Doo Wop - Rhythm & Blues - jcpiazza26@gmail.com

The Shells (1)

Posted on April 11 2009 by dion1

The Shells (1)

The Shells (1) (Brooklyn, New-York )

Personnel :

Nathaniel "Little Nate" Bouknight (Lead)

Bobby Nurse (First Tenor)

Randy Shade Alston (Second Tenor)

Gus Geter (baritone)

Danny Small (Bass)

Discography :

Singles :
The Shells (1)
1957 - Baby oh Baby / Angel Eyes ((Johnson 104)
1958 - Slippin Soda / Pretty Little girl (End 1022/Gone 5103)
1958 - Pleading No More / Don't Say Goodbye (Johnson 106)
1959 - Whispering Wings / Shooma Dom Dom (End 1050)
1959 - The Thief / She Wasn't Meant For Me (Roulette 4156)
1960 - Baby Oh Baby / What's In An Angel's Eyes (Johnson 104)
1961 - Explain It To Me / An Island Unknown (Johnson 107/332)
1961 - Better Forget Him / Can't Take It (Johnson 109)
1961 - O-Mi Yum-Mi Yum-Mi / In The Dim Light Of The Dark (Johnson 110)
1961 - Baby Walk On In / Sweetest One (Johnson 112)
1962 - Deep In My Heart / (It's A) Happy Holiday (Johnson 119)
1962 - A Toast To Your Birthday / The Drive (Johnson 120)
1963 - On My Honor / My Royal Love (Johnson 127)
1963 - Our wedding day / Deep in my heart (Josie 912)
1970 - Oh What a night / Where or when (Boardwalk 17)
1975 - Will you miss me / I'm in the doghouse (Monogram 108)
1976 - If you were gone for me / Misty (Clifton 00)
1977 - On my honor / In the light of the dark (Clifton 22)

The Shells (1) (With Gene Holiday)
1963 - My heart runneth over / Scratch my name off the mail box (Johnson 125)

Little Nate & The Shells (1)
1977- Someone up there / Will you miss me(the Shells) (Clifton 21)

Roy jones & the Shells (1)
1960 - Satisfied / made for lovers (Swirl 101)

Unreleased :
N/A - My Cherie / Explain to me (Johnson 099)
N/A - When i'm blue / Whiplash (Conlo 879)

Lps :
1963 - The Dubs meet The Shells (Josie LP 4001)
Baby oh baby / Our wedding day / What's In An Angel's Eyes / Baby Walk On In / Sweetest One / Deep In My Heart

1966 - Acappela Session with the Shells (Candlelite LP 1000)
Baby oh baby / Baby walk on in / Happy holiday / The way you do the things you do / The closer you are / Bad girl / I'm a happy man / Be sure my love / So fine / Outside looking in / Dream / If you were gone from me / Oh what a dream / Fine little girl / Life is but a dream / Oooo baby baby

Biography :

This US, Brooklyn-based R&B vocal group was formed in 1957. The Shells were noted for their typical New York doo-wop stylings, in which the use of a prominent bass, piercing falsetto, and strong vocal riffing in support of a romantic lead, made for one of the great folk acts of the 50s. The group cut their first record, "Baby Oh Baby", in 1957, which did little upon its release on the local Johnson label.

The Shells broke up, but the following year, lead Nathaniel "Little Nate" Bouknight formed a new ensemble, bringing in Bobby Nurse (first tenor), Shade Randy Alston (second tenor), Gus Geter (baritone), and Danny Small (bass). Subsequent records did nothing, but as a result of the resurgence of doo-wop on the charts in the early 60s owing to the promotion efforts of record collectors Wayne Stierle and Donn Fileti, the career of the Shells was far from dead.

Stierle and Fileti began promoting "Baby Oh Baby' in 1960 and were able to make it a Top 20 hit on the national pop charts (it went to number 11 on Cash Box"s R&B chart). The group re-formed and Stierle started acting as producer, coming out with some great sides, notably two excellent ones with new lead Ray Jones, "Happy Holiday" (1962) and "Deep In My Heart" (1962).

In 1963, the Josie label paired the group together with the Dubs for half an LP, The Dubs Meet the Shells, a battle of the bands album in the tradition of The Paragons Meet the Jesters).However, the Shells failed to reach the charts and broke up. In 1966, Stierle reassembled the group for one last a cappella session using the four remaining members, without a lead.

Songs :

Baby Oh Baby Slippin Soda A Toast To Your Birthday

Angel Eyes Deep in my heart My Royal Love

(It's A) Happy Holiday What's In An Angels Eyes Our Wedding Day

Explain It To Me My Cherie Don't say Goodbye

...

