The Atlantics 1961 - Boo-Hoo-Hoo / Everything Is Gonna Be All Right (Linda 103) 1962 - Remember The Night / Flame Of Love (Linda 107) 1963 - Home On The Range / Let Me Call You Sweetheart (Rampart 614)
Barry White & The Atlantics 1963 - Tracy (All I Have Is You) / Flame Of Love (Faro 613)
Biography :
Eddie Davis, Linda Record company owner, who loved to bring various artists and musicians together for recordings also used members of the vocal group, The Rivingtons ("Papa-Oom-Mow-Mow") and a young Barry White along with the all Black female vocal group who would later become, The Sa-Shays to fill in on the background vocals.
Gaynel Hodge
Gaynel Hodge wrote and played piano on "Boo-Hoo-Hoo" stroll and recorded it during the summer of 1961 at Capitol Records with Phil Tucker and Delbert Franklin sharing the lead vocals (Phil and Del). On Linda 107, "Remember The Night"and "Flame Of Love", The members were The Rivingtons (Carl White, Sonny Harris, Al Frazier, Rocky Wilson Jr) Barry White and Gaynel Hodge. On Rampart 614, "Home On The Range" features an 18-year-old Barry White on lead vocals with members of the Los Angeles doo-wop group, The Rivingtons and the Sa-Shays on background vocals.
The Mints 1956 - Busy Body Rock / "(Don't Leave Me) Alone (Lin 5001) 1956 - Night Air / Pledge Of Love (Ken Copeland) (Lin 5007 / Imperial 5432)
The Four Mints 1956 - What'Cha Gonna Do / Night Air (Choctaw 8002/Imperial 5432) 1957 - Gold / Ruby Baby (Decca 30465) 1958 - Hey Little Neil / Teenage Wonderland (NRC 003) 1958 - You Belong To My Heart / Wolf (NRC 011) 1959 - Tomorrow Night / Pina Colada (NRC 037)
Lps :
1959 - The Fabulous Four Mints (AZTEC ALP 1002) Journey's End / Love Is The Reason / You'll Never Walk Alone / Lonesome Road / Roll 'Em Pete / Born To Swing / Only You / Into Each Life Some Rain Must Fall / Falling In Love / Scarlet Ribbons / Ruby Baby
Biography :
The Four Mints (also known simply as the Mints) were a true oddity, a respected white vocal group in the midst of the early rock & roll era, capable of doing convincing R&B. James Wilson (lead), Gene Warr (first tenor), Aubie McSwain (second tenor), and Al Warr (bass) had known each other since childhood and sung together for years, throughout the '40s. Their main influence was gospel music, and they'd sung in churches for most of their lives.
The quartet had sung locally around Center, TX, mostly at local events and church functions. They took on the name the Four Mints and crossed over into popular music and R&B in 1954-1955. They'd always listened to the black R&B vocal groups of the period and proved good -- even inspired -- students: unlike, say, the Crew Cuts, the Four Mints didn't "bleach" out the sounds that they learned to create, but kept them intact even as they made them their own.
They were, in many respects, the group equivalent of the phenomenon that Sam Phillips claims to have been searching for, a white man who could sing black music.What's more, they were good enough to get bookings far outside of Center, even managing to cross paths with Elvis Presley in the process and even getting his future drummer, D.J. Fontana, on the skins for some of their gigs in Louisiana.
They cut a handful of songs for Lin Records in Gainesville, TX, including "Night Air" and "Little Mama Tree Top" (the latter unissued for 40 years). Although sometimes identified, for convenience's sake, as a doo wop group, the Mints were more animated than most of the acts to which the name is usually applied -- their models were groups like the Treniers, most of all, more so than the balladeer-type outfits usually called doo wop groups.
The Four Mints left Lin after just a few months for the much larger Decca label in 1956. They failed to generate any hits, but Decca's promotional efforts on their behalf and the resulting exposure gave them the intro the needed to break out of the south and become a national act.
