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The High Hatters aka The Earls (2)

Posted on by dion1

The High Hatters aka The Earls (2)
Edward Harder, John Wray, Bob DelDin, Larry Chance & Larry Palombo.

The High Hatters (Bronx, New York)
aka The Earls (2)

 

Personnel :

Edward Harder (Lead)

Bob DelDin (First Tenor)

Larry Chance (Second Tenor)

John Wray (Baritone)

Larry Palombo (Bass/Baritone)

 

Discography :

Unreleased :
1959 - It's You (Rome)

 

Biography :

From the Bronx, The Earls began life as the High Hatters, cutting four demos in 1959 for Rome Records. They planned to buy themselves white tux & tails, spats, patent leather shoes, ruffled shirts, white gloves, white top hats and fancy white walking sticks. However, they had no money, so the name went out , along with the idea. At that time, the group consisted of Val Polillo (Lead), Bob Del Din, (First Tenor), Larry Palombo, (Bass/Baritone), John Wray,(Baritone), and Larry Chance, (Second Tenor). Val Polillo left and was replaced by Eddie Harder on lead.

The High Hatters aka The Earls (2)      The High Hatters aka The Earls (2)  
Larry Palombo

Their First appearances as the High Hatters were at the Moose Lodge on 216th Street in the Bronx and at Teen Town in Mt. Vernon, NY. They sang all the standard street songs, "Zoom, Zoom, Zoom," "I'm So Happy," "Why Do Fools Fall In Love," "Thousand Miles Away," etc. Knowing they couldn't afford to buy the outfits they had wanted, they decided to change the name. However, they had five guys, all of whom thought that the name they wanted was best. Five members, five ideas. So, they decided that the only fair way to arrive at a new name would be to get a dictionary, open a page at random, place a finger on a word and call the group whatever came up. Finger landed on the word "EARL,... nobleman of high rank." That was it....they would be called "The EARLS!". Later, in 1959, the Earls lost their original member Larry Palombo in an army skydiving accident when his parachute failed to open during an exercise. In 1961, Rome released the Earls' first record "Life is But a Dream" (Rome 101 – 1961) b/w "Lost Love".

 

Songs :



...

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Bobby & The Counts (4)

Posted on by dion1

Bobby & The Counts (4)
1958 - (From Left) Dale Sherwood, Chuck Ciaschi, Gus Eframson, Fred Ciaschi, Bill lucas & Bobby Comstock

Bobby & The Counts (4) (Philadelphia)
(Early Years)

 

Personnel :

Bobby Comstock (Lead)

Fred Ciaschi (Lead vocals & Piano)

Gus Eframson (Rhythm Guitar)

Dale Sherwood (Drums)

Chuck Ciaschi (Bass)

 

Discography :

Bobby & The Counts (4)
1958 - Tra-La-la (Im So Happy) / Too Young (Marlee 104)
1958 - Three Signs Of Love / Cellar Stomp (Count 6985)

Bobby Comstock & The Counts (4)
1959 - Sweet Talk / Tennessee Waltz (Blaze 349)
1959 - Jealous Fool / Zig Zag (Triumph 602)
1960 - Let's Talk It Over / Jambalaya (Atlantic 2051)
1960 - Bony Maronie / Do That Little Thing (Jubilee 5392)
1960 - Everyday Blues / Wayward Wind (Mohawk 124)
1961 - The Garden Of Eden / Just A Piece Of Paper (Festival 25000)
1962 - I Want To Do It / Let's Stomp (Lawn 202)
1963 - Jezebel / Your Big Brown Eyes (Jubilee 5396)
1963 - Susie Baby / Take A Walk (Lawn 210)
1963 - Sunny / Chicken Back (Lawn 217)
1963 - This Little Love Of Mine / Your Boyfriend's Back (Lawn 219)
1963 - I Can't Help Myself / Run My Heart (Lawn 224)
1964 - Since You Been Gone / The Beatle Bounce (Lawn 229)
1964 - Ain't That Just Like Me / Can't It Be True (Lawn 232)

