino had decided to become a barber and in the late '50s he started a band called The Nite Caps, adopted the shortened professional name Paul Dino, and before long the job of singing an assortment of songs in nightclubs won out over warbling "Shave and a Haircut" a couple dozen times a day. Paul had learned to play several instruments during high school including piano, saxophone and drums; he even became quite the accordion assimilator.

The Debonairs (3)

No word on whether he was ever proficient with a pair of scissors. Songwriting was a passion as well and he began making regular excursions into New York City to knock on the doors of the various music publishing houses. He made overtures to some of the record labels too, but they didn't seem interested. After more than a year of attempts, he got his foot in the door at a very small company, Flame.

The Debonairs (3)     The Debonairs (3)  

With his group, the Debonairs , Dino recorded two songs he had written  "Goin' In Town" and "Will You Marry Me". The Record was released in early 1960 as Paul Dino. Two Years later the single was re-released as the Debonairs. Dino was signed to Promo label, and his single “Ginnie Bell” debuted in January 1961, which eventually broke into the Top 40 that year. Dino took advantage of this success by appearing on shows such as Dick Clark’s American Bandstand.

The Debonairs (3)
Paul Dino & Justine Carrelli  with The Paul Dino group

Promo didn’t bother to follow up “Ginny Bell”s success however, and Dino would record for a number of labels until his days as a teen idol were over and a new status as a one-hit wonder would loom. Dino and his wife Justine Carrelli (a former regular dancer on American Bandstand) moved to Las Vegas, Nevada where they performed at lounge bookings before going into a successful real estate business.
http://www.waybackattack.com/dinopaul.html


Songs :

The Debonairs (3)

  
Going To Town / Goin' In Town                   Will You Marry Me          

Paul Dino

     
          Ginnie Bell                          Bye-Bye                           That's How I Miss You

...

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Faith Taylor & The Sweet Teens (2)

Posted on by dion1

Faith Taylor & The Sweet Teens (2)
 

Faith Taylor & The Sweet Teens (2) (Chicago)


 




Personnel :

Faith Taylor (Lead)

Yvonne Waddell

Saundra Long

Marry Collins

Curtis Burrell (Bass) 

 




Discography :

1958 - Your Candy Kisses / Won't Someone Tell Me Why? (Federal 12334)
1959 - I Need Him To Love Me / I Love You Darling  (Bea & Baby 104)
1959 - Please Be Mine / Paper Route Baby (Bea & Baby 105)

 



Biography :

Faith Taylor was born in Dumas, Arkansas, in 1948. She began performing at the age of four and won her first amateur contest in Little Rock. She came to Chicago with her family in 1957 and continued her music career by singing at small club affairs. She also worked in a few combos, including that of Muddy Waters. In June 1957 she entered and won the "Morris B. Sachs Amateur Hour" on WGN-TV. The following year a friend of Taylor, Charles Jones, was assembling a vocal group and brought her in as the lead. Other members of this group were alto Yvonne Waddell (age seventeen), tenor Saundra Long (sixteen), soprano Mary Collins (seventeen), and bass Curtis Burrell (seventeen). Most of the group came from two South Side high schools, DuSable and Dunbar. Faith Taylor and the Sweet Teens were unlike most "teen tenor lead" groups in being mostly comprised of females. From that start, the group was not going to be a "girl group" but one patterned after Frankie Lymon and the Teenagers.

Faith Taylor & The Sweet Teens (2)

The group made its first recordings in August 1958, recording "Your Candy Kisses" and "Won't Someone Tell Me Why," released back to back on the Federal label. Both were written by Charles Jones. "Your Candy Kisses" opens with a sax flourish, followed by Taylor doing a patented Frankie Lymon "oh oh ooh oh oh ooh." However, she sounds a tad too young, like the ten-year-old she was  (although newspaper reports at the time stated she was nine). The vocal support is a bit weak, but Curtis Burrell' s bass work is good. "Won't Someone Tell Me Why" opens with an impact, a vocal arpeggio, or bell-tone, and young Taylor goes into her "oh oh ooh" thing again. After that it sounds a bit ragged. They return to the "bell-tone" just before the bridge, again with good effect, and Burrell again distinguishes himself. Central to the appeal of both songs is Faith Taylor, who knew at a tender age exactly how she was supposed to sing them, but with all her talent she is still a bit raw.

Faith Taylor & The Sweet Teens (2)    Faith Taylor & The Sweet Teens (2)   Faith Taylor & The Sweet Teens (2)

Despite the record's evident flaws, it is a terrific rock 'n' roll pairing that deserves to belong in anyone's record collection. The two songs were paired on a single and released in September 1958. The record made a bit of a stir in Chicago and several other markets but never managed to crack the national charts. Faith Taylor and the Sweet Teens appeared on Jim Lounsbury's record hop on WBKB-TV in October and played a few clubs in the Chicago area, notably Budland in the Pershing Hotel. The Budland date would seem strange todayas the group shared the bill with a bluesman (Dr. Jo Jo Adams), a jazz combo (Prince James Combo), and an avant garde group (Sun Ra). In late 1959 Faith Taylor and the Sweet Teens joined Narvel Eatmon's Bea and Baby label. Members of the Bea and Baby group, besides Faith Taylor, were Curtis Burrell and Mary Collins from the original group, and two new members,  Elizabeth Shelby and Ernestine Fisher. 

Faith Taylor & The Sweet Teens (2)

The Bea and Baby release, "I Need Him to Love Me" backed with "I Love You Darling," featured two outstanding sides in the Frankie Lymon mode. "I Need Him to Love Me," the ballad side written by Bernice Williams, is sublime, with chorusing  by the rest of the group that sounded angelic. Faith Taylor now had the depth of expression to come across with a terrific soulful feeling. The flip is a rousing jump written by Charles Jones, and again the chorusing is terrific. Noticeably absent on both sides is the good bass work of Burrell. The group was gone by the summer of 1960, when Faith Taylor appeared by herself at the annual Bud Billiken Picnic Show in August. She appeared again on the next year's picnic show as part of a youth package of performers,  Paula Greer and Eddie Purrell among them. She was heard last in December 1961, when she performed for patients at a veterans hospital. Except for Curtis Burrell, who became a member of the Daylighters in 1964.







Songs :

  
     Your Candy Kisses                    Won't Someone Tell Me Why?

  
I Need Him To Love Me                         I Love You Darling     





...

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