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The Ran-Dells

Posted on by dion1


The Ran-Dells (New Jersey)


Personnel :

John Spirt

Robert Lawrence Rappaport

Steven Rappaport

 

Discography :

1963 - Sound Of The Sun / Come On And Love Me To (Charmain 4407)
1964 - The Martian Hop / Forgive Me Darling (Charmain 4403)
1964 - Beyound The Stars / Wintertime (RSVP 1104)



Biography :

The group consisted of three first cousins: Steven Rappaport, Robert Rappaport and John Spirt. Steven was from Villas, New Jersey and the others were from nearby Cape May, New Jersey. In the early 60's certain things became fashionable, such as space exploration and dance songs. The three cousins were in college when they began discussing writing a song that included these themes. Within minutes they came up with a song they called Martian Hop. Steven had worked as a disc jockey under the name Steve Randle -- hence the group's name, the Ran-Dells. In January of 1963 the three students made a master of the song, with Robert on lead vocals in his natural falsetto voice and playing guitar, and the other two singing the doo-wopish ba-ba-um-mum-mum's and playing the other instruments on the record.

  

It cost Steven $330 to produce the master, a rather significant amount at that time. Brill Building songwriter Gerry Goffin was in the studio when the song was recorded. He liked it and brought it to producer Don Kirschner. Kirschner signed the group; the record was released in June of 1963 on Kirschner's Chairman label. The members of the Ran-Dells were surprised when they heard it on their car radio four weeks later, when it was spun by Cousin Brucie on WABC. The song began to climb the charts. It was a big hit overseas, reaching number one on the charts in France, Israel and West Germany. In the USA it went as high as number sixteen on Billboard. Worldwide the record sold more than 1 million copies.

   

The Ran-Dells were stars, if only for a brief time. They appeared on American Bandstand on August 22, 1963. They tried a couple of follow-up songs but without much success. Steven Rappaport recalled receiving a check in the amount of $32,000 in the days when a Pontiac Grand Prix sold for $2,200. Having been razzed by his college buddies during the year he made the record, he got the last laugh by taping a copy of the check to the front of the door of his dormitory room at Brandeis University. Martian Hop was chosen as one of the top songs of the 60's by Doctor Demento, who calls it "neo-doowop." It is a fun novelty song that reflects its era in American pop music.
http://www.tsimon.com/ran-dell.htm

 

Songs :

   
Beyound The Stars                                     Wintertime       
 

   
The Martian Hop                               Sound Of The Sun

 

...

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The Pentagons aka The Shields (2) aka The Chesterfields (3)

Posted on by dion1

The Pentagons aka The Shields (2) aka The Chesterfields (3)

Carl McGinnis , Kenneth Goodloe, Josephus Jones, Otis Munson & Ted Goodloe

The Pentagons (San Bernardino, Los Angeles)
aka The Chesterfields (3) aka The Shields (2)

 

Personnel :

Josephus Jones "Joe C. Jones" (Lead)

Otis Munson (Tenor)

Kenneth Goodloe(Tenor)

Ted Goodloe(Baritone)

Carl McGinnis (Bass)

Bill James

 

Discography :

The Pentagons
Singles:
1958 - It's Spring Again / Silly Dilly(Speciality 644)
1960 - To Be loved (forever) / Down At The Beach(Fleet Int'l 100/Donna 1337)
1961 - For A Love That Is Mine / I Like The Way You Look(Donna 1344)
1961 - I Wonder (If Your Love Will Ever Belong To Me) / She Loves Me(Jamie 1201)
1962 - Until Then / I'm In Love(Jamie 1210 / Caldwell 411)
1964 - Gonna Wait For You / Forever Yours(Sutter 100)
Unreleased:
1960 - Walking Alone (Donna)
1962 - Help Me With My Broken Heart (Jamie)

The Shields (2)
1960 - You'll Be Coming Home / The Girl Around The Corner (Falcon 100/Trans.1013)

The Chesterfields (3)
1962 - You Walked Away / A Dream Is But A Dream (Philips 40060)

 

Biography :

The original Pentagons group, which was assembled in 1958, comprised the Goodloe brothers, McGinnis, plus Bill James as tenor and Johnny Torrence as lead. They recorded one unsuccessful single for Specialty Records, and then Torrence and James departed to be replaced by Jones and Munson, respectively. A trip to Los Angeles that same year attracted the attention of George Motola's Fleet International, a label Motola owned with Lee Silver. The group recorded a single, "You'll Be Coming Home Soon," which Motola released under the name the Shields.