Freddy Davis & The Counts (4)
1958 - I Hope You're Happy / Faith CAn Move Mountains (Count 405)

 

Biography :

Comstock was born in Ithaca, New York, and began singing and playing mandolin as a child. At the age of seven, he started appearing regularly with his brother on a local radio station, and then on country music radio in Sayre, Pennsylvania. In 1958, after hearing rock and roll broadcasts from Nashville, he formed his own band, Bobby and the Counts. As well as Comstock on guitar and vocals, other band members were Fred Ciaschi (lead vocals & piano), Gus Eframson (rhythm guitar), Dale Sherwood (drums), Chuck Ciaschi (bass) and (initially) Bill Lucas (bongos & vocals). 

Bobby & The Counts (4)

The group recorded their first single, "Too Young"/"Tra-La-La", for Marlee Records in Trumansburg, New York, and in 1959 were signed to a national deal by Triumph Records, established by Herb Abramson after he left Atlantic. The group's moderately rocked-up version of the Patti Page hit "Tennessee Waltz" was released on the subsidiary Blaze label in late 1959 - with the group now being billed as Bobby Comstock & The Counts - and rose to no.52 on the Billboard pop chart.

Bobby & The Counts (4)
(From Left) Chuck Ciaschi, Fred Ciaschi, Bobby Comstock, Gus Eframson  & Dale Sherwood.

As a result of its success, the group appeared on several package shows promoted by Alan Freed, toured nationally with artists such as Bobby Vinton and Freddie Cannon, and appeared on Dick Clark's American Bandstand. Their follow-up record, a version of Hank Williams' "Jambalaya", released on the Atlantic label, also made the national pop chart, reaching no.90.

Bobby & The Counts (4)    Bobby & The Counts (4)

The group, with various changes of personnel over the years, continued to release singles on Abramson's labels until 1962, with diminishing success, before signing to the Lawn label. Their first record for the label, "Let's Stomp", released as a Comstock solo single, reached no.57 on the US pop chart in early 1963.

Bobby & The Counts (4)    Bobby & The Counts (4)

The song was written by Bob Feldman, Jerry Goldstein and Richard Gottehrer, who later recorded as The Strangeloves.  It was reputedly performed by the Beatles in Hamburg, and was certainly performed by the Searchers and recorded by Lee Curtis and the All-Stars, a beat group featuring ex-Beatle Pete Best. Follow-ups were less successful, although the group broke into the US charts for a final time in 1963 with "Your Boyfriend's Back", an answer record to "My Boyfriend's Back" by the Angels, a female group recording on the same label.

 

Songs :

     
Too Young  / Tra-La-la (Im So Happy)       Three Signs Of Love             Cellar Stomp               

     
Sweet Talk                      Tennessee Waltz                           Jealous Fool

     
Zig Zag                        Let's Talk It Over                    Jambalaya  

     
Bony Maronie                       Do That Little Thing                   Everyday Blues

     
Wayward Wind                  The Garden Of Eden            Just A Piece Of Paper

     
I Want To Do It                     Let's Stomp                                Jezebel

     
Your Big Brown Eyes                     Susie Baby                         Take A Walk         

     
             Sunny                              Chicken Back                     This Little Love Of Mine

     
Your Boyfriend's Back              I Can't Help Myself                   You Been Gone      

     
The Beatle Bounce                   Ain't That Just Like Me                Can't It Be True      


...

