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The Jaguars (1) aka The T-Birds (1) aka The Miracles (2)

Posted on by dion1

 
The Jaguars (1) aka The T-Birds (1) aka The Miracles (2)

(Fremont High, Los Angeles)

 


Personnel :

Herman “Sonny” Chaney (Lead)

Valerio “Val” Poliuto (Tenor)

Manuel Chavez (Baritone)

Charles Middleton (Bass)

 

 

Discography :

The Miracles (2)
1955 - A Gal Named Jo / You're An Angel (Cash 1008)
1955 - 9 Boogie (Cash) (Unreleased)

1955 - Let Us Be As One [aka Sweet Thing] (Cash) (Unreleased)

The Jaguars (1)
1955 - Rock It, Davy, Rock It / The Big Bear (Aardell 0002)
1955 - Rock It, Davy, Rock it / I Wanted You (Aardell 0003)
1955 - Be My Sweetie /You Don't Believe Me (SC) (Aardell 0006)
1956 - The Way You Look Tonight / Moonlight And You (R-dell 11)
1956 - The Way You Look Tonight / Baby Baby Baby (R-dell 11)
1957 - The City Zoo (retitled Baby Baby Baby) / I Love You Baby (R-dell 16)
1957 - Mine All Mine (Unreleased)
1957 - Come A-Runnin' (Unreleased)
1957 - Thinking Of You (R-dell) (Unreleased)
1957 - Look Into My Eyes (R-dell) (Unreleased)
1957 - You Have Come Back (R-dell) (Unreleased)

1958 - Hold Me Tonight / Piccadilly (Ebb 129) 

1958 - Never Let You Go  / I'll Make A Bet (Ebb 142)
1958 - Mine All Mine (Ebb) (Unreleased)

1958 - Come A-Runnin' (Ebb) (Unreleased)
1959 - Thinking Of You / Look Into My Eyes (Original sound 06) 

1960 - Don't Go Home/Girl Of My Dreams (R-dell 117)
1961 - Fine Fine Fine/It Finally Happened (Rendezvous 159/216)

1989 - Mellow Sunday / Our Summer Song (Classic artists 106) 

1990 - Play A Love Song / All On Me (Classic artists 113) 

1990 - Happy Holiday / [More Than Enough For Me - Feathers] (Classic artists 117)

The T-Birds (1)
1961 - Come On Dance With Me / Green Stamps (Chess 1778)
1961 - Taco Harry (Chess) (Unreleased)

1961 - Hog Wild (Chess) (Unreleased)

 


Biography :


From low-rider rock and roll to classical- meets- doo wop, the Jaguars, one of America's first interracial rock vocal groups, were a versatile los Angeles Quartet.
The Freemont High School foursome included Herman "Sonny" Chaney, lead, of Dallas, Texas; Valeric "Val" Poliuto, tenor, from Detroit; Manuel "Manny" Chavez , baritone, of Los Angeles; and Charles Middleton, bass, of Lafayette, Louisiana. Freemont was a harmony haven for mid-'50s groups.


Sonny, Charles & Val

Few schools in America have generated as many recorded groups; the Jaguars' schoolmates included Don Julian and the Meadowlarks (Dooto, probably the first integrated group), The Medaillons (Dootone), The Dreamers (Flip), The Flames (Later The Hollywood Flames, Ebb), and the Calvanes (Dootone).

The Jaguars first called themselves the Miracles. In 1955, big-band trumpeter turned would-be record exec Bob Ross formed Aardell Records at the office of his sheet music service. He signed up the Miracles and had them back his daughter Patti on a song written by his partner Buddy Ebsen (the actor on the "Davy Crockett" series and later star of TV's "Barnaby Jones").

   

"Rocket, Davey, Rocket" was then rerecorded by the group and issued as the flip side of the Manny Chavez-penned ballad "I Wanted You" issued in June 1955. Prior to the record's release Ross and the group decided to change their name but were stumped for an idea. Then comedian Stan Freberg came in the office, heard of their dilemma, and after a bit of contemplation over a candy bar volunteered "the Jaguars" (no bird names for this group!)


Charles Middleton, Manuel Chavez , Val Poliuto, Sonny Chaney and Hunter Hancock (1955)

"I Wanted You," a ballad too close in melody to the Richard Barret and the Chantels '1959 "Summer's Love" classic not to have influenced that recording, took off in Los Angeles and the group appeared on the first West Coast R&B TV show, Hunter Hancock's " Rhythm and Bluesville Show.