 

They were forced to change their name to the Pentagons after discovering a local act from Los Angeles had a hit that year under the same name ("You Cheated").In 1961 the group had a big hit with a Ken Goodloe song, 'To Be Loved (Forever)' (number 48 pop). It was released on Bob Keane's Donna label, but after one follow-up on Donna the group moved to the Jamie label.

   

They reached the charts again during 1961 with this Goodloe composition, 'I Wonder (If Your Love Will Ever Belong To Me)' (number 84 pop). Ricky Nelson was so impressed with the song he recorded it in 1964.In 1962 the group cut two great early soul singles under the alias of the Chesterfields but with no additional hits forthcoming, the group disbanded and faded into obscurity.

 

Songs :

The Pentagons

      
To Be Loved                           Until Then                            I'm In Love

        
It's Spring Again / Silly Dilly         I Wonder / She Loves Me               Forever Yours             

      
Gonna Wait For You           I Like The Way You Look          For A Love That Is Mine

       
           Down At The Beach                  Walking Alone             Help Me With My Broken Heart

The Shields (2)


You'll Be Coming Home / The Girl Around The Corner

The Chesterfields (3)

  
You Walked Away                             A Dream Is But A Dream

 

...

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The Rosebuds (1)

Posted on by dion1

The Rosebuds (1) (New York)

 

Personnel :

Dorothy Pasqualini (Lead)

Rosemarie De Santis

Virginia Petasso

Mary Salta

 

Discography :

Singles :
1957 - Dearest Darling / Unconditional Surrender (Gee 1033)

1959 - Kiss Me Goodnight / Joey (Lancer 102)

Unreleased :
1957 - Darling I Love You So (Gee)

 

Biography :

The Rosebuds, four singers from Brooklyn got such a chance in 1957 when they were part of a superb roster of talent, scoring a run in the process. The Rosebuds were from the Bay Ridge/Bensonhurst area of Brooklyn and attended New Utrecht High School. The quartet enjoyed singing for fun, never thinking that they would actually record anything. Through a parent's contact, the girls landed a deal with Gee Records, known for its Rhythm & Blues and Rock & Roll acts. Their passing fancy for singing did not go unheralded. The girls recorded two sides for Gee. The A-side was “Dearest Darling”, a warm ballad with Dorothy deftly handling the lead role. The song merited local airplay around New York City.

  

Since most acts singing for the label in 1957 were black, this foursome of Italian- American girls stood out on the roster when they made a personal appearance at Alan Freed's Easter Jubilee at the Brooklyn Paramount Theatre in March of 1957. Other Gee-Rama acts on the program were Frankie Lymon and The Teenagers, Little Billy Mason, The Harptones and The Cleftones.

 After the initial single, Dorothy left to pursue a solo career. The remaining trio, with Mary Salta on lead, recorded one more vivacious single in 1959 entitled, “ Joey”, flipped with “Kiss Me Goodnight” for the Goldner-distributed Lancer Records. After this, the group Disbanded.

 

Songs :

      
Dearest Darling                Unconditional Surrender              Kiss Me Goodnight



Darling I Love You So

 

 

 

...

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The Octaves (1)

Posted on by dion1

The Octaves (1) (Philadelphia)

 

Personnel :

Moses Oliver (Lead)

Paul Davis (Tenor)

Harmon Bethea (Baritone)

James Baker (Baritone)

Leo Carter (Guitar) 

 

Discography :

Unreleased :

1956 - I'll Never Fool My Heart (D.C.)
1956 - Open Up And Let Me In (D.C.)
1956 - I Just Lost My Sweetheart (D.C.)

 

Biography :

When the Cap-Tans dissolved, Harmon Bethea returned to Gospel singing with a group called the Progressiveaires. They were: Moses Oliver (lead), Paul Davis (tenor), Harmon Bethea (baritone), James Baker (baritone), Ezra Davis (bass), and Leo Carter (guitar). Carter had been with the Clefs who had recorded "We Three" for Chess and "I'll Be Waiting" for Peacock.

The Octaves (1)   The Octaves (1)   The Octaves (1)

The Progressiveaires appeared on the Arthur Godfrey Talent Scouts program and had a couple of releases on the (what else?) D.C. label in 1955. When Ezra Davis left, they changed their name to the Octaves, and did some recording (unreleased) for D.C.
 

...