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Dee & Di

Posted on by dion1

Dee & Di
Diane & Susanne

Dee & Di (San Diego, California)

 

Personnel :

Susanne Roshay

Diane Roshay

 

Discography :

1960 - Just You / Dream (Keen 82121 / Sims 153)
1961 - (Then I'll Say) Goodbye / Lucky Girl (Keen 8219)
1961 - Silly Billy / Roses Are Red (Acclaim 1007)

 

Biography :

Dee & Di were Susanne and Diane Roshay, two graduates from Clairmont High School, San Diego, class of 1960. The Girls first recorded for the Bob Keane's label Keen in 1960 with a session that produced four tracks. The Four tracks were recorded in Hollywood at Gold Star Studios with arranger, Hank Levine who provided a lovely arrangement that was sparse yet quite dreamy, showcasing Diane and Susanne's harmonic lead voices.  "Just You" b/w "Dream" were both composed by the girls as was the follow up Keen single released in February 1961, "(Then I'll Say) Goodbye" b/w "Lucky Girl".  While attending Mt. San Antonio College in Walnut, California, the final Dee & Di disc, "Silly Billy" b/w "Roses Are Red" was released in September 1961 on the Acclaim label.

Dee & Di
Diane & Susanne

By the summer of 1965, Susanne, Diane and five young men had formed the folk/pop group, the Lively Set and recorded one single for Mercury Records.  They moved to Capitol Records the following year and under the production of David Axelrod, in August released only one single as well.  The final known Lively Set single was from October 1966 on the Straight Ahead label.  After that, the doings and whereabouts of Susanne and Diane Roshay are not known other than their  names are now Diane Roshay Finnegan and Susanne Roshay McClain.  Anthony Reichardt

 

Songs

  
Dream                                         Just You

  
Lucky Girl                       (Then I'll Say) Goodbye

  
Silly Billy                               Roses Are Red

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Vernon Green & The Phantoms (1)

Posted on by dion1

Vernon Green & The Phantoms (1)
Vernon Green

Vernon Green & The Phantoms (1) (Los Angeles)

 

Personeel :

Vernon Green (Lead)

Bobby Relf (Tenor)

Jerry Williams (Tenor)

Johnny Moss (Bass)

 

Discography :

Vernon Green & The Phantoms (1)
Single :
1956 - Sweet Breeze / The Old Willow Tree (Specialty 581)
Unreleased :
1956 - Tell Me Why (Specialty)
1956 - How Do You Kiss An Angel (Specialty)


Lynn Roberts & The Phantoms (1)
1956 - Miss You Tonite / I'll Be Around (Oriole 101)

 

Biography :

In mid-1956, Vernon Green (Lead singer of the Medallions put together another group (called the Phantoms) at the request of Specialty Records' owner Art Rupe. The Phantoms were, Bobby Relf (tenor; lead of the Laurels and future "Bob" of Bob & Earl), Jerry Williams (tenor), and Johnny Moss (bass). [The Specialty files tell a different identity of the Phantoms: Vernon Green, Johnnie Moss, Edward Earl Daniels, Madalyn Marselle, and Sidney Runnels.) When the Specialty sides were released, in July, the label credits even included Vernon's name! The association lasted only a short time, and a second Phantoms release on the Oriole label had the group, minus Vernon, backing Lynn Roberts.
https://www.uncamarvy.com/Medallions/medallions.html

 

Songs :

Vernon Green & The Phantoms (1)

  
Sweet Breeze                                  The Old Willow Tree


How Do You Kiss An Angel

Lynn Roberts & The Phantoms (1)

  
Miss You Tonite                           I'll Be Around


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The Five Letters (1)

Posted on by dion1

 The Five Letters (1)
Artis Rucker

The Five Letters (1) (Sumter, South Carolina)

 

Personnel :

Artis Rucker (Lead)

Henry Postel

Louis Carpenter

John Josey

Julius Colcolough

 

Discography :

1957 - Your First Love / Hold Me Baby (Ivy 102)

 

Biography :

Lincoln High School, an institution in Sumter, has a one-legged  tackle, 17 year old  Artis  Rucker,  who  lost his right leg in a train accident when he was eight yearsold. Five years later he got an artificial limb and reported to foothall practice in 1957.  Reputedly capable of running 100  yards in 13  seconds  in  football  togs,  his Coach Robert Jenkins, who calls him "my best defensive lineman."  Artis Rucker became co-captain of the Football team and leads his small vocal group composed of Henry Postel, Louis Carpenter, John Josey and Julius Colcolough. In 1957, the Five Letters recorded "Your First Love" b/w "Hold Me Baby" released by Ivy Records owned by Stan Feldman and Ed Portnoy with offices at 1697 Broadway.

