Eklablog All blogs Top blogs Music & Entertainment
Follow this blog Administration + Create my blog
MENU

Butchy Saunders & The Elchords

Posted on by dion1

 Little "Butchie" Saunders & His Buddies (4)
1956 - Sammy Davis Jr., Little "Butchie" Saunders (9 year-old) and Elroy Peace.

Butchy Saunders & The Elchords (Manhattan, New York)

Ref : Little Butchie & The Vells (1)
Ref : Little "Butchie" Saunders & His Buddies (4)

 

Personnel :

John L. Brown aka Butchy Saunders (Lead)

Ronald Talbert (First Tenor)

Elliot Johnson (Second Tenor)

Raphael... (Baritone)

David Ballott (Bass)

 

Discography :

Butchy Saunders & The Elchords
1958 -  Gee I'm In Love / Peppermint Stick (Good 544/5)

---------------------------------------------------

 Ref :

Little "Butchie" Saunders & His Buddies (4)    
Singles:
1956 - Lindy Lou / Rock 'n Roll Indian Dance (Herald 485)
1956 - Great Big Heart / I Wanna Holler (Herald 481)
Unreleased :
1956 - Don't Do Me Wrong (Gee) 

Little Butchie & The Vells (1)
Single :
1959 - Over The Rainbow / Sometimes Little Girl (Angle Tone 535)
Unreleased :
1959 - Please Tell The Angels (Angle Tone)

 

Biography :

Beginning in 1956, every young singing prodigy in urban areas in the Northeast was following the lead position set by Frankie Lymon and his vocal group called The Teenagers. Because of the great success of the Lymon group, every independent record label was looking for their own "Frankie Lymon". One of the many hopefuls back in 1956 was nine year old John Brown in the city of Newark, New Jersey. When Brown felt that he was ready for professional direction and a shot at a record session, he went out and looked for contacts in the busy record industry in New York. He began using a stage name and he was known as Butchie Saunders. He eventually found his way to Herald Records in New York and soon had a vocal group surrounding him called The Buddies. He was being managed by Elroy Peace, a long time song and dance performer.

 Little "Butchie" Saunders & His Buddies (4)    Little "Butchie" Saunders & His Buddies (4)

In August a jump tune called "Lindy Lou" was picked for the group and the flip side was "Rock & Roll Indian Dance" on Herald # 485. The record got good airplay and sales in the New York and Philadelphia areas. The record starts to sell in Chicago thanks to The Great Montague that city's top radio personality. In late August, Butchie and The Buddies appeared at the Apollo Theater with Doctor Jive (Tommy Smalls). In November of 1956, now billed as Little Butchie Saunders, Herald releases "Great Big Heart" and "I Wanna Holler" on # 491. This time there was no magic for Butchie, and the record did not sell much despite a concentrated effort in Washington D.C. and the Virginia Tidewater area of Norfolk and Portsmouth. Herald Records had second thoughts on continuing with the group. The label felt that the onslaught of Lymon sound-alikes was a glut on the scene. Subsequently Herald Records dropped the group from their recording roster and Butchie was out on his own again.

 Little "Butchie" Saunders & His Buddies (4)    Little Butchie & The Vells (1)                                          Little Butchie & The Vells

    Butchie went back to making the rounds of the smaller New York independents looking for a break. He was eventually led to a man named Al Tate who had begun a new recording enterprise called Good Records. A vocal quartet was quickly thrown together including Ronald Talbert, David Ballot Elliot Johnson and Raphael ? (some source gives other names). They were called The Elchords and worked on two songs that were prepared for the group. The tunes were "Peppermint Stick" and "Gee I'm In Love" and were soon released on Good # 544. The record picked up radio airplay almost immediately, and was a good sized hit in the urban Northeast during the spring of 1958. Unfortunately for the group, some internal dissension coupled with problems with the record label ended the career of The Elchords after one record. Both sides were reissued a year later on the MusicTone label (# 1107). But that was not the end of the line for Butchie Saunders. After a try to hook up with George Goldner (who had Frankie Lymon and his group) came to nothing, Saunders did make a connection with AngleTone Records most known for a number of hits by The Fi-Tones. The label had a group called The Vels, and they had the idea to front the group with Butchie as the lead singer. The combined group had one release for the label "Sometimes Little Girl" and "Over The Rainbow" on AngleTone # 535 in 1959. It was not a successful record for the group and soon Butchie Saunders faded with the oncoming nineteen sixties.
https://dmpsync.com/artists/3992

 

Songs :

Butchy Saunders & The Elchords

  
Gee I'm In Love                               Peppermint Stick 

 

---------------------------------------------------

 Little "Butchie" Saunders & His Buddies (4)    

  
           Lindy Lou                            Rock 'n Roll Indian Dance

  
Great Big Heart                              I Wanna Holler


Don't Do Me Wrong

 

Little Butchie & The Vells (1)

  
Over The Rainbow                          Sometimes Little Girl


Please Tell The Angels

...