 (Hollywood Bowl, 1961, Val, Sonny & Manny)

But Aardell's distribution was limited and the record became strictly a local item. "You Don't Believe Me" was issued in November and earned a review in Billboard on January 21, 1956 that read, "The group tries hard here with slow paced rhythm and blues material, but the Overall effect is doubtful." The boys went back to the drawing board for a new song to record. Val and Sonny found it in a Los Angeles nightclub, where they heard a female vocalist performing the 1936 Fred Astaire hit "The Way You Look Tonight" (#1) over rock and roll triplets at the piano.

   

Val, a classically trained pianist who had once led an orchestra back in Detroit before he was 17, recognized the potential of the Jerome Kern- penned standard. He created a "Moonlight Sonata" (Beethoven) intro for the evergreen with a few classic harmony changes while turning it into a rock and roll ballad. Released in mid-1956, the record got plenty of radio play and was their biggest seller.


Val, Charles & Sonny (Circa 1960-61)

In October R-Dell (Ross had now revised the label's spelling, but unfortunately not its distribution) issued it again with more echo;  it came out at least twice more (Baronett 1962 and Original Sound 1965), each time with variables changes.
By 1957 the group had moved over to Ebb Records where they cut one single, "Hold Me Tight," and sang backup for Johnny Mathis's younger brother Ralph on a solid rocker called "Never Let You Go."When the single was issued later in 1958 ir read " By Ralph Mathis and the Ambers," but the group never adopted that name.


Charles, Val, Manny, Sonny & friend (Circa 1957-58)

In late 1959 the Jaguars moved to Art Laboe's Original Sound label and recorded "Thinking of You." They also became a temporary quintet: Manny missed the session but Tony Allen ("Night- owl," Specialty, 1955) and his fabulous falsetto along with Richard " Louie Louie" Berry on bass came in to beef up the harmony.
Original Sound's distribution was better than R-Dell's, and "Thinking of You" was extensively played around the country. Consequently the group performed with acts like Chuck Berry, Little Richard, and Jackie Wilson in venues from Long Beach Municipal Auditorium to the Hollywood Bowl.


At The Hollywood Bowl Rehearsal (1961)

Through all this, the group had never experienced a personnel change, a near miracle given the constant-state-of-flux that surrounded many los Angeles Groups.
By 1961 the Jaguars had become the T-Birds on Chess — just as the Jaguars name was getting national recognition due to Art Laboe's inclusion of "The Way You Look Tonight" on his first Oldies But Goodies LP.


It stayed on the charts for 184 weeks while Top 40 radio disc jockeys started playing the Jaguars and others from the LP —  the first of the '50s rockers to be exposed to the white masses via the oldies LP route.
From 1960 to 1966 Uncle Sam always had at least one Jaguar out of act ion; by 1966 the two black (Sonny and Charlie), one Chicano (Manny), and one Polish- Italian (Val) group decided to retire.


At The El Monte Legion Stadium in the Late '50s.

Val stayed in the business recording with the Nuggets (RCA) and playing piano on countless other records. In February 1962 when THE BEACH BOYS recorded a session that included "Surfin', Surfin' Safari" and "Little Surfin Girl," the performers were actually Brian and Dennis Wilson and Val Poliuto.


Val then became a solo performer. Charles Middleton went on to work on TV and film as a character actor, and Manny went to work for the LA Times. Sonny retired in the '80s after going blind, but it didn't stop him and the group from reuniting to perform in 1987.
Jay Warner (American singing groups: a history from 1940s to today)

http://www.uncamarvy.com/Jaguars/jaguars.html




Songs :


   
The Way You Look Tonight         Thinking Of You


   
Look Into My Eyes                Moonlight And You


   
I wanted You                        Rock It, Davy, Rock It





Cds :






Books :

 

 

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The Orchids (5)

Posted on by dion1


Session Guests : Terry Melcher (r.) and Bobby Darin sit during first Columbia session for the Orchids.

The Orchids (5) (New York)

 

Personnel :

?