 

Songs :

  
Your First Love                                 Hold Me Baby

...

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Shirley Gunter & The Queens

Posted on by dion1

 Shirley Gunter & The Queens

Shirley Gunter & The Queens (Los Angeles)

 

Personnel :

Shirley Gunter (Lead)

Lula B. Kenney (Soprano)

Lula Mae Suggs (Middle Harmony)

Blondene Taylor (Alto)

 

Discography :

1954 - Oop Shoop / It's You (Flair 1050)
1955 - You're Mine / Why (Flair 1060)
1955 - Baby, I Love You So / What Difference Does It Make (Flair 1065)
1955 - That's The Way I Like It / Gimme, Gimme, Gimme (Flair 1070)   

 

Biography :

Shirley Gunter was born in 1934 in Coffeyville, Kansas, and migrated to Los Angeles with her family in early 1942. She began her singing career as a solo artist in 1953 when her older brother, Cornelius, a member of a vocal group called The Flairs, took her to his label, Flair Records, a subsidiary of Modern Records.

After her first two singles, Shirley put together her own group called The Four Queens in 1954 with high soprano Lula B. Kenney, Lula's Aunt Lula Mae Suggs (middle harmony) and alto Blondene Taylor, Shirley's best friend at Polytechnic High School. One day the four girls were fooling around on the piano in Shirley's living room when they came up with a "Sh-Boom"-like ditty with nonsense lyrics called "Oop Shoop." When they took it to saxophonist Maxwell Davis, Shirley's mentor at Flair Records, he helped them work up a more polished arrangement.

 Shirley Gunter & The Queens    

Label chief Joe Bihari liked what he heard, changed their name to Shirley Gunter & The Queens, and released "Oop Shoop" in August 1954. Within two months it entered the R&B charts and rose to number eight, but before the record had a chance to cross over into pop territory, The Crew-Cuts, who had already had a major hit by covering "Sh-Boom" for Mercury Records, gave "Oop Shoop" the same treatment.

   
Blondene Taylor                                                                                                       The Flairs                              

Bandleader Spike Jones' wife, Helen Greco, also recorded it (on RCA's X label), along with The Hamilton Sisters (Columbia), Big John & His Buzzards (Okeh) and Kay Brown (on Crown, another Modern Records subsidiary ). After four singles and a couple of tours with The Queens, Shirley Gunter paired up with her brother's group, The Flairs.

 

Songs :

    
Oop Shoop                             That`s The Way I Like It

     
Why                                         You're Mine

     
Gimme, Gimme, Gimme                  Baby, I Love You So

   
                  It's You                                What Difference Does It Make

 

..

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The Del Satins

Posted on by dion1

The Del Satins

The Del Satins (Manhattan, New York)

 

Personnel :

Stan Ziska (Lead)

Fred Ferrara (Baritone)

Tom Ferrara (Bass)

Leslie Cauchi (First Tenor)

Keith Koestner (Second Tenor)

 

Discography :

The Dell Satins
1961 - I Remember The Night / I'll Pray For You (End 1096)

