Left to right: Ralph Byrd and Leroy King Front Row: left to right: Roy Ford, Richard Johnson, Dorsey Porter and John Bolden
The Students (2) (Cincinnati, Ohio)
Personnel :
Leroy King (lead)
Dorsey Porter (First Tenor)
Roy Ford (Second Tenor)
John Bolden (Baritone)
Richard Johnson (Bass)
Ralph Byrd (Guitar)
Discography :
The Students (2) Singles: 1958 - I'm So Young / Every Day Of The Week (Note 10012/Checker 902/Argo 5386) 1959 - My Vow To You / That's How I Feel (Note 10019/Checker 1004) 1973 - I'm So Young / My Vow To You (Chess 9024) Unreleased Demo 1959 - Because Of You 1959 - Early Morning Dew 1959 - How do you speak to an Angel 1959 - I Love You
Jimmy Coe & The Cohorts (The Students on Wazoo) 1958 - Wazoo!! / Shuffle Stroll( Jimmy Coe Orchestra) (Note 10013)
Biography :
The Students were a vocal group from Cincinnati, Ohio. Their recordings were backed by the Jimmy Coe band which included guitar great, Wes Montgomery. The groups hits, "I'm So Young" and "Every Day Of The Week" were written by William H. “Prez’ Tyus. He gave the songs to a local group called the D’Italians. They were signed by Chess Records and changed their name to The Students. On May 29, 1961 The Students charted their only national hit record, "I'm So Young" on Argo Records. The single became a big R&B hit on the Billboard R&B singles chart, as it reached #26. The flip side of the single is another great doo-wop favorite "Every Day Of The Week", it failed to chart but became a favorite with their fans and radio DJ’s of the day.
Jimmy Coe Wes Montgomery
The Students hit record had originally been on record in 1958 on the Note Record label, but failed to chart at that time. It was also released on Checker Records. The group began touring in 1958 and played the Apollo Theatre in New York later that year, sharing the stage with legends Ruth Brown and The Moonglows. They continued to tour the country playing in Philadelphia at the Uptown Theatre, with the “Genius” Ray Charles and Roy Hamilton.
Kennedy, Bolden, Stanford & Johnson (70s Students)
Then back on the road. In 1961 their single was re-released, through the efforts of legendary Slim Rose, owner of Times Square Records, one of the most famous record shops in the world. Later in 1962 the group re-released another single record, "My Vow To You" "That's How I Feel" but neither side charted and following that The Students disbanded. In 1964 Roy Ford one of the original Students met Johnny Mannino while in the military. They re-formed the group, performing in many top venues across the country. http://www.uncamarvy.com/Students/students.html http://local.cincinnati.com/share/news/story.aspx?sid=189043 http://joetroiano.wordpress.com/2011/05/14/
Songs :
I'm So Young Every Day Of The Week
My Vow to You That's How I Feel
Because Of You (unreleased demo) Early Morning Dew (unreleased demo)
I Love You (unreleased demo) How do you speak to an Angel (unreleased demo)
Bobby Lester & The Moonlighters 1954 - So all alone / Shoo doo be doo（Checker 806） 1954 - Hug and kiss / New gal（Checker 813）
The Moonglows 1952 - I just can't tell no lie / I've been your dog（Champagne 7500） 1953 - Baby please / Whistle my love（Chance 1147） 1954 - Just a lonely christmas / Hey santa claus（Chance 1150） 1954 - Secret love / Real gone mama（Chance 1152） 1955 - I was wrong / Ooh rocking daddy（Chance 1156） 1955 - 219 train / My gal（Chance 1161） 1955 - Sincerely / Tempting（Chess 1581） 1955 - Most of all / She's gone（Chess 1589） 1955 - Foolish me / Slow down（Chess 1598） 1955 - Starlite / In love（Chess 1605） 1955 - In my diary / Love love me（Chess 1611） 1956 - We go together / Chickie um bah（Chess 1619） 1956 - When I'm with you / See saw（Chess 1629） 1956 - Over and over again / I knew from the start（Chess 1646） 1956 - I'm