 

Discography :

1964 - That Boy Is Messing Up My Mind / The Harlem Tango (Columbia 42913)
1964 - Tell Me A Story / From Bad To Worse (Columbia 43066)
1964 - Christmas Is The Time To Be With You Baby / It Doesn't Matter (Columbia 43175)
1965 - Love Is What You Make It / Good Good Time (Roulette 4633)

 

Biography :

Their debut 45 was surely bespoke in heaven for girl group connoisseurs, pairing, as it did, rare and fabulous compositions by those beloved and legendary husband and wife songwriting teams Ellie Greenwich & Jeff Barry and Carole King & Gerry Goffin. "That Boy Is Messing Up My Mind" was previously a standout number on the album by Greenwich-led group the Raindrops, while THE ORCHIDS' version of "The Harlem Tango" is the only known recording of the song, guaranteeing the disc a very high collectability status. Before moving to the Roulette label in 1965 for a final release cut with producer Teddy Randazzo, the young quintet delivered two further singles on Columbia, including the rare delight of a girl group Christmas record.


Songs :
 (Updated By Hans-Joachim)

        
That Boy Is Messing Up My Mind          The Harlem Tango           From Bad To Worse  

      
Christmas Is The Time ....               Good Good Time                     It Doesn't Matter      


Love Is What You Make It

...

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The Valiants (3) aka The Du Droppers aka The Bells (1)

Posted on by dion1


The Valiants (3)  (New-York)

aka The Bells (1) aka The Du Droppers


Personnel :

Joe Van Loan (Lead)

Willie Ray (Baritone)

Orville Brooks (Tenor)

Bob Kornegay (Bass)



Discography :


1959 - Let Me Go Lover / Let Me Ride (Joy 235)



Biography :


Van Loan, Ray and Kornegay had been together in the Du Droppers.
In 1959, Joe Van Loan, Willie Ray, Orville Brooks, and Dave Bowers formed the Buccaneers, who toured extensively, but made no recordings. When Dave left, he was replaced by Bob Kornegay .

   

They changed their name to the Valiants and recorded "Let Me Go Lover"/"Let Me Ride", released in September 1959, on the Joy label.
Orville Brooks went back a long way, having been with the Jubalaires in the early 1940s. Then it was on to the Golden Gate Quartet and the re-formed Larks (on Lloyds).

http://www.uncamarvy.com/Ravens/ravens03.html



Songs :

   
Let Me Go Lover                    Let Me Ride

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The Graduates (1) aka The Question Marks (2) ref The Playboys (4)

Posted on by dion1

The Graduates (1) aka The Question Marks (2) ref The Playboys (4)

The Graduates (1) (Buffalo N.Y)
aka The Question Marks (2) ref The Playboys (4)

 

 Personnel :

John Cappello

Bruce Hammond

Fred Mancuso

Jack Scorsone

 

Discography:

The Playboys (4)
1957 - Don't Do Me Wrong / Why Do I Love You, Why Do I Care (Mercury 71228)

The Graduates (1)
1959 - Ballad of A Girl And Boy / Care (Shan-Todd 0055)
1959 - What Good Is Graduation / Lonely (Corsican 0058)

 

The Question Marks (2)
1959 - Ballad of A Girl And Boy / Concerto rock (Inst. by The Tune Rockers)  (First 102)

Johnny Holliday & The Graduates (1)
1963 - Goodbye My Love / Ballad Of A Boy And A Girl (Lawn 208)

 

Biography :

In 1956, six guys decided to form a vocal group. They were frat members and high school students (mostly at Lafayette High School and Hutch Tech). Jack Scorsone, Ronald Page, Bruce,Hammond, Raymond Baunler, Harold Rogers and Anthony Mancuso called themselves The Rays.  By 1957,  they went to a Buffalo demo studio and recorded their one original song, Jack’s “Why Do I Love You, Why Do I Care”. Local DJ Frank Ward flipped when he heard it and immediately played it on the air. It got a great response so he called up somebody affiliated with Mercury Records, played it over the phone, and Mercury expressed an interest. A few days later the boys got an offer to come to New York City to record it. Two things happened as they set about recording - they learned of the already-existing Rays (soon to hit with “Silhouettes”) and had to come up with a name change.

The Graduates (1) aka The Question Marks (2) ref The Playboys (4)
The Playboys (4)

A nearby copy of Playboy magazine gave them the inspiration. And they had to come up with a B-side. Jack Scorsone sat down and wrote “Don’t Do Me Wrong” off the top of his head. The group recorded it in two takes, with no chance to correct the couple bad notes that appeared! Back to Buffalo… the group was coming to grips with their whirlwind of success. In just a few short weeks they’d gone from demo to national label. Waiting for news of it they were asked to perform at a school assembly and were introduced as Recording Artists, to great adulation. And a few days later they started hearing “Why Do I Love You, Why Do I Care” on the radio.