The Del Satins
Singles :
1961 - Counting Tear Drops / Remember (Win 702)
1962 - Teardrops Follow Me / Best Wishes, Good Luck, Good-Bye (Laurie 3132)
1962 - Does My Love Stand A Chance / Ballad Of A Dee-Jay (Laurie 3149)
1963 - Feelin´ No Pain / Who Cares (Columbia 42802)
1964 - Believe In Me / Two Broken Hearts (Mala 475)
1965 - Hang Around / My Candy Apple Vette (B.T. Puppy 506)
1965 - Sweets For My Sweet / A Girl Named Arlene (B.T. Puppy 509)
1965 - Relief / The Throwaway Song (B.T. Puppy 514)
1967 - Love, Hate, Revenge (If I Want You To Cry) / A Little Rain Must Fall (Diamond 216)
1970 - I’ll Do My Crying Tomorrow / A Girl Named Arlene (B.T. Puppy 563)
1991 - Read Between The Lines / I'll Never Know (Genie 31865)
Unreleased :
1962 - Naturally
1962 - I Don't Care
1962 - Clicky Clack
196? - I Wanna Know
1962 - Crazy Questions
1962 - If You Ever Am In Love

LPs :
1972 - Out To Lunch
Sweets For My Sweet / Relief / I'll Do My Crying Tomorrow / Ski Beat / My Candy Vette / Out To Lunch / I Can't Find The Girl On My Mind, Now / Hang Around / A Girl Named Arlene / The Throwaway Song / Today I'm In Love (B.T. Puppy BTPS-1019)

The Del Satins

-------------------------------------------------------

Dion bb The Del-Satins
1961 - Runaround Sue / Runaway Girl (Laurie 3110)
1961 - The Wanderer / The Majestic (Laurie 3115)
1962 - Lovers Who Wander / (I Was) Born To Cry (Laurie 3123)
1962 - Little Diane / Lost For Sure (Laurie 3134)
1962 - Love Came To Me / Little Girl  (Laurie 3145)
....

Stan Vincent & The Del-Satins
Unreleased :
1961 - She's So Wonderful
1961 - Please Be Mine
1961 - She's Not Around Anymore
1961 - Angel By My Side

Nicky Como bb The Del-Satins
Single :
1961 - Just A Little While / Guardian Angel (Tang 1231)
Unreleased :
1961 - Crazy Questions

Bill Baker bb The Del-Satins
Single :
1962 - I Wanna Know / Is It A Dream (Audicon 115)
Unreleased :
1962 - So Bad
1962 - She's Not Around Anymore
1962 - Calling My Love

Big Jim & The Sundowners
1961 - Poor Little Sad Eyed Sue / Never Let You Go (The Sundownders) (Chip 1008)

Johnny Dawn bb The Del-Satins
1962 - Walking Down The Avenue / What Can I Do (Johnny Dawn) (Swirl 110)

Jackie Forrest bb The Del-Satins
1962 - Breaking Your Heart, For Fun / Mama Don't Sit... (Jackie Forrest) (Hitsville 1138]

Victor bb The Del-Satins
1962 - I Really Do / Stop A Knockin' (Dorset 5011)

The Sundownders bb The Del-Satins
1963 - Someone To Care / Such A Lovin'(Fargo 1051)

John Corey bb The Del-Satins
1963 - The Prettiest Girl I Kissed Today / Hey Little Runaround (Vee Jay 514)

Rick Russell  bb The Del-Satins
1963 - My Angel / It's Time To Cry (Poplar 120)

Bobby Callender bb The Del-Satins
Single :
1964 - Beatty Dean / One By One (Bobby Callender) (Sky 970)
Unreleased :
1964 - Win Or Loose (Sky)
1964 - Devil Named Sue  (Sky)

Clay Cole bb The Del-Satins bb The Del-Satins
Unreleased :
1964 - Miss America Teenager

 

Biography :

The Del-Satins were one of the finest white male doo wop groups of all time. Though not as well known as The Earls, Jay & The Ameicans, or The Four Seasons, in their own style (which was rhythm and blues and rock and roll) they were every bit as good. Unfortunately, they received no credit on any of their 13 hit records, although they did have the chance to make a few excellent singles under their own name.