See comments

The Satintones

Posted on by dion1

The Satintones(L to R) Vernon Williams, Sonny Sanders, Jim Ellis, Sammy Mack & Robert Bateman

The Satintones (Detroit, Michigan)

 

Personnel :

James Ellis (Lead)

Sonny Sanders (First Tenor)

Sammy Mack

Robert Bateman (Bass)

Vernon Williams

 

Discography :

Singles :
1960 - I'll Never Love Again / Solid Sender (Tamla 54024)
1960 - Motor City / Going To The Hop (Tamla 54026)
1960 - My Beloved / Sugar Daddy (Motown 1000) (No Strings)
1960 - My Beloved / Sugar Daddy (Motown 1000) (With Strings)
1961 - Tomorrow And Always / A Love That Can Never Be (Motown 1006) (Male Lead)
1961 - Tomorrow And Always / A Love That Can Never Be (Motown 1006) (Duet Lead)
1961 - Angel /  A Love That Can Never Be (Motown 1006)
1961 - I Know How It Feels / My Kind Of love (Motown 1010)
1961 - Zing! Went The Strings Of My Heart / Fadder Letter (Motown 1020)

Unreleased :
N/A - Hungry Henry  
N/A - You'd Make a Fine Son-in-law  
N/A - Foot Stomping Time  
N/A - You Cast A Spell on Me  
N/A - Your Sweet Love  
N/A - Boogie Woogie Heart  
N/A - Because I Love You  
N/A - The Feeling is So Fine  
N/A - You Can't Beat My Lovin'   

 

Biography :

The Satintones were Motown's first group, recording for the company from 1960 through 1961 and releasing six singles. This was during Motown's blues and mundane R&B era, and before the arrival of the jazz-based rhythmic backing of the Funk Brothers; a time when Ivy Joe Hunter led the session musicians, not Earl Van Dyke; a period when Motown released nine bad records for every good one; and a time when disc jockeys cringed at 45s sporting the Tamla or Motown logo. The original group was a quartet consisting of Charles "Chico" Leverett, Sonny Sanders, James Ellis, and Robert Bateman. Chico sang with the Spinners for a minute, and recorded "Solid Sender" on Tamla Records.

The Satintones
The Satintones in 1961. Sonny Sanders (on the car), Vernon Williams, James Ellis, Sammy Mack and Robert Bateman. 

They became a quintet in 1961, the new lineup consisting of James Ellis, Sonny Sanders, Vernon Williams, Sammy Mack, and Robert Bateman. Depending on who you talk to, Freddie Gorman (Originals) and Brian Holland (hall-of-fame songwriter) sang and recorded with them, but it's unclear if any sides they appeared on were released.  You won't find any of their single releases -- "My Beloved," "Motor City," "Tomorrow and Always," "Angel," "I Know How It Feels," and "Zing Went the Strings of My Heart" -- on any Motown compilation album. "Tomorrow and Always" created some controversy, and a lawsuit (which Motown lost); the answer song not only answered the Shirelles' hit, it ripped "Will You Still Love Me Tomorrow" off note for note.

 

The Satintones   The Satintones

                                                                     (L to R) Jim Ellis, Sonny Sanders, Chico Leverett and Robert Bateman

All the members enjoyed musical careers before and after the Satintones with the most distinguishing belonging to Sonny Sanders, who went on to become an arranger and songwriter at Ric Tic/Golden World Records then moved to Chicago, becoming a top arranger and co-writing "Love Makes a Woman" for Barbara Acklin. Bateman produced and wrote Wilson Pickett's early solo sides "It's Too Late" and "If You Need Me," jump-started the Marvelettes' career with "Please Mr. Postman" and "Playboy," and co-wrote Eddie Holland's "Jamie." (The Marvelettes' first album, Please Mr. Postman, featured two Satintones remakes, "Angel" and "I Know How It Feels," and one track, "The Feeling Is So Fine," became an obscure single for the Miracles.) Motown did schedule an album release (The Satintones Sing MT-602) in 1961, but it remains unissued; the label does have more than 20 unreleased Satintones tracks in the can, not counting the 12 issued on 45s. Around 1990, the Satintones recorded tracks produced by Ian Levine; surprisingly, Levine's productions of the Satintones are more pleasing than the originals.
Andrew Hamilton, All Music Guide

http://www.harmonytrain.com/Artists/Satintones.htm

 