Following the release of The Playboys' 45 membership changed and eventually settled into a lineup of Johnny Cappello, Bruce Hammond, Fred Mancuso and Jack Scorsone. They adopted a new name - The Graduates. DJs Tommy Shannon and Phil Todaro decided to issue a record on them, on their new label Shan-Todd (named for Shannon -Todaro). They'd previously hit with their first Shan-Todd release "Rockin' Crickets" by The Hot Toddys. The Graduates 1959 "Ballad of A Girl And Boy" came out as Shan-Todd 0055. Shan-Todd soon underwent a name change to Corsican Records, kept the same numbering sequence, in time for the next Graduates release ("What Good Is Graduation", also 1959).

The Graduates (1) aka The Question Marks (2) ref The Playboys (4)

They recorded this one at Buffalo Recording Service, scene of their first recording when The Playboys made a demo there. This time however it was a different group - John Cappello was now the lead vocalist. "Ballad of A Girl And Boy" made it on to the national Billboard Hot 100, at #74. The followup "What Good Is Graduation" did not make it onto the top charts, though it it hit the Bubbling Under The Hot 100 chart at #110. If there were local charts I'm sure these achieved Top Ten status, especially with the push the DJs behind the labels could give them. They were definitely played often on WKBW, a local station but one that reached far up and down the East Coast.

The Graduates (1) aka The Playboys (4) aka The Question Marks (2)      1959 - (L to R)  John Cappello , Jack Scorsone, Bruce Hammond and Fred Mancuso

Whether they got properly paid for the records is anyone's guess. Standard procedure back then was that artists would recieve little royalties but could expect the make money with live appearances. Some big shows in father cities had to be cancelled when the still-young members couldn't get time off from school to travel! But the group apparently had their largest-paying show close to home, when they received the then-astronomical sum of $1500 for a show at Rochester's War Memorial Auditorium. With no real management, member Bruce Hammond handled the money and they all got paid.

With some shows, some TV appearances, nothing was breaking for them, and the group drifted apart. In 1963 a new single appeared on Lawn Records coupling "Goodbye My Love" with "Ballad Of A Boy And A Girl". Now credited to Johnny Holliday & The Graduates, apparently most of the group was not informed of its release until after the fact. "Goodbye My Love" is actually a retitled version of "What Good Is Graduation" making this single something of a reissue - merely compiling their two former A-sides.



Nothing much happened with this 1963 release, but it's then-dated sound couldn't really compete in the year 1963 with the coming invasion. That same year the Beatles 45 was released on Lawn's parent company Swan Records. An interesting and curious side-note is that many years later the group became aware of a mysterious record using their recordings. In 1959 a record was released on the First Records label, aka Another First, which contained "Ballad Of A Boy And A Girl" but now credited to The Question Marks. This seems to be an out take from the original Graduates sessions.

The Graduates (1) aka The Playboys (4) aka The Question Marks (2)
Johnny Cappello with the Tune Rockers

The flip is also credited to The Question Marks but this is actually an out-take by The Tune Rockers ! Point of interest is that John Capello belonged to both groups, and Dick Lawrence - owner of First - had been involved in managing both groups. More interesting is the fact that the record doesn't seem to have been issued in an attempt to make a hit - the artists involved weren't informed, so there could be no promotion, and it was never distributed at all in their hometown!
https://wnyfm.wordpress.com/tag/the-playboys/

 

Songs :
(updated by Hans-Joachim)

The Playboys (4)

   
          Don't Do Me Wrong                   Why Do I Love You, Why Do I Care

 The Graduates (1)

  
Ballad of A Girl And Boy                               Care                 

  
What Good Is Graduation                                   Lonely                  

 Question Marks (2)


Ballad Of A Girl And A Boy / Concerto Rock

....