They followed their idols, the Treniers, into the same Las Vegas clubs and remained popular for years. McSwain left the quartet in 1960. He was replaced, and the group lasted for another two years, breaking up in 1962. Bruce Eder, All Music Guide
1964 - Run, Run You Little Fool / Hot Spots (Parkway 929) 1965 - Hot Spot Part 1 / Part 2 (Parkway 992)
Biography :
The Bronzettes were a Philadelphia group , that were produced by Chubby Checker after his hitmaking days were over. Stress on HITMAKING, not creative. Chubby (and the whole Cameo-Parkway complex) continued to make great, danceable records all through the 1960s, despite the fact that the British Invasion pretty much shut the door on Chubby's chart career after 1964.
Chubby saw it coming, and decided that if those moptops were gonna keep him from having big hits, he'd better give himself some leeway for a career on the other side of the studio glass. So he wrote and produced this record for a local girl group (whom nobody seems to know anything about - not even the super-geeks at Spectropop) and released it in the fall of 1964 .....and the Bronzettes were never heard from again, leaving us one cool 45 to listen to and wonder about. http://ontherecordshow.blogspot.com/2012/01/bronzettes-hot-spot.html
1965 - Diamonds And Pearls / Rocket Of Love (Ideal 94706) 1965 - Beverly / Angalie (Ideal 95388)
Biography:
In 1961, a group of young men from Bishop Canevin High School in Pittsburgh, PA came together to form a band which they named the “El Reys,” Spanish for “The Kings.” Originator and lead singer Stush Bogdan, along with Chuck Black, Randy Riddle, Time Eyermann, Rick Jablonski, and Bill Marszalek started out performing at their own high school dances.
As their popularity grew, they went to perform at other schools, colleges, hospitals, orphanages and talent shows. As good fortune would have it, Augie Bernardo of Ideal Records was at one of these talent shows, liked what he heard and saw, and signed them to the label. At this same show, the legendary Bo Diddley, who was performing at a nearby lounge, stopped in to enjoy the sounds, and invited the guys to hear his show.
The El Reys went on to record four songs for Ideal Records: Angalie, Beverly, Diamonds And Pearls, and Rocket Of Love.The group also appeared on the Clark Race television program, and in 1964 they opened for the Rolling Stones at the famous West View Danceland. Unfortunately, service in the Vietnam War put an end to their brief career. http://www.el-reys.com
Singles: 1956 - I Promise / I know The Meaning Of Love (Wing 90078) 1957 - This Girl Of Mine / Somebody Mentioned Your Name (Atomic 100)
Unreleased: 1956 - Search This Heart (demo)
Biography :
Born on June 2, 1943, in Harlem’s Sugar Hill district and raised by his mother and grandmother, Jimmy Castor shined shoes and sold papers to help make ends meet. Learning violin, saxophone, piano and studying theory, he was accepted for the Music & Art High School (‘full of rich kids arriving in limousines with lots of talent but strung out on valium’) but back in Harlem he ran through the Projects with the Cobras and the Falcons (‘baseball teams but really gangs’).
Jimmy Castor & The Juniors
Doo-wop was the East Coast’s answer to the rock’n’roll explosion and teenage males could be found harmonising on streets, in stairwells and bathrooms. Aged 12 he formed Jimmy Castor & The Juniors and, in 1956, their song I Promise (written by Castor) was turned into a Top 10 R&B hit by the hottest doo-wop band in America: Frankie Lymon & The Teenagers.
Jimmy Castor & Lewis Lymon
He briefly sang with Lewis Lymon & The Teenchords . Jimmy later replaced Frankie Lymon in the Teenagers in 1957.
1956 - I Won't Have You Breaking My Heart / Jump Rock And Roll (ABC 9771)
Biography :
The ABC Paramount Marvels formed in 1956 as an outgrowth of the Five Wings and the Scale-Tones. They had Hiram Johnson as their manager (inherited from the Five Wings), and got a recording deal with ABC Paramount. They recorded one of the most beautiful ballads on wax, "I Won't Have You Breaking My Heart," for ABC.Because of inadequate support and promotion, the record did poorly.