Songs :

     
I'll Never Love Again                      Solid Sender                            Motor City          

     
Going To The Hop                       My Beloved                           Sugar Daddy      

     
Tomorrow And Always       A Love That Can Never Be                       Angel             

     
                I Know How It Feels                   My Kind Of love        Zing! Went The Strings Of My Heart

     
                  Fadder Letter                       Hungry Henry              You'd Make a Fine Son-in-law   
 
     
Foot Stomping Time         You Cast A Spell on Me               Your Sweet Love  

     
Boogie Woogie Heart              Because I Love You              The Feeling is So Fine  


You Can't Beat My Lovin'   

...



 

 

...

See comments

The Gingersnaps (1)

Posted on by dion1

 The Gingersnaps (1)

The Gingersnaps (1) (Sheboygan, WI)

 

Personnel :

Maryann Wimmer (Lead)

Judith Meyer (Baritone)

Jeanne Oehler (Bass)

Mary Gottsacer (Tenor)

 

Discography :

1958 - Bald Headed Papa / There Is A Little Rock And Roll In Everyones Soul (Window 1115)
1960 - Rememb'ring / A Hundred And Fifty Guys (Jupiter 305)
1960 - Be Still My Heart / If The Shoe Fits Put It On  (Jupiter 306)

 

Biography :

The Gingersnaps. This singing group of four teenage girls was organized in 1956 when they were freshmen at North. High School in Sheboygan. The girls are Maryann Wimmer, lead: Mary Gottsacker, tenor; Jeanne Oehler, bass, and Judy Meyer, baritone. During the first year they were organized they placed first in a state talent contest. The group has made numerous appearances in and out Babcock ' Mother!. 

 The Gingersnaps (1)

The group were coached by Judith's father, John Meyer. John Meyer had helped form the Chordettes so the Gingersnaps, which included his daughter, Judith, were a similar project. Backing band, the Glaciers, included guitarist Brian Kumbalek, later known as blues artist Brian Lee.

 

Songs :

  
Bald Headed Papa                        If The Shoe Fits Put It On


There Is A Little Rock And Roll In Everyones Soul



...

See comments

The Masterettes aka The Exciters

Posted on by dion1

The Masterettes aka The Exciters 

The Masterettes (Queens, New York)
aka The Exciters

 

Personnel :

Brenda Reid

Sylvia Wilbur

Carol Johnson

Lillian Walker


 

Discography :


1961 - Follow The Leader / Never, Ever (Lesage 715/716)


 

Biography :

Brenda Reid, Carolyn (Carol) Johnson, Lillian Walker, and Sylvia Wilbur formed the group while at high school together in Queens, New York City, in 1961 when they were all 17 years old. They were called the Masterettes, as a sister group to another group called the Masters, and released their first recording, "Follow the Leader", in early 1962. Wilbur then left the group to be replaced by Penny Carter, and they auditioned for Jerry Leiber and Mike Stoller, winning a recording contract.

The Masterettes aka The Exciters    The Masterettes aka The Exciters
                                                                                          The Exciters : Lillian Walker, Herb Rooney, Brenda Reid & Carol Johnson

Penny Carter then left, and was replaced by Herb Rooney, a member of the Masters; Reid and Rooney later married. The group's name was changed to the Exciters, and their first hit record, arranged by George "Teacho" Wiltshire and produced by Leiber and Stoller for United Artists Records, was "Tell Him", which reached no. 4 on the U.S. pop chart in early 1963.

 

Songs :

  
    Never, Ever                                 Follow The Leader

...