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The Vibes (1) aka The Vibranaires

Posted on by dion1

The Vibes (1) aka The Vibranaires 

The Vibranaires (1954) Clockwise from top : Bobby Thomas, Herb Cole, Roosevelt McDuffie, Mike Robinson & Jimmy Roache

The Vibes (1) (Asbury Park, New Jersey)
aka The Vibranaires






Personnel :

Bobby Thomas (Lead Tenor)

Roosevelt McDuffie (First Tenor)

Lenny Welch (Second Tenor)

William Penha (Baritone)

Joe Major (Bass)





Discography :

The Vibes (1)
1954 - Stop Torturing Me / Stop Jiving Baby ( Chariot 105)

The Vibranaires
1954 - Doll Face / Ooh, I Feel So Good (After Hours 103)



 



Biography :

Asbury Park, NJ-based R&B vocal group the Vibranaires formed in 1948. According to Marv Goldberg's profile in the September 1975 issue of Yesterday's Memories, the group was founded by lead tenor Bobby Thomas, a devout Orioles fan who modeled his vocals after the group's leader, Sonny Til. Baritone Herbie Cole (the nephew of drummer Cozy Cole), first tenor Ulysses Jackson, second tenor Albert Smith, and bass Willie Busby completed the original lineup, which at first operated as the Crooners. By 1950, only Thomas and Cole remained, with first tenor Roosevelt McDuffie, second tenor Mike Robinson, and bass Jimmy Roache filling the holes; Roache's amplified voice was reportedly so powerful it shook the walls, prompting a name change to the Vibranaires. 

The Vibes (1) aka The Vibranaires 

The Vibes (1956)  L to R :  Bobby Thomas, Lenny Welch, Joe Major & William Penha

 For a short time in 1953 the group worked with manager and songwriter Esther Navarro, who insisted on another name change, this time to the Cadillacs -- a demo was recorded but when an official release failed to materialize, the Vibranaires terminated their partnership.  In the meantime, the Vibranaires continued performing in New Jersey clubs, befriending Newark station WNJR DJ Joel Turnero, who in turn introduced the group to After Hours label owner Lexy "Flap" Hanford. On the eve of their first session for the label, Cole was arrested for stealing a bass guitar from a local club. He remained in jail while the remaining Vibranaires entered the studio, forcing them to create impromptu arrangements to work around his absence.

The Vibes (1) aka The Vibranaires
The Vibes (1956) Top L to R : Roosevelt McDuffie, Bobby Thomas, Lenny Welch  Bottom L to R : William Penha & Joe Major


 "Doll Face" appeared on After Hours in the summer of 1954, selling close to 40,000 copies in the face of minimal promotion. For the follow-up, "Stop Torturing Me," issued on Hanford's Chariot imprint, the group changed its name to the Vibes -- the shift may have resulted in the disc's disappointing sales, which prompted Hanford to cut them loose soon after. The Vibes rebounded by signing with promoter Bobby McNeil and touring the so-called "chitlin circuit" of black-owned nightclubs and theaters.


The Vibranaires (1964) - Top : Harry Accoo, Roosevelt McDuffie, Bobby Young - Bottom : Bobby Thomas

Roache was drafted in 1955, setting off a series of personnel changes that included the brief inclusion of Lenny Welch, who notched the solo hit "Since I Fell for You" in 1963. When Thomas was also drafted for military duty in 1958, the Vibes finally called it quits, although he and McDuffie later reunited in the V-Eights. In 1966, Thomas' wish was granted -- he finally joined his beloved Orioles, touring with latter-day incarnations of the group for over three decades.
http://www.uncamarvy.com/Vibranaires/vibranaires.html



 

 


Songs :



The Vibes (1)

   
Stop Torturing Me                         Stop Jiving Baby

 

The Vibranaires

   
Doll Face                                Ooh, I Feel So Good

 

 

 

 

...

 

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The Consorts (2) aka The Chuckles (3) aka The Four Clefs aka The Darts

Posted on by dion1

The Consorts (2) aka Chuckles (3) aka Four Clefs aka The Darts

The Chuckles (3) (Bronx, New York)
aka The Consorts (2) aka The Four Clefs aka The Darts

 

Personnel :

Bruce Laurent

Sal Donnarumma

Billy Abbate

Eddie Jacobucci 

 

Discography :

The Darts
1961 - Barbara Ann (Demo)
1961 - A Fool in love (Demo)
1961 - Runaround (Demo)
1961 - A mother's Love (Demo)

The Consorts (2)
Singles :
1961 - Please be mine / Time after time (Cousins 104/ Apt 25066)
1978 - Star Above / Carrie (Crystal Ball 111)
Unreleased:
1961 - No One Knows

The Chuckles (3)
1964 - On the Street where you live / I'll Wait (West Side 1019)

The Four Clefs
1966 - Please Be Mine (acapella) / Time After Time (acapella) (B-J 1000)