afraid the masquerade is over / Don't say goodbye（Chess 1651） 1957 - Please send me someone to love / Mr. engineer（Chess 1661） 1957 - The beating of my heart / Confess it to your heart（Chess 1669） 1957 - Too late / Here I am（Chess 1681） 1958 - In the middle of the night / Soda pop（Chess 1689） 1958 - This love / Sweet than words（Chess 1701） 1959 - I'll never stop wanting you / Love is a river（Chess 1717） 1960 - Beatnick / Junior（Chess 1770） 1962 - She loves me so / Whistling about you（Tri Phi 1010） 1962 - She loves me so / Any way you wanta（Tri Phi 1017） 1963 - Memories of you / Come on and answer me（Tri Phi 1024） 1962 - Secret love / Real gone mama（Vee Jay 423） 1972 - Sincerely ' 72 / You've chosen me（Big P 101） 1972 - Sincerely / I was wrong（RCA Victor 74 0759） 1972 - When I'm with you / You've chosen me（RCA Victor 74 0839）
Harvey & The Moonglows 1958 - Ten commandments of love / Mean old blues（Chess 1705） 1959 - Twelve months of the year / Don't be afraid of love（Chess 1725） 1959 - Mama loocie / Unemployment（Chess 1738） 1970 - Ten commandments of love / Ten Commandments of beautiful hair（Chess/Protein 21 P21 01)
Bobby Lester & The Moonglows 1962 - Blue velvet / Penny arcade（Chess 1811）
Pete Graves & The Moonglows 1964 - Sincerely / Time after time（Lana 130） 1964 - Most of all / What a difference a day makes（Lana 131） 1964 - In my diary / Blue velvet（Lana 132） 1964 - See saw / Love is a river（Lana 133） 1964 - We go together / Shoo doo be doo（Lana 134） 1964 - Ten commandments of love / Half a heart（Lana 135） 1964 - Baby, please / I've got the right（Times Square 30） 1964 - My imagination / Gee（Crimson 1003）
Unreleased (Chess/Checker) :
Such A Feeling Doubtful He Lied Thrill Me No One Doubtful Let's Go Chick Cumba Let's Go Steady Chickie-Um-Bah Let's Go Steady This Love Let Me Hold Your Hand What Are You Going To Do Barcelona Rock Love Me True Slop Stroll Walk
Eps :
EP 5122 - 58 Love Is A River / Ten Commandments Of Love / Blue Velvet / Mean Old Blues
EP 5123 - 58 This Love / Penny Arcade / I'll Stop Wanting You / Sweeter Then Words
Lps :
1956 - Rock rock rock (Chess LP-1425) I Knew From The Start, Sincerely, Over and Over Again, See Saw
1958 - Look, It's The Moonglows (Chess LP-1430) Love Is A River, Blue Velvet, This Love , When I'm With You, I'll Stop Wanting You, Don't Say Goodbye, Ten Commandments Of Love , Kiss Me Baby , Penny Arcade, Mean Old Blues , Sweeter Than Words , Cold Feet
1962 - The Best Of Bobby Lester And The Moonglows (Chess LP-1471) Sincerely, See Saw, In My Diary, Blue Velvet, Don't Say Goodbye, We Go Together , Ten Commandments Of Love , Most Of All, Please Send Me Someone To Love , Over And Over Again
1964 - The Moonglows (CS-2 Collectors Showcase Vol. II) I Was Wrong, Real Gone Mama , My Gal , 219 Train, Oh Rockin' Daddy, Secret Love, Fine Fine Girl, My Love , Whistle My Love, Lonely Christmas , Baby Please , Hey, Santa Claus
1972 - The Return Of The Moonglows (LSP-4277) Sincerely, When I'm With You, You've Chosen Me, I'll Stop Wanting You, Penny Arcade, The Ten Commandments, Most Of All, I Was Wrong, The Beat Of My Heart, Love Is A River
1979 - Bobby Lester & The Moonglows - One More Time (Relic LP 8001) In My Diary, The Beating Of My Heart, Whistle My Love, When I'm With You, Just A Lonely Christmas, See Saw , Sincerely, 10 Commandments Of Love, We Go Together, Love Is A River, Hey Santa Claus, Please Send Me Someone To Love, Most Of All, Secret Love
Biography :
The Moonglows were among the most important R&B groups of the 1950s, despite the fact that they only had a handful of hits among fewer than 50 recorded songs, in a history that lasted just six years, in sharp contrast to such acts as the Orioles and the Drifters, who were together across decades and recorded huge bodies of work.