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Bobby Lester & The Moonlighters (1) aka The Moonglows

Posted on by dion1


Bobby Lester & The Moonlighters (1) (Cleveland, Ohio)

aka The Moonglows



Personnel :

Bobby Lester (Lead/Tenor)

Harvey Fuqua (Lead/Tenor)



Discography :

1954 - So All Alone / Shoo Doo-Be Doo (Checker 806)
1954 - Hug And Kiss / New Gal (Checker 813)



Biography :

Between 1955 and 1957, the Moonglows reached the R&B charts frequently with hits like "Most of All", "In My Diary", "When I'm With You", "See Saw", "We Go Together", and "Please Send Me Someone to Love."


The Moonglows

Different styles defined the Moonglows lead singers: Fuqua favored the uptempo R&B/rock numbers while Lester sung more of the romantic ballads, for which the group was better known, and occasionally the two would share the leads, duet-style.

   

Although Lester and Fuqua are credited as forming a spinoff group called the Moonlighters, recording in 1955 for the Chess subsidiary label Checker, they paired on only two numbers released as by the Moonlighters, "So All Alone" and "New Gal." The flip sides of these two songs, respectively "Shoo-Do-Be-Doo" and "Hug And A Kiss" featured the full group.

   

The flip side of "Starlite" called "In Love" also featured a Lester-Fuqua duet.
Alan Freed promotes the tune and the "group within a group" concept.

http://www.uncamarvy.com/Moonglows/moonglows.html
http://home.earthlink.net/~v1tiger/moonglows.html



Songs :



New Gal



   
Hug And Kiss                       Shoo Doo-Be Doo

 

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The Renowns

Posted on by dion1


The Renowns (Akron, Oh)

 

 

 

...

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The Romaines

Posted on by dion1

The Romaines (New York)

 

Personnel :

Earl Plummer (Lead)

Romaine Brown (Bass)

Bobby Bushnell (Baritone)

Roy Hayes (Tenor)

Henry Tucker Green (Drums)

 

Discography :

The Romaines
Singles :
1954 - Your Kind Of Love / Till The Wee Wee Morning (Groove 0035)
Unreleased :
1954 - Long Time Dead (Groove)
1954 - Weight Broke The Wagon Down (Groove)


Romaine Brown & His Romaines
1956 - Soft Summer Breeze / Autumn Leaves (Decca 30054)
1956 - Ooba Dabba Dabba Da / Hold 'Em Joe (Decca 30122) 
1957 - When Your Lover Has Gone / Satin Doll (Decca 30399)

 

Biography :

This Philadelphia pianist and vocalist is mostly known as a member of the Five Red Caps, although he did strike out on his own with the Romaines, a group that together with the Icebergs and the Red Leafs definitely constitute the salad days of doo-wop. Actually, the band which began as the Red Caps began in the late-'30s days of jive, and one of Brown's specialities was that kind of swinging fast-paced music, sometimes complete with novelty vocal numbers. This was a talent he shared with the band's leader, Steve Gibbons. The latter performer was one of the Red Caps since its inception, while Brown came on board a few years later when pianist Beryl Booker became too sick to carry on with the group.

Soon thereafter the combo began its recording relationship with producer Joe Davis. "I've Learned a Lesson I'll Never Forget" was the opening salvo in what would be a four year relationship with Davis' Beacon label, and could easily have been written about any number of publishing agreements made by artists in this recording era.  The Beacon track "Boogie Woogie Ball" is a sample of Brown's instrumental style. In 1948, the band, now known as Steve Gibson & the Red Caps and signed to the Mercury label, had what would be its biggest record ever, a cover of the chestnut "Wedding Bells Are Breaking Up That Old Gang of Mine." Brown's vocal features on the group's Mercury run of recordings are particularly fine.

The Romaines

Romaine Brown & The Romaines in Miami Beach

By the early '50s, it was now Steve Gibson & the Original Red Caps and a small stack of different singles had come out. Sales were falling off, with the jivey mood of the 1951 "Did Ya Eat Yet Joe?" perhaps not the type of musical question the listening public wanted to be asked. Enterprising manager Nat Nazarro, checking out the popularity of the Nat "King" Cole Trio format, tried out a Red Caps Trio highlighting the more delicate interplay of Brown, Gibson, and a bassist, usually either Israel Crosby or David Patillo. This group also recorded as a backup unit for bluesman George "Bon Bon" Tunnell, who had gone to high school with Brown.