See comments

The Centurys

Posted on by dion1

The Centurys
Bernie Dupree

The Centurys (Pittsburgh, PA)

 

Personnel :

Bernie Dupree "Cletus Marland" (Lead)

John Stevenson (Bass)

James Jefferson (First Tenor)

Stanley Reed (Second Tenor)

Melvin Cornelious (Baritone)

 

Discography :

The Centurys
1959 - Take My Hand / Oh Joe, Joe (Fortune 533)

Cletus Marland
1961 - Be My Love (Call My Own) / Cupid Arrow (Wink 102/Bevmar 961)
1961 - Like I Never Felt Before    Bernie Dupree / I'll Take Care Of You (Roulette 4388)
1963 - Keep On A Loving / Every Now And Then (Terry 109/Geneva 109)
1965 - You're Gonna Miss Me / Yesterday (Terry 110)

Bernard DuPree
1965 - Yesterday Today And Forever / You Are Going To Miss Me (Granger 1000)

 

Biography :

The Centurys were from the Glen Hazel, Glenwwod, Hazel Wood and Hill District neighborhoods of Pittsburgh. In 1951 Bernie Dupree and Melvin Cornelious was part of a singing group called the Originals with Donal Moss, Woodrow Covington and Brooks... Although their performances were initially confined to "house parties", school dances and social gatherings, they somehow drew the attention of WCAE (Pittsburgh, Pa) disk jockey Jay Michel. He sent the Originals to New York for an audition that will not follow. By 1954, The Originals regrouped as a quartet calling themselves the Wonders with Donal Moss, Bernie Dupree, Melvin Cornelious and Marvin Brown. They singing at small clubs and at the end of 1955, the group had become semi inactive. Marvin Brown left to join the Mellows who change their name to the Four Dots and cut two records for Bullseye label in 1956.

The Centurys    The Centurys

In 1956, Odell Bailey heard some youthful vocalist purveying close knit cappella rhythms in his Beltzhoover neighbourhood and offered to manage the harmonizers, now know as the Dreamtones. The quintet was fronted by Bernie Dupree with James Jefferson, Sammy Daniels, Billy Cyrus and John Stevenson. Bailey proceeded to rename the group The Centurys. Shortly thereafter, Cyrus and Daniels leave, replaced by Melvin Cornelious and Stanley Reed. From 1957 into 1959, The Centurys were one of the busiest non-recording groups working not only the Pittsburgh vicinity but also out-of-state. The Century walked away as a winner of an audition for the Arthur Godfrey Talent Scoot Show. October 1959, Bailey secured a contract for the Centurys with Detroit Based Fortune Records operated by Jack & Deborah Brown. They recorded "Take My Hand" and "Oh Joe, Joe" released as Fortune 533 the week of November 2, 1959. The group continued to perform until 1961 before breaking up. In 1960/61, Bernie Dupree changed his name to Cletus Marland and had a few of solo releases with some nice Doo wop.

 

Songs :

The Centurys

  
Take My Hand                                 Oh Joe, Joe

 

Cletus Marland

     
Like I Never Felt Before          I'll Take Care Of You                Keep On A Loving

     
   Every Now And Then            You're Gonna Miss Me                       Yesterday           

...

See comments

The Four Counts (3)

Posted on by dion1

The Four Counts (3)

The Four Counts (3) (Hanover, Pa.)

 

Personnel :

Alan Palmer

Charles Borchers

Glenn Bell

George Bartol

 

Discography :

1960 - Young Hearts / I'm Gonna Love You (Dart 1014)   

 

Biography :

The Four Counts were all 1959 Westminster High School gradu­ates when they have recorded their re­cord under Dart label owned by Roger Sherman. “Young Heart” and “ I’m Gonna Love Ya". “Young Heart" was written by a  member of the group. Alan Palmer. The flip side  was written bv another members , Charles Borchers. Other members of the singing group are Glenn Bell and George Bartol. The record was released in early March 1960.

 

Songs :

  
     Young Hearts                              I'm Gonna Love You

...

See comments

The Four Latins

Posted on by dion1

The Four Latins

The Four Latins (Glendale, CA.)

Have they recorded? If anyone know this group .... jcpiazza26@gmail.com

 

 

See comments

The Manderins

Posted on by dion1

The Manderins

The Manderins (Denver, Colorado)

 

Personnel :

P. Longo

K. Ortega

 

Discography :

1960 - Going Away / Let The Bells Ring (Band Box 236)

 

Biography :

Denver, CO. Band Box Records began with Karl Zomar in the early 1950’s as “Columbine” records. Name change to Band Box occurred in the mid-fifties, as the company was then owned by A.V. Pasca (Aurelia Victoria – maiden name) who later became Vicky Morosan. The label lasted until the early seventies. 