Chicago-born Harvey Fuqua (born July 27, 1928) was part of a musical family virtually from birth, as the nephew of Ink Spots guitarist Charlie Fuqua, and before he was in his teens was aiming for a career of his own in music. He grew up in Louisville, KY, where he learned the piano and also began singing with his high school classmate Bobby Lester (born January 13, 1930; died October 15, 1980) at dances.
Harvey Fuqua
They formed a professional duo in Louisville during 1949, after both finished brief periods of serving in the military, and were soon working with saxman and bandleader Ed Wiley, and it was in his group that they started singing jump and blues. Eventually a lack of earnings led them to split up, with Fuqua moving to Cleveland, where he crossed paths with an army buddy, Danny Coggins, and a neighbor of his, Prentiss Barnes (born April 25, 1925), who'd previously been a gospel singer, and formed a trio.
Fuqua brought Lester into the group, which was known as the Crazy Sounds, and they started to get work in the area around Cleveland. They were an improvisational singing group that specialized in a technique called vocalese, using their voices to replace instruments, basically in a jazz context, somewhat similar to the work of the Swingle Singers and the Manhattan Transfer.
Their first break came in 1952 when they came to the attention of local disc jockey Alan Freed, who was already making a name for himself playing R&B records. They auditioned and did well enough to earn a chance to record on Freed's own Champagne Records label, changing their name to the Moonglows in the process in an effort to hook their recognition to Freed's on-air persona as "Moondog."
The group enjoyed a modest local hit with a Lester composition, "I Just Can't Tell No Lie." They began performing in venues throughout the industrial Midwest and underwent their first membership change when Coggins quit for a more stable life as a gas station owner. He was replaced by Alex Walton and Alexander Graves.
Lester and Fuqua shared the lead vocal spot, sometimes even on the same song, and both of them had a keen interest in songwriting as well. The group was special not only for their mix of subtle polish and visceral excitement, but also the sheer attractiveness of the singing and the way in which their arrangements locked it all together -- Lester and Fuqua were the leads and the most visible talents, but there were no weak links anywhere in the Moonglows' sound; from bass to the occasional falsetto, all of the singing was dazzling, animated, and bracing, whether on the jump numbers or the ballads; each of their finished records was the total package, distinctly voiced, gorgeously textured, and exciting.
In the early fall of 1953, Freed landed the group a contract with Chance Records, a small Chicago outfit that was making a serious noise in blues and R&B, and already had the Flamingoes and the Spaniels under contract. For a year, they tried to chart with ballads -- including a killer version of "Secret Love" with Lester singing lead -- and jump numbers but saw little success at Chance, before they were dropped.
In October of 1954, the group moved to Chess Records, and their first session was one of the most productive in the history of the label, yielding 13 songs including one of the biggest hits in Chess' history, "Sincerely" -- authored by Fuqua (with Freed taking half the royalties as "co-author," a common arrangement at the time for Freed and other managers), the Moonglows' recording charted in December of that year and bumped "Earth Angel" by the Penguins out of the number one R&B spot the following month, and later climbed to number 20 on the Hot 100 pop chart. The single rode the R&B listings for 20 weeks and sold over a quarter of a million copies, an extraordinary number for Chess in those days and all of it happening before R&B had fully crossed over to white listeners.
It was numbers like this that were delighting independent executives like Phil and Leonard Chess, and giving ulcers to executives at the major labels, who saw something happening in music that they'd somehow missed over the preceding year or two and were having trouble grasping even then. In the case of "Sincerely," it was such an attractive song that it begged to be covered by other artists in other styles -- thus, the Moonglows became one of the earliest R&B groups to see an original of theirs picked up by a pop act, when the white sibling vocal trio the McGuire Sisters covered "Sincerely" in a pop style and got a number one pop hit and a million-selling single out of it.
The success of the Moonglows' original version was the break they'd been waiting for, and they began playing some of the best gigs of their history, as part of Freed's huge package shows alongside acts like Joe Turner, the Clovers, and Lowell Fulson. In early 1955, the group's ranks expanded with the addition of Billy Johnson, a guitarist who'd previously played with Charles Brown. During the summer of 1955, the group was part of a package tour that included Muddy Waters, Sarah Vaughan, and Nappy Brown.