(paste-up picture ) Carlisle, Blandon, Still & Miller
This group would soon change their name to the Dubs and move to George Goldner's Gone Records. All but Carlisle came from the Scale-Tones. Tommy Grate, formerly from the Five Wings, replaced Tommy Gardner at bass. Mitch Rosalsky http://www.uncamarvy.com/Dubs/dubs.html
Songs :
I Won't Have You Breaking My Heart Jump Rock & Roll
Nick (Santo) Santamaria (Lead ) (until 1962) Mike Mincelli (First Tenor) Frank Reina (Second Tenor) (Lead from 1962 on) Vinnie Narcardo (Baritone) (until 1965) John Caassese (Bass) (until 1965) John Apostle (from 1966 on)
1969 group Frankie Reina (Lead) Mike Mincieli (First Tenor) Al Dimone (Second Tenor, guitar) John Apostle (Bass) Bill Chefalas (Falsetto, Bass guitar) Mickey Henry (keyboard) Johnny Harris (Drums)
1982 group Nick Santo (Lead) Mike Mincelli (First Tenor) Frank Reina (Second Tenor) Tony Danno (Baritone) Tommy Ferraro (Bass)
Discography:
The Capris
Singles 1958 - There’s A Moon Out Tonight / Indian Girl (Planet 1010/11) 1960 - There’s A Moon Out Tonight / Indian Girl (Lost Nite 101 / Old Town 1094 / Trommers 101) 1961 - Where I Fell in Love / Some People Think (Old Town 1099) 1961 - Tears In My Eyes / Why Do I Cry (Old Town 1103) 1961 - Girl In My Dreams / My Island In The Sun (Old Town 1107) 1963 - Limbo / From The Vine Came The Grape (Mr. Peeke 118) 1982 - Morse Code Of Love / There’s A Moon Out Again (Ambient Sound 02697) [Please note: The Capris on “Little Girl / When” (Lost Nite 148) are a different group!]
Album 1982 - There’s A Moon Out Again! There’s A Moon Out Again / To Be Loved (Forever) / Morse Code Of Love / Guardian Angel / A Love Of My Own / Imagine / That’s How Love Goes / Boy Meets Girl / Oh Darlin’ / You Are / Tonight I’m So In Love / She’s My Girl (Ambient Sound LP 37714)
Unreleased 1958 - Darling (demo) / God Only Knows (demo) 1961 - A Hum Diddily Dee Do* (Old Town) 1961 - Stars In The Sky* (Old Town) 1961 - Love Poems (Old Town) 1961 - This Is Romance** (Old Town) 1961 - The Way I Love** (Old Town) 1962 - I Kinda Like You 1964 - It Happened This Time Last Year 1964 - This Time It’s Love 1964 - That Girl In My Heart 1969 - Freedom Medley / Where I Fell In Love 1972 - Are You Happier Now (demo)
* Released on the Collectables LP 5016 in 1982 ** Released on Stoop Sounds 128 in 2001
Clay Cole (bb The Capris) 1961 - Twist Around The Clock / Don't Twist (With Anyone Else But Me) (Imperial 5804)
Biography:
The group originally formed in 1957 in the borough of Queens, NY, when all were teenagers. The original lead was Nick Santa Maria (aka Santo), Mike Mincelli (first tenor), Steve Reina (second tenor), Vinnie Narcardo (baritone), and John Caassese (bass). In selecting their name, the guys were apparently unfamiliar with the Philadelphia group that had preceded them by a few years.
At the Apollo (New York City)
Previous interviews with different members of the group make it unclear whether the group was named for the Isle of Capri, or the car of the same name. Perhaps it was a combination of the two. By 1958, the group had been gaining experience performing at local venues, and had even started adding some of their own original material to their repertoire. They attracted the attention of some independent record producers, and were soon in the studio cutting an original ballad called "There's a Moon out Tonight."
For the B-side, they recorded an interesting up-tempo novelty tune titled "Indian Girl." With it's strong 1950s rock & roll flavor, the sides were quickly picked up for release by Planet, a small New York City label. Unfortunately for the Capris though, Planet was not able to effectively promote the record and it became an almost instant obscurity. Original Planet pressings of "There's a Moon out Tonight" can now fetch up to 1,000 dollars in collectors circles, when one of these rare platters surfaces.