The Romaines

Brown finally made the big move in 1953: wilting under pressures from the band, he pulled out and formed his own group, the Romaines. Other members included Bobby Bushnell, a baritone vocalist and bassist; Roy Hayes, a tenor vocalist and guitarist; and drummer Henry Tucker Green, whose name sounds like a location for a cricket match. Lead tenor Earl Plummer joined soon thereafter, and was already a mate from the shifting lineup of various Red Caps outfits. In the summer of 1954, the Romaines signed with the groovy Groove label, later going on to record for Decca under the sway of Harry Mills of the Mills Brothers. The group stayed together through the end of the decade, but only Brown was only able to make Hayes stay around out of the original outfit. Brown tossed out the Romaines in 1959 and went back to the Red Caps salad bowl. He is once again heard playing piano on songs originating from a few sessions that were done before he once again headed out on his own, this time to try working as a single. From the '60s on, this is how Brown finished out his career. He and bandmate Spring died in the same year, 1987.

http://www.uncamarvy.com/RedCaps/redcaps.html

 

 

 


Songs :


Romaine Brown & His Romaines

   
Autumn Leaves                         Soft Summer Breeze

 

The Romaines


Your Kind Of Love / Till The Wee Wee Morning

 

...

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The Carlos Brothers aka The Shadows (3)

Posted on by dion1

The Carlos Brothers (Chicago)
aka The Shadows (3)

 

Personnel :

Jimmy Carlos

Pete Antoniano

 

Discography :

The Shadows (3)
1958 - Under the Stars of love / Jungle Fever (Del-Fi 4109)

The Carlos Brothers
1959 - Come On Let's Dance / Tonight (Del-Fi 4112)

1959 - It's Time To Go / Little Cupid (Del-Fi 4118)

1960 - La Bamba / It's Time To Go (Del-Fi 4145)

1963 - I Realize / Meet My Town (Zen 106)

 

Biography :

Jimmy Carlos and Pete Antoniano were brothers who shared the same mother but had different fathers. They are credited as being the first Los Angeles-based act to bring the Mexican duet style into rhythm & blues. They grew up in the Cabrillo projects in the city of Long Beach, California. Their early influences were all-black doowop & R&B groups. Jimmy & Pete went to Banning High School in the city of Wilmington, California. There, they began performing under the name the Shadows at talents shows  and shows for local car clubs.


El Monte Legion Stadium

They were asked to come and perform at El Monte Legion Stadium  at a show headlined by Ritchie Valens. Ritchie was impressed by duo and told them he would talk to his manager Bob Keane of Del-Fi Records. At the time Jimmy was 17 and Pete was 15. They recorded "Under Stars Of Love" and "Jungle Fever" under the name the Shadows.

   
Ritchie Valens                                                                 

It was released in September of 1958 but the record went nowhere possibly because using the name the Shadows, they were thought to be black. For their next single, the duo recorded "Tonight" and "Come On Let's Dance" For that session they were joined by Ritchie Valens who plays guitar on both sides. The record was released just one month after Ritchie's tragic death in February 1959. For this release & the next they used the name The Carlos Brothers.

 The Carlos Brothers aka The Shadows (3) 

Later in 1959, Jimmy & Pete would record "It's Time To Go" and "Little Cupid". In 1960 the brothers would record an updated version of La Bamba" and it would be released with "It's Time To Go" as the flip side. For the track " La Bamba" Ritchie's original track was used, Bob Keane added some violins and the Blossoms, a Los Angeles girl group added the backing. The Carlos Brothers would quit music for a while but returned in 1963 for producer H.B. Barnum. They cut "Meet My Town", a sort of Beach Boys-styled tribute to Los Angeles and "I Realize". These tracks were released on the Zen label.
http://wwwyoufoundthateastsidesoundcom.blogspot.fr/2011/08/eastside-legends-carlos-brothers-aka.html

 

Songs :

The Carlos Brothers

     
It's Time To Go                    Come On Let's Dance                    I Realize    

     
Tonight                                  La Bamba                           Meet My Town

The Shadows (3)


Under the Stars of love / Jungle Fever

...

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The Miller Sisters

Posted on by dion1


The Miller Sisters (Long Island, N.Y.)