Alas, they found it difficult to repeat the crossover pop success of "Sincerely" -- the group did produce such worthy efforts as "Most of All" (number five R&B), "Foolish Me," "Starlite," and "In My Diary." Then, in the middle and latter half of 1956, they succeeded anew with the ballad "We Go Together," which reached number nine on the R&B charts and attracted considerable interest from young white listeners in the bargain; and the rock & roll number "See Saw," which reached number nine R&B and got to number 25 on the pop charts. During this period, Chess also briefly attempted to double-up on the group's approach to the airwaves and radio play lists by taking some of the sides featuring Lester and Fuqua together on lead and issuing those under the name "the Moonlighters."
The group's status in the hierarchy of rock & roll -- or, at least, that corner of it under the control of Freed -- was confirmed when the Moonglows were included in the jukebox movie Rock, Rock, Rock, working alongside Chuck Berry, the Flamingoes, LaVern Baker, the Johnny Burnette Trio, and Frankie Lymon & the Teenagers.
Later that same year, they also began work on what was to have been their debut LP, and early in 1957 they made another screen appearance, in Mr. Rock and Roll, a second jukebox feature, sandwiched in between many of the same acts as the prior movie -- this was to mark the last screen appearance of the original group, however.
During 1957, in the wake of their unfinished debut album, Lester receded from the lead vocal spot, yielding it to Fuqua, who already dominated the group as a producer, songwriter, and their de facto vocal arranger. "Please Send Me Someone to Love," which got to number five R&B and number 73 on the pop charts, featured Fuqua on lead vocals and reduced Lester to back-up. The friction between Lester and Fuqua continued through most of the year, and the latter's increasing control of the group's direction also caused friction with Barnes, Graves, and Johnson, who were more or less caught in the middle between the two most identifiable voices in the group.
Complicating their strained internal dynamics were the changes in public taste that had taken place since 1955 -- they not only couldn't decide who ought to be leading them, or agree on who should sing lead, but also on which direction their music should go in, toward the more pop-oriented sound of the Platters, who were selling large numbers of records to white audiences, or toward the harder sound that seemed to be coming out of some quarters of the black community, and seemed to be where black listeners were moving.
Torn by these multiple schisms, the Moonglows' lineup collapsed under circumstances that are still a bit murky, in terms of who decided what and who exited. In late 1957, a pair of sides were recorded featuring Fuqua and possibly Johnson, and in early 1958, a new single appeared entitled "Ten Commandments of Love," featuring Fuqua as a speaker.
It reached number nine as an R&B hit and number 22 as a pop single, the group's best pop performance in two years and one of their biggest sellers, except that it wasn't credited to the Moonglows -- rather, it was also credited to Harvey & the Moonglows, and precisely who was singing on it behind Fuqua is still a matter of conjecture; some sources attribute the back-up to the original Moonglows, whereas others say with assurance that it was Fuqua's "new" Moonglows, actually formerly known as the Marquees, a Washington, D.C., outfit consisting of Marvin Gaye, Reese Palmer, James Knowland, and Chester Simmons.
Marvin Gaye, Anna Gordy Gaye, Gwen Gordy Fuqua, Harvey Fuqua
What is clear is that they accompanied Fuqua over the next year or so, credited as Harvey & the Moonglows. The group's ranks changed quickly -- though he kept Gaye, who had sung lead on the group's recording of "Mama Loocie," with him -- and eventually included a young Chuck Barksdale, from the Dells. In addition to his work with the new group, Fuqua was featured on solo singles throughout 1958, including "Don't Be Afraid of Love," which he co-authored with Berry Gordy, Jr. and Billy Davis, and also turned up miming in the last (and best) of the Freed showcase films, Go Johnny Go.
Fuqua's professional association with Gordy had begun when they met, on the latter's visit to Chess to license the early sides of the Miracles; the two wrote songs together, and eventually Fuqua married Gordy's sister Gwen. He continued recording for several more years, including some legendary sides with Etta James, but increasingly concentrated on the purely creative rather than the performing side of music.
Etta James, Harvey Fuqua
After operating such independent labels as Tri-Phi (where he recorded not only his own and the later Harvey & the Moonglows stuff, but also the early Spinners, whom he discovered as the Domingoes, and with whom he sang as well), he joined Motown as the executive in charge of developing new talent, and became not only successful in that department but also as a producer and songwriter, and was collaborating successfully with Smokey Robinson in the 1990s.