At the Apollo (New York City)
Soon thereafter, the group members all went their separate ways, and one would think that's where the story would end. But, for the Capris, things took a different and an interesting turn. By 1960, much of what was being passed off to teenagers as rock & roll was polished pop with a beat; lacking the original vitality of what preceded it in the mid-'50s. Discerning and disgruntled teenagers were looking backward, and radio programs were starting to focus on "oldies," even though these "oldies" may have been released only two or three years earlier.
Vinnie Narcardo and John Caassese
As luck would have it, the Capris' record found it's way in to the hands of Jerry Greene. At the time, Greene worked for Times Square Records, a legendary New York City "oldies" store that supplied DJ Alan Fredericks with material for his Night Train radio show. Fredericks played the record and now kids were looking to buy it.
Greene was initially able to get a few hundred of the remaining copies of the record from Planet. With the demand exceeding the dwindling number of available copies, Greene finally purchased the masters from Planet, started his own label, and reissued "There's a Moon out Tonight" as Lost Nite 101. But the demand kept growing and so Greene turned to Hy Weiss, who released the disc again, now on his Old Town label.
By early 1961, the record had made the national charts and stayed there for over three months. With a national hit on their hands, the Capris reunited and soon were playing some of the country's most prestigious venues, like the Regal in Chicago and the Apollo in New York City. Trying to capitalize on the success of "There's a Moon out Tonight," Old Town released three more singles by the group, all in 1961.
"Where I Fell In Love" was an average ballad that borrowed lyrically from "Moon" but lacked it's energy. The flip side "Some People Think," another ballad, was a stronger effort by the group. It probably would have done better without the syrupy strings that were added. It barely broke in to the national charts, and quickly dropped out of sight.
Clay Cole (with The Capris and The Ronettes)
Their next release, "Why Do I Cry," was a cliché-filled ballad, again with too much strings added. The flip side, "Tears in My Eyes," was another pleasant ballad by the group. But again, neither side registered with the fans. For their last Old Town pairing, they broke with the back-to-back ballad formula of the previous two releases. "My Island in the Sun" was a nice mid-tempo number with a cha feel.
The flip "Girl in My Dreams" was a decent ballad, although with some overly busy string bass work that somewhat intrudes on the group's vocal efforts. This one also scratched at the bottom of the charts but never took off. Some previously unreleased Capris tracks for Old Town have now been made available on a series of CDs put out by England's Ace Records.
1962 saw the group leave Old Town and move over to the Mr. Peeke label for a single release "Limbo" backed with "From the Vine Came the Grape." Neither of these tunes captured the public's attention. So, by 1963, the Capris were dissolving again, with Santo becoming one of New York City's finest. Over the next few years there would be other personnel changes as the group continued on with performances. But for the next big event in the history of the Capris, we'll fast forward about 20 years.
Clay Cole (with The Capris and The Delicates)
In 1982, Nick Santo re-joined the group and they went in to the studio to record a new album, There's a Moon out Again, for Ambient Sound. Besides doing covers of some Doo Wop classics, the Capris also included a couple of original tunes. One of these was a song called "Morse Code of Love."
The Capris (1969)
The tune sounded like it came right out of the late '50s, and many thought it was in fact an overlooked "oldie." It was also released as a single in 1982, backed with "There's a Moon out Again." And the song got even more exposure when Manhattan Transfer decided to cover it.
The Capris (1982)
Over the years, "Morse Code of Love" has only grown in popularity and has become one of the most requested tunes on oldies-type radio stations. Once again the Capris scored a home run with a 1950s sound that touched the heartstrings of the listeners and evoked the spirit of a time when life was simpler. Jim Dunn, All Music Guide
The Rag Dolls 1964 - Society Girl / Ragen (Society Girl Bossa Nova) (Parkway 921) 1964 - Dusty / Hey, Hoagy (Mala 493) 1964 - Baby's Gone / We Almost Made It (Mala 499) 1965 - Put A Ring On My Finger / Little Girl Tears (Mala 506)
The Beach Girls (2) 1965 - Goin' Places / Skiing In The Snow (Dynovoice 202)
Biography :
Originally from Sarasota, Florida (Though born in Weymouth, Massachusetts) Jean Thomas had moved to New York in the early 60s and recorded as a solo artist for Cadence and M-G-M. Pitch perfect, she began picking up extra work as a demo singer and from there graduated to full session work, sometimes accompanied by an old friend from Sarasota, Mikie Harris who sang with the Ardons. The recording community liked Thomas for her ability to emote with all the chutzpah of an eager novice getting his first break in a recording studio, even though she was a pro in her mid-twenties.