 

Biography :

Most stories about vocal groups are usually very similar. Only names, places and how they got their lucky break change. It was no different for four guys from the Bronx - Sal Donnarumma, Billy Abbate, Eddie Jacobucci and Bruce Laurent. They were seniors at Theodore Roosevelt High School and in 1960 they formed their first group, The Majestics. They Cut two demo's at Associated Studios in Manhattan. Johnny Falbo played Guitar and over dubbed the drums. He is bet known as Dion's guitar player who traveled with him on the road and played on some Columbia recordings. The Majestics brought the songs, both covers, to Lou Chiccetti, owner of Cousins Record Shop and the now famous Cousins Record Label.

  

Lou Like the group but was interested in only original material. At this point which is still not very clear, two things happened. The Majestics were friends with Ernie Maresca who would give them 4 songs which they would record as the Darts. Also Eddie Jacobucci was the young brother Of Dan Jacobucci, an original member of the Regents. In 1958, The Regents recorded 3 songs at associated Studios, the last being an original they use to warm up with "Barbara Ann".

The group had broken up and eddie saw no problem in taking the song for the Majestics/Darts. This was the song Lou Chiccetti decided he would record. Only problem was the song writer, Fred Fasscett, whose brother Chuck was also an original Regent, only wanted The Regents to record it. The Regents regrouped and the rest is History. To compensate the Majestics he would change their name to the Consorts and record two originals written by group members Sal & Billy.

  

Just before releasing the 45 on his cousins label, Lou placed the discs with Apt Records.
Sal would eventually work for Lou at Cousins Record shop where he met many song writers and artists. He lent his vocal talent on many Eenie Maresca demo's (ex-Unbelievable) and sang on a Few Frankie Lyndon 45's before Frank became a member of the Belmonts.  During this time song writer Tommy Bogdany had the group record 3 songs including the original version of "Carrie".  The tunes would eventually be released in the 80s on Crystal Ball records. The Consorts had changed personnel and their new lead singer, Dennis Mesciano was the former lead singer of the Visuals.

The Consorts (2) aka Chuckles (3) aka Four Clefs aka The Darts  

The Consorts had gone into the Studio and recorded a version of "On the Street Where You Live" they also did a fast version of "No one Knows" which seems to be lost and "I'll Wait" which was "Now That Summer's Thru" with different words. Once again they brought the material to Lou Chiccetti and once again he changed their name, This Time to The Chuckles and released the songs on his newly formed West Side Record Label.Sal would sell the Acappella masters to the Apt sessions and they would soon surface under the name The Four Clefs.
Ed Engel

 

Songs :

(updated by Hans-Joachim)

The Consorts (2)

   
Please Be Mine                                 Time after time

   
Star Above                             Carrie

    
          No One Knows           Time After Time (unrel. alt. take)
 

The Chuckles (3)

     
On The Street Where You Live                          I'll Wait

The Darts

   
Barbara Ann                        A Fool In Love

  
A Mother's Love                  Runaround

  The Four Clefs

   
Please Be Mine (acapella)           Time After Time (acapella)


...

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The Saphires (4)

Posted on by dion1

 


The Saphires (4) (London, England)



Personnel :



Roger Cook

Gill Stevens

Grant Heywood

Vernon Merrick

Brian Holly



Discography :


1958 - The Book Of Love / Why Don't They Understand / Let The Wind Blow / Down By The Riverside (Stan's Record)



Biography :

Roger Cook forms a vocal group, The Sapphires consisting of Gill Stevens, Grant Heywood, Vernon Merrick and Brian Holly.
The Sapphires win a national talent competition called the "Carrol Levis Discoveries" and on the strength of it, they tour the UK playing cabaret and U.S. Air Bases.

The Sapphires visit Stan's Record Centre at 5, Denmark Street, Bristol to cut their one and only disc consisting of The Book Of Love, Why Don't They Understand, Let The Wind Blow and Down By The Riverside.
Roger Cook's meets fellow Bristolian Harry Barter while performing with The Sapphires in Bedminster, Bristol, England. Harry becomes a close friend and Roger's manager.