Having had the group and the group name pulled out from under him, Lester went solo on the Chess label for a short time, before giving up performing for a decade. His name was well known enough and the recordings left behind with the group were good enough, however, so that as late as 1962 Chess saw the point in releasing a single credited to "Bobby Lester & the Moonglows," consisting of "Blue Velvet" and "Penny Arcade," the A-side culled from the group's abortive late 1956 album sessions -- this may have been simply Chess's way of trying to amortize everything but the kitchen sink in their operation, but it is difficult to imagine any other artist of the era, apart from Elvis Presley or Clyde McPhatter (or deceased figures such as Buddy Holly or Eddie Cochran), getting their six-year-old recordings pushed as new releases.
Johnson passed through gigs backing Jackie Wilson and Brook Benton before joining Motown Records, and passed away in the late '80s. Walton put together a new Moonglows lineup in 1964 to cover some of the group's '50s sides, but this effort didn't last long, and Graves and Barnes left the music business, and the original Moonglows were consigned to history, apart from Chess' periodic attempts to continue selling sides left in the vaults.
The label also released of a pair of LPs made up of the group's single sides, Look, It's the Moonglows (1959) and The Best of Bobby Lester & the Moonglows (1962). Chess kept several vestiges of the Moonglows sound alive more profitably when they signed the Dells, and the group's sound could also be heard in the early work of the Four Tops (who had also spent time on Chess) and the Temptations at Motown.
Lester tried reviving the group name twice, at the beginning and end of the '70s, and even recut "Sincerely" the first time around. That composition remained the jewel in Fuqua's songbag -- in 1990, 36 years after the Moonglows cut their version and 35 years after the McGuire Sisters' pop hit, the Forester Sisters' country rendition of "Sincerely" earned a Grammy nomination; that same year, filmmaker Martin Scorsese (who is known to take a very deep interest in the music used in his movies) used the Moonglows' version of the song in the film Goodfellas. Between the original and the successful covers, "Sincerely" bids fair to remain a popular song well into the 21st century. Bruce Eder, Rovi
The orginial denotations, of the 60s appeared in many places including the apolo theater. This doo wop group included Charlie Barnet, Jimmy Devine, Martinez and Willie Aguilar
1962 - Shall I Tell Him You're Not Here / Let Us Part For A Year (Big Top 3116) 1963 - Suddenly we're strangers / Oops There Goes Another Tear (Big Top 3136)
Biography :
Johnny Marsi was the lead singer in a teenage group called "The Youngtones" (Their big hit was Patricia), and Gil Rivera was in the Youngtones and then Bobby was in the Youngtones towards the end of it.
The Youngtones
Johnny Marsi was a local "star" because of it. They also did sessions in the Brill Building, which led them to Big Top Records, who signed Marci and The Mates.The label went out of business but the 4 songs they cut did receive a fair amount of Airplay. All songs were written by Doc Pomus & Mort Shuman. They recorded later as Hans, Chris & Anderson and as The Cottonfields.
Robert Ferraro
Songs :
Shall I Tell Him You're Not Here Oops There Goes Another Tear
The Specials (Los Angeles) aka The Olympics aka The Challengers (1)
Personnel :
Walter 'Sleepy' Ward（Lead）
Eddie Lewis（Tenor）
Charles Fizer（Baritone）
Discography :
1963 - I'm Leaving It All Up To You / Kissin' Like Lovers (Marc 103)
Biography :
In May 1963, Walter Ward, Charles Fizer, and Eddie Lewis from The Olympics released "I'm Leaving It All Up To You" (the Don & Dewey song)/"Kissin' Like Lovers" on Marc.
Paste up picture : Fizer, Lewis & Ward
However, probably so as not to compete with "The Bounce" (which didn't make the national charts until June), the group was billed as "The Specials" on this one. http://www.uncamarvy.com/Olympics/olympics.html
Scott Walker, born Noel Scott Engel on January 9, 1943 is an American singer-songwriter, musician, record producer, and the former lead singer of The Walker Brothers.
Scott Engel in Eddie Fisher TV Show
Engel begins recording pop-songs, whilst still a teenager, as Scott Engel and In 1962, he recorded a great doo wop under the name "The Chosen Few".