The Del Satins
The Del-Satins first time on stage as professional entertainers (Lenox Hill Neighborhood House, April 23, 1958

Formed in 1958 in the Yorkville section of Manhattan, the quintet consisted of Stan Ziska (lead), Leslie Cauchi (first tenor), Bobby Fiela (second tenor), Fred Ferrara (baritone), and his brother Tom Ferrara (bass). Les attended Power Memorial while Fred and Tom went to Machine and Metals Trade School. Influenced by R&B groups like The Heartbats, The Dubs, and The Flamingos, the Del-Satins, aged 15 to 17, would practice on Tom and Fred’s stoop on 69th Street when they weren't searching for a good overpass or bathroom to provide that perfect echo.

The Del Satins
November 1958

Early on they were called the Jokers, not as a singing group but rather as a basketball team playing in a house league for the Lenox Hill Neighborhood House. They decided on the name Del-Satins by putting together two of their favorite groups, The Dells and The Five Satins. They then made their own first break by participating in a talent show at the Empire Hotel on New York’s West Side. The first prize, which they won, was a record deal with George Goldner’'s End Records, and s0 it was that the Del-Satins’ first single, “I'll Pray for You,” was released in 1961.

The Del Satins
The Del Satins with DJ Alan Fredriks

The record received good local response, especially from WADO disc jockey Alan Fredericks, leading to some shows for Fredericks at the Levittown Arena.Around this time Jim Gribble, manager for other New York-area harmony groups like The Passions, took on the Del-Satins. He brought the quintet to Bob and Gene Schwartz at Laurie Records when he heard Dion was looking for a new backup group.The Del-Satins were instantly sent to work on his new song, "Runaround Sue", which then rose to number 1 in the Billboard charts.

The Del SatinsAnthony LaRosa avec Richie Greejn, Stan Zizka, Tom Ferrara, Fred Ferrara, Joe Ferrara et Leslie Cauchi.

Although their contribution to the hit was substantial, the Del-Satins received no credit. They also sang on Dion's later solo hits, "The Wanderer", "Lovers Who Wander", "Little Diane", "Love Came To Me", "Ruby Baby", "Donna the Prima Donna" and "Drip Drop", as well as on records by Len Barry and Jan and Dean.

The Del Satins

They released a number of singles under their own name, but had little success until "Teardrops Follow Me" in 1962, after which they found regular work on television and radio. They then moved to Columbia Records as part of Dion's new contract. Still frustrated by their lack of recognition, in 1963 they auditioned for Phil Spector but declined his subsequent invitation to record with him. As Dion's solo career ran into the commercial doldrums in the mid-1960s, the group moved on to Mala Records and then B.T. Puppy Records where they released an album, Out to Lunch.

The Del Satins    The Del Satins

Ziska left in the mid-1960s and Cauchi and Tom Ferrara were drafted. The remaining members of the Del-Satins continued to play live with the addition of Johnny Maestro (former lead singer of The Crests), Richard Green, and Mike Gregorio. When Cauchi returned, they changed the group's name to Brooklyn Bridge. In 1991 the Del-Satins, led by Stan Ziska, re-formed for nostalgia shows and issued an album, Still Wandering

 

Songs :

The Dell Satins


I Remember The Night / I'll Pray For You

The Del Satins

  
Remember / Counting Tear Drops      Teardrops Follow Me / Best Wishes, Good...

  
Does My Love Stand A Chance              Ballad Of A Dee-Jay       

  
Feelin´ No Pain                                     Naturally

  
I Don't Care                                     Who Cares

  
  Believe In Me                               Two Broken Hearts

  
      Hang Around / My Candy Apple Vette    Sweets For My Sweet / A Girl Named Arlene

  
Relief                                The Throwaway Song

  
Love, Hate, Revenge (If I Want You To Cry)       Read Between The Lines / I'll Never Know


...