The Londons

The Sapphires break up and Roger teams up with Avril Woolcot and June Stevens to form a new vocal group, The Londons .June's sister, Gill, joins later this year.


http://www.rogercook.com/chronology/chronology1.asp

 

 

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The Chargers (2)

Posted on by dion1

The Chargers (2) (Los Angeles)

 

Personnel :

Benny Louis Easley (Tenor Lead)

Dunbar John White (Tenor)

Johnny "Junior" White (Baritone)

Jimmy Norman Scott (Second Tenor)

Mitchell Alexander (Bass)

 

Discography :

Singles :
1958 - Old MacDonald  / Dandylion (RCA Victor 47-7301)
1958 - The Counterfeiter / Here In My Heart (RCA Victor 47-7417)

Unreleased :
 N/A - Rock And Roll Cowboy
 N/A - I Need Your Love
 N/A - The Counterfeiter (first attempt)
 N/A - Shotgun Wedding
 N/A - Wondering
 N/A - Country Boy
 N/A - Who Baby Who

 

Biography :

Los Angeles R&B group the Chargers formed in 1958. According to Marv Goldberg's profile in the July 1987 issue of Goldmine, tenor lead Benny Louis Easley, second tenor Jimmy Norman, tenor Dunbar John White, his baritone brother Junior, and bass Mitchell Alexander were all friends of R&B legend Jesse Belvin, and founded the group after harmonizing at his L.A. home.

   
                                                                                                                                   Jesse Belvin

Belvin also rehearsed with the group, brought them to his label RCA, and contributed uncredited vocals to their debut single "Old MacDonald." Issued in the summer of 1958, it proved a major hit in the East Coast market and squeaked into the national Hot 100. The Chargers resurfaced during the holiday season with "The Counterfeiter," but internal squabbles prompted the group to split in early 1959. Norman later enjoyed a successful career as a songwriter, teaming with Jerry Ragovoy (under the alias "Norman Meade") to pen the Irma Thomas classic "Time Is on My Side," later covered by the Rolling Stones; he also scored a solo hit with the deep soul cult classic "I Don't Love You No More (I Don't Care About You)." Jason Ankeny, Rovi

http://www.uncamarvy.com/Chargers/chargers.html

 

Songs :

   
Here In My Heart                            Old MacDonald



The Counterfeiter

 

...

 

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The Curls

Posted on by dion1

The Curls (New York)

 



Personnel :


Sue Singleton

Susan Terry

 



Discography :


The Curls

1959 - Imaginez Vous / Why Dindn't I Go (Everest 19319)
1960 - Like A Waterfall / He's My Hero (Everest 19350)

Paul Evans & The Curls

1959 - Seven Little Girls / Worshipping An Idol (Guaranteed 200)




Biography :

Sue Singleton, born Mary Louise Dollinger, had her own radio program in Scotts Bluff, Nebraska at the age of nine. She headed to New York in the 1950's to pursue her singing career. One of her early gigs was with, 'The Curls.'  Duo comprised Sue Singleton and Susan Terry.  Their only foray into the Hot-100 chart was as backing vocalists for Paul Evans on "Seven Little Girls Sitting in the Back Seat."  For that song, they were hired (along with Paul) by songwriters Bob Hilliard & Lee Pockriss to record a demo,which wound up being released "as is," peaking at #9. 

   

The duo then released a pair of singles on Everest (neither of which charted), of which this was the first.  "Why Didn't I Go" is clearly intended as a followup to "Seven Little Girls ...," with very similar arrangements.  This song and the B-side, "Imaginez Vous,"were both Hilliard/Pockriss compositions.  Their second Everest single was "He's My Hero" b/w "Like a Waterfall." 

   

After, 'The Curls,' Sue landed on the Perry Como Show. She was the lead soprano in Perry's backup group, 'The Ray Charles Singers.' She was often-tapped to perform duets with Perry on this 'live' variety show. Her stint on television lasted six-years.

The Curls 

Sue Singleton

She became a voice teacher in the late sixties. She moved to Phoenix, Arizona where she taught voice and performed as a church soloist until her passing in 2009
By David Craver

 

 


Songs :


The Curls

  
Like a Waterfall                                 Why Dindn't I Go


Paul Evans & The Curls

  
Seven Little Girls                    Worshipping An Idol

 

 

Movie :


Paul Evans & The Curls

 
Seven Little Girls

 

 

 

 

 

...

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The Markeeds

Posted on by dion1


The Markeeds



Personnel :

Frank DePaola

Margaretann Grieco Cariati



Discography :

1958 - Merry-Go-Round ???


Video :


Book of Love (Ted Mack Amateur Hour)

 

 

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