1956 - At My Front Door / Darla My Darlin' (Ancho 100) 1957 - Heavenly Love / Too Good To Be True (Ancho 101) 1958 - Drive In Movie / Somethin' Cool (Elmonts 1001) 1958 - Girl That I Love / I Often Wonder (Acho 104 Unreleased)
Biography :
The Academics began singing as teenagers. They all went to Hillhouse High School in New Haven. They took their name from their high school nickname. New Haven attorney, Joel Alderman, who was also a news reporter at radio station WELI-AM in New Haven liked their sound and agreed to manage them. Alderman also managed the Starlarks and had recorded that group on his own Elm label. Alderman brought the Academics to WELI disc jockey Carl Loucks who was impressed with their sound and encouraged them to record.
They were taken in to the studios of WELI to record two songs that Marty Ganter had written – “Too Good to be True” b/w “Heavenly Love” The songs were released on a new label Joel Alderman formed called Anchor Records. Thanks to Carl Loucks and Jim Gallant, host of a daily TV show called Connecticut Bandstand, “Too Good to be True” became the #1 record in New Haven.
After “Too Good To Be True,” was released, Charlie Luth replaced Goose Greenberg in the group. The Academics’ second record on Ancho was “Darla My Darlin” [led by Ronnie Marone] b/w “At My Front Door” [led by Dave Fisher]. The Academics’ final release was “Something Cool” [led by Dave Fisher] b/w “Drive in Movie” [led by Marty Ganter], released on the Elmont label in mid August 1958. All the Academics records did well in the Connecticut area but failed to chart nationally.
Following the release of the Academics third record, Vinnie Giardina replaced Dave Fisher, who left to attend Wesleyan University in Middletown, CT. At Wesleyan, Fisher formed the folk group, the Highwaymen who recorded “Michael Row the Boat Ashore” and “Cotton Fields.” Dave Fisher passed away on Mat 7, 2010. In 1989, two unreleased Academics’ masters from 1960 (“I Often Wonder” b/w “Girl That I Love”) were located and issued. The Academics continued singing over the years, appearing with many well-known performers including Connie Francis, the Five Satins, the Platters, and Paul Anka. http://www.doowopy.de/index.php?id=175&L=2 http://www.classicurbanharmony.net/Academics.htm
Songs :
Somethin' Cool I Often Wonder Heavenly Love
Darla My Darlin' At My Front Door Too Good To Be True
1961 - The Last Sunrise / I Miss You (La Gree 705/Rodeo 274)
Biography :
William Allan Van Evera, (1934 - 2003), known by the stage name Billy Van, was born in Toronto, Ontario and dropped out of Bloor Collegiate Institute in Grade 11 to pursue a career as an entertainer. Starting as a youth, he and his four brothers toured North America as a singing act called the Van Evera Brothers. After leaving his brothers and dropping "Evera" from his name, Van was initially known as a singer, leading The Billy Van Four and later The Billy Van Singers and making frequent appearances on Canadian variety television shows such as Fancy Free.
The single "I Miss You" / "The Last Sunrise" by the Billy Van Four, released on the Rodeo International label, peaked at number 29 on the CHUM Chart in Toronto in March 1961. It was issued in the US on Phil LaGree's LaGree Records, a Los Angeles label.
The Donays were originally a five piece singing group who were school friends. Its members were Janice Guinn, her sister Armie Guinn, Yvonne Singleton, Michelle Ray and Mary (last name unknown). and it was there that they were spotted by a talent scout, who took them down to Correc-tone. Richard Drapkin had already penned two songs for the girls to cut, with “Devil In His Heart” being the B-side and “Bad Boy” the plug side, which go some airplay. ‘Bad Boy’ was being played a lot, and they were talking about traveling.
Yvonne Singleton (Vernee)
The mothers wanted the girls to go to college. Michelle’s Mother was leery about the music world, so they dropped out. That was the end of The Donays. However, Yvonne replaced Saundra Mallet as lead voice in the Elgins, and has stayed with that group ever since. "Devil in His Heart" was discovered by George Harrison and recorded by The Beatles in 1963 as "Devil in Her Heart".
The Fabulous Pearl Devines (Long Island, New York)
Personnel :
Danny Torres (Lead)
Diego Torres (Second Tenor)
Charles Figueroa
Discography :
1963 - You've Been Gone / So Lonely (Alco 101)
Biography :
The 5 guys were Latino from Long Island . Danny Torres was lead and Diego Torres sang second tenor. They only cut one record in 1963 for the NYC label.
The Pearl Devines sang regularly at the Bay Shore Roller Rink. Local groups, as well as big stars appeared there every weekend.
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