The Manderins

The Manderins released one single on Band Box in the early days of the label’s founding – 1960.  The Manderins were a Denver-based Hispanic group featuring a very soulful sound. They cut "Going Away" and "Let The Bells Ring". First called the Mandarans, they saw their name changed to the Mandarins when the single was released.  P. Longo and K. Ortega, the two writers of the songs on both sides are probably part of the group.

 

Songs :

  
Let The Bells Ring                                    Going Away  

See comments

The Valtairs

Posted on by dion1

The Valtairs

The Valtairs (Long Branch, NJ)

 

Personnel :

Harry Ray (Lead)

Gregory Henson

Kenneth Short

Joe Gardner

 

Discography :

1964 - Soul! / Strangers Way (Selsom 101)
1964 - The Ko Ko Mo / Moonlight In Vermont (Selsom 106)


Biography :

From Doo Wop to Soul : Norman Seldin was raised in Red Bank, NJ, and began taking formal piano lessons at the age of three. While trained in Classical music, Norman soon took an interest in R&B. He started managing groups and started auditioning them.

The Valtairs    The Valtairs
                  Gardner,  Ray,  Short and Henson                     Norman Seldin (2 from left), Jocko Henderson (3 from left) and the Valtairs

One of the first groups Norman Seldin managed was the Valtairs, a vocal group from Long Branch, NJ. The year was 1964. The Valtairs consisted of lead, Harry Ray (later of the Moments and Ray Goodman & Brown), Gregory Henson, Kenneth Short and Joe Gardner. Their repertoire at the time contained “Dear Lord,” “Oh What A Night” and “Tears On My Pillow” – mostly doo wop standards. The Valtairs became a mainstay of Norman’s shows.

The Valtairs   The Valtairs
                                                                                                    Joe Gardner, Harry Ray, Gregory Henson and Kenneth Short

Having the talent and having completed rehearsals, Norman started putting together stage shows that drew 200 to 300 people – in white venues with the Valtairs, the Shells and Vito & the Salutations on the same show for three bucks. The next logical step for Norman Seldin was to start a record label to record his talent. The Selsom label name grew out of a combination of names of Seldin and an early business partner but also was a play on words – SEL(l) SOM(e).

The Valtairs
Gregory Henson , Joe Gardner, Harry Ray and Kenneth Short

The first record released on Selsom was the Valtairs singing “Soul!” and "Strangers Way", a splendid Ballad. Promotion normally would have been a problem for a then 16-year- old, but Norman got help from noted radio personality, Jocko Henderson. Jocko wielded a lot of influence and liked Norman and his product. Through Jocko, Norman got airplay for his records up and down the East Coast. At the end of 1964, Norman Seldin will record the Valtairs again with the magnificent "Moonlight In Vermont " b/w "The Ko Ko Mo"
From Echoes of the Past, No. 100 (2012).

 

Songs :

  
Moonlight In Vermont                        Strangers Way         

  
        Soul!                                     The Ko Ko Mo

 
...

See comments

The Penndulums

Posted on by dion1

The Penndulums
Walter Pepperman

The Penndulums (Philadelphia, Pa.)

 

Personnel :

Walter Pepperman (Lead)

Bob Graulich

Alan Emory

Barry Kaufman

 

Discograhy :

1961 - Masquerader / Time Marches On (May 109)

 

Biography :

Founded in 1862, the University of Pennsylvania Glee Club (PGC) is one of the oldest continually running glee clubs in the United States and the oldest performing arts group at the University of Pennsylvania. The Club draws its singing members from the undergraduate and graduate men of the University of Pennsylvania. The Club, known for its eclectic mix of Penn standards, Broadway classics, classical favorites, and pop hits, has traveled to over 40 countries and territories on 5 continents. It was in 1961 that four members of  Pennsylvania Glee Club went to studio recording two songs; "Masquerader" and "Time Marches On". The quartet consists of Walt Pepperman (Lead), Bob Graulich, Alan Emory & Barry Kaufman. The single c will be released the same year by May Records, a Colpix subsidiary.

 

Songs :

  
 Masquerader                                    Time Marches On

...

See comments