Jean Thomas
Crewe had used Thomas on "Society Girl" by the Rag Dolls (a fabricated 'answer' record to the 4 seasons' "Rag Doll") which had dented the Hot 100 in late 1964. Consolidating with a second release, "Dusty", Crewe had Thomas and Harris lay down their vocals over a storming track by 4 Seasons arranger Charlie Calello. The winning four seasons groove bagged a lot of airplay, pushing "Dusty" to # 55 in February 1965, and led to a demend for a group that did not exist outside the confines of a recording studio.
Thomas preferred the quiet backwaters of studio work to the limelight and toured only briefly as a member of the Rag Dolls. The sessions for ‘Dusty’ were on 24th and 27th October and again on 12th November 1964 to perfect the mix, with ‘Skiing In The Snow’ and ‘Hey Hoagy’ also being recorded. The latter would become the cute ‘B’ side to ‘Dusty’ whilst Bob would release ‘Skiing In The Snow’ as the Beach Girls on Dynavoice 202 to provide another classic harmony laced girl group sound
1960 - Benny Lou And The Lion / It Took Time (Lummtone 103) 1960 - Too Far To Turn Around / Married Jive (Lummtone 104)
Biography :
In 1959 the Cubans disbanded (they would not have been too popular under that name anyway during Castro's Cuban revolution), and David Johnson hooked up with Lummtone Records, owned by Lummie Fowler. He formed the Upfronts (a name Lummie came up with), who included Harris and Sanders of the Cubans, Bobby Relf of the Laurels (lead and second tenor), and a mystery man remembered only as Theotis (first tenor).
Bobby Relf of the Laurels
Their first 45, "It Took Time," got a good LA response, but their second, "Too Late to Turn Around," did nothing. They became little Caesar & the Romans. A new Upfronts was formed by Lummie Fowler that included a young bass singer from the area named Barry White. Jay Warner - American singing groups: a history from 1940s to today
Terry & The Tyrants ( (Los Angeles) aka The Rainbows (4) aka The Turn-Arounds
Personnel :
Terry Evans
Jewel Akens
Jimmy Russell
Thomas Turner
Discography :
The Rainbows (4) 1963 - Till Tomorrow / Mama, Take Your Daughter Back (Gramo 5508)
Terry Evans 1963 - Just 'Cause / So Nice To Be Loved (Kayo 5102)
Terry & The Tyrants Single : 1964 - Weep No More /Yea, Yea, Yea, Yea, Yea, Yea (Kent 399) Unreleased : 1964 - Say It Baby (Kent) 1964 - Love Me To Death (Kent)
The Turn-Arounds Single : 1964 - Run Away And Hide / Ain't Nothin' Shakin' (Era 3137) Unreleased : 1964 - Tic Tac Toe (Era)
Biography :
Terry & The Tyrants, a foursome that also recorded as The Rainbows in 1963 and as The Turn Arounds in 1964, included Jewel Akens, Terry Evans, Jimmy Russell & Thomas Turner. The grand tradition of RnB vocal groups,Terry & The Tyrants start out with a ballad and then proceed to romp up a bit on the flip. Only, these guys are singing soul rather than doo-wop, and a terrific, churchy, deep soul at that.
Jewel Akens
Jewel Akens recorded with Eddie Daniels as Jewel and Eddie on the Silver Records label in 1960. A number of his recordings featured Eddie Cochran on guitar. Jewell was part of the Four Dots, a group led by Albert ("Jerry") Stone, formerly of the Fascinators, who had recorded for Dootone. He later went solo and recorded "The Birds And The Bees" in 1965, on the Era Records label. The single went to Number 3 in the Billboard Hot 100 chart that year, and Number 2 on the Cash Box chart.
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