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Patty Lace & The Petticoats (3)

Posted on by dion1

Patty Lace & The Petticoats (3)

Patty Lace & The Petticoats (3) (New York)

 

Personnel :

Patty Lace (Diane Christian)  (Lead)

Paula ...

Peppi ...

Pixie ...

 

Discography :

1963 - Sneaky Sue / The Back (Kapp 563)
1964 - Girls Don't Trust That Boy / Girls Should Always Look Their Best (Kapp 585)
1965 - A New Boy / Say One (Is A Lonely Number) (Kapp 667)

 

Biography :

Hotshot producers Bob Feldman, Jerry Goldstein and Richard Gottehrer notched up some remarkable successes back in the 60s, including number ones with "My Boyfriend’s Back" by the Angels in 1963 and "Hang On Sloopy" by the McCoys in 1965, with lots of flops and almost-made-its coming in between. In late 1963 the team scored again with the Angels’ follow-up, "I Adore Him" and nearly made it three hits in a row that year with Patty Lace & The Petticoats, whose deliciously camp "Sneaky Sue" (on Kapp) undoubtedly influenced Shadow Morton's work with the Shangri-Las. Issued in the solemn aftermath of the Kennedy assassination, "Sneaky Sue" made it to #104 in early January 1964.

Patty Lace & The Petticoats (3)   Patty Lace & The Petticoats (3)
Diane Christian                                                                                                                                                

Bob Feldman, Jerry Goldstein and Richard Gottehrer frequently used studio vocalists from the New York session pool on their recordings and it seems that Patty Lace & The Petticoats were one such aggregation. Their only follow-up* had the peculiar distinction of being issued well over year later, when the group had been forgotten. Perhaps sensing this, Kapp helpfully named them on the label as ‘Patty, Paula, Peppi and Pixie’. Bob Feldman cannot recall the real identities of Patty Lace & the Petticoats other than to say that their original lead singer, Diane Christian, cut a solo 45 for Mercury. However, we do have a picture of the girls from a rare French release.

 

Songs :

  
Sneaky Sue                                          The Back

  
       Girls Don't Trust That Boy         Girls Should Always Look Their Best


A New Boy / Say One (Is A Lonely Number)

...

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The Orlandos

Posted on by dion1

The Orlandos

Ronald Harris, Doug Grant, George Davis, George Richardson.

The Orlandos (Columbus, Ohio)

 

Personnel :

Ronald Harris (Lead)

Doug Grant (Baritone)

George Davis (Bass)

George Richardson (Falsetto)

 

Biography :

Back in the middle 1950’s, The Orlandos had many good singers and especially their lead singer, Ronald Harris had a voice like Frankie Lymon, the lead singer of the Teenagers .The Orlandos were founded by their bass singer, George Davis who had a beautiful and far ranging bass voice. The other member of the Orlandos were George Richardson (falsetto) and Doug Grant. They occur locally for several years and over the years, other young men joining the Orlandos as vacancies, occurred were: Robert Wallace, lead and first tenor, Steve Martin, lead and first tenor, Robert Clark, first tenor, Keith White, first tenor, Leroy Foster, baritone and James Eskridge,bass..


...

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The Lovetones (1)

Posted on by dion1

The Lovetones (1)

The Lovetones (1) (Hartford CT)

 

Personnel :

Joe McBride (First Tenor)

Bobby Tinsley (Lead)

Calvin Brown (Bass)

Burton Mathis (Second Tenor)

Bobby Hamilton (Baritone)

 

Discography :

1956 - Talk To An Angel / Take It Easy Baby (Plus 108)

 

Biography :

Vocal group from Hartford, CT. composed by Joe McBride (First Tenor), Bobby Tinsley (Lead), Calvin Brown (Bass), Burton Mathis (Second Tenor) and Bobby Hamilton (Baritone). the group recorded only one single in 1956 on the small New York label "Plus".

Songs :

  
Talk To An Angel                           Take It Easy Baby

 

...

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