 

 

Personnel :

Maxine Miller

Vernel Miller

Hedy Miller

Jeanette Miller

Sandy Miller


 


Discography :


1955 - Hipetty Ha / Until you'r mine (Herald 455)
1956 - Guess Who / How am i to know (Ember 1004)
1956 - Please Don't Leave / Do You Wanna Go (Hull 718)
1957 - Sugar Candy / My Own (Onyx 507)
1957 - Let's Start Anew / The Flip Skip (Acme 111)
1957 - You Made Me A Promise / Crazy Billboard Song (Acme 717)
1958 - Let's Start Anew / The Flip Skip (Acme 721)
1960 - Oh Lover / Remember that (Miller 1140)
1960 - Pony Dance / Give me some old-Fashioned love (Miller 1141)
1961 - You got to reap what you sow / Pop your finger (Glodis 1003)
1962 - I miss you so / Dance little sister (Rayna 5001)
1962 - Walk on / Oh Why (Rayna 5004)
1960 - Just Wait And See / Black Pepper (Instrumental)    (Hull 736)
1962 - Roll Back The Rug (And Twist) / Don't You Forget (Hull 750)
1962 - Cried All Night / Hully Gully Reel (Hull 752)
1962 - Dance Close / Tell him (Riverside 4535)
1963 - Baby your Baby / Silly girl (Rolette 4491)
1964 - Cooncha / Fell good (Stardust 3001)
1965 - Looking over my life / Si Senor (Yorktown 75)
1965 - Your Love / Please Don't Say Goodbye Dear (GMC 10003)
1965 - I'm telling it like it is / Until you comme home, I'll walk alone (GMC 10006)




Biography :

The sisters had a starring role in the first R&B motion Picture, Fritz Pollard's "Rockin' the Blues", in 1955.

   


The Millers were the daughters of Long Island A&R man, songwriter, & arranger William Milller (Hull, Onyx, Acme, Miller High Fi, Concha, Ember, Tri-Boro, Q, Rayna, Yorktown labels, etc.), & he taught his daughters well.


The miller sisters (1955) Thanks to Juan

Here they are featured doing two uptempo dance numbers: "Do You Wanna Go" (a re-titling of their own "Roll Back the Rug") & "Everybody's Havin' a Ball", both of which are far from their best material, & lip-synched here, but it's great just to see them in their only video appearance.

 

 

 

Songs :


  
Tell him                               Your Love



Give Me Some Old Fashion Love / Pony Dance

 

 

 

 

...

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The Diamonds (1)

Posted on by dion1

 

The Diamonds (1) (Harlem, New York)
 (By Hans-Joachim)

 

Personnel :

Harold "Sonny" Wright (Lead)

Daniel Stevens (Bass)

Myles Hardy (First Tenor)

Ernest Ward (Second Tenor)

 

Discography :

1952 - A Beggar For Your Kisses / Call, Baby, Call (Atlantic 981)   
1953 - I'll Live Again / Two Loves Have I  (Atlantic 1003)   
1954 - Romance In The Dark / Cherry  (Atlantic 1017)

 

Biography :

Long before the "Little Darlin'" Diamonds of Canada emerged on the music scene there was a New York City R & B group that had one of the most beautiful harmonystyles around. The group began as a trio from Harlem labeling themselves theThree Aces in 1948. Harold (Sonny) Wright on lead, first tenor Myles Hardy, andbass, Daniel Stevens. They became the Four Aces in 1951 when Ernest Ford joined, since Eight Aces already existed and a white quartet of Aces were emerging these Aces changedsuits to the Four Diamonds and later to just The Diamonds. In 1952 Sonny went solo at the Apollo amateur night contest and won.

After several more wins owner Bobby Schiffman offered him a week on the bill. Sonny told him about the group and Schiffman ran them thru an audition. He was so impressed he gave them a weeks worth of work and took them on for management.  Their first recordings were on October 29, 1952 & "A Beggar for Your Kisses" became there first single in December. "A Beggar" even though it had exquisite harmony went begging for air play. (The imperfection of early `50s recording techniques or just a rush to get the job done allowed the listener to pick up two of the Diamonds talking at the end of "Beggar" before the machine was turned off, and the record was pressed that way.)  Their next single, "Two Loves Have I" was a gorgeous ballad derived from a French melody, with Sonny singing his heart out and Myles's constant falsetto nearly establishing a trademark sound for the group.

      

 Seems like no one at Atlantic was paying attention what with the Clovers having great success with "Middle of the Night". Their last single was "Romance In the Dark" b/w "Cherry" the latter an outstanding side that deserved a better fate. They broke up in 1955 but not before they wowed audiences in Philadelphia's Town hall on June 17, 1955 along side Dean Barlow, The Crickets, Ruth Brown The Dreams, Bo Diddley, and Screamin' Jay Hawkins.


Songs :

   
A Beggar For Your Kisses           Call, Baby, Call



   
I'll Live Again                        Two Loves Have I


   
Romance In The Dark                         Cherry

 

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