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The Blenders (5) Aka Candles (2)

Posted on April 11 2009 by dion1

The Blenders (5) (Chicago)
aka The Candles (2)

Personnel :

Gail Mapp (Lead)

Harold Jones

Albert Hunter

Goldie Coates

Delores Johnson

Discography :

The Blenders (5)
1962 - Everybody's Got A Right / What have you got (Cortland 103)
1963 - Daughter / Everybody's Got A Right (Witch 114) 
1963 - Boys think (Every girl's the same) / Squat And Squim (Witch 117)
1963 - One time / One time (Witch 122)
1966 - Love Is A Good Thing Going / Your Love Has Got Me Down (Mar-V-Lous 6010)

Baby Jane & The Blenders (5)
1963 - You Trimmed My Christmas Tree (Witch 112)

Goldie Coates & The Blenders (5)
1962 - Love Is A Treasure / Fisherman (Cortland 102)

The Candles (2)
1964 - Junior / Down Of My Knees (Starr brothers) (Nike 1016)

Biography :

Harold Jones and Albert Hunter had been members of an ad hoc group, the Maples on blue Lake. Harold Jones had also been with the Five Chances and Albert Hunter with the Clouds (1). They made the national charts, the pop charts no less, scoring with "Daughter".

A song penned by jones and led by Coates, which had the flavor of both soul and Doo wop. It lasted eight weeks on Billboard's pop chart in the summer of 1963, peaking at position sixty-one. Curiously, the record did not make the R&B charts. The Song also took the group to the Apollo Theatre. The group also recorded as the candles on the Nike Label.

Songs :

The Blenders (5)

Everybody's Got A Right              Daughter                         Boys think

Baby Jane & The Blenders (5)

You Trimmed My Christmas Tree

Goldie Coates & The Blenders (5)


Fisherman                          Love Is A Treasure

......

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The Four Esquires aka The Esquires (1)

Posted on April 10 2009 by dion1

The Four Esquires aka The Esquires (1)

The Four Esquires (Boston, Massachusetts)
aka The Esquires (1)

Personnel :

Bill Courtney

Frank Mahoney

Wally Gold

Bob Golden

Discography :

The Esquires (1)
1954 - If You Only Knew What A Three Cent Stamp Could Do / Now, Now, Now (Epic 9024)

The Four Esquires
1955 - Three Things / The Sphinx Won't Tell (Cadence 1260)
1955 - Adorable / Thunderbolt (Cadence 1277)
1956 - Follow Me / Summer Vacation (Pilgrim 717)
1956 - Look Homeward Angel / Santo Domingo (London 1652)
1957 - Song Of April / Everyone's Sweet On My Sugar (Paris 501)
1957 - The Chopstick Rock / Never Look For Love (Paris 505)
1957 - Love Me Forever/ I Ain't Been Right (Paris 509)
1958 - Always And Forever / I Walk Down The Street (Paris 512)
1958 - All Around The Clock / The Big Dance (Paris 515)
1958 - Hideaway / Repeat After Me (Paris 520)
1958 - Follow me / Land of you and me (Paris 526)
1959 - Lucky Old Sun / Non E Cosi (Paris 531)
1959 - Act Your Age / So Ends The Night (Paris 535)
1959 - Wonderful One / Wouldn't It Be Wonderful (Paris 539)
1960 - Make Them Mine / Peg O' My Heart (Paris 544)
1960 - Sweet Sixteen She'll Never Be / The Chopstick Rock (Paris 549)
1962 - Can't help falling in love / Merry-go-round of home (Terrace 7502)
1969 - My Heart Belongs To Only You / Momma Look Sharp (Columbia 44996)

Jack Gold & The Four Esquires
1954 - Ev'rything / A Kiss Should Mean We're Sweethearts (Cadence 1242)

Susan Capone & The Four Esquires
1956 - Click-I-Dee, Click-I-Dee / Maybe Someday (Pilgrim 718)

Eps :

1956 - The Pajama game (Epic Ep 7056)
Steam Heat

Biography :

Bill Courtney (lead singer) and backing vocalists Walter Gold, Robert Golden and Frank Mahoney were students at the University of Boston, Massachusetts, USA, in the early 50s who harmonized for their own amusement to whatever instrumental accompaniment they could muster. They first performed locally under the name of The Esquires. It is under this name that they record their first singles "If You Only Knew What A Three Cent Stamp Could Do" b/w "Now, Now, Now "for Epic Records. They will add "four" in front of Esquires and will continue with this title throughout their career.

The Four Esquires aka The Esquires (1)

After three records on Cadence Records that go unnoticed, the group signs with Pilgrim. "Follow Me" b/w "Summer Vacation" on Pilgrim Charted at #43 on Cash Box Top Singles chart in January 1957. Released in July 1956 so it took quite awhile to get to the Cash Box chart. Though popular locally, they waited until they were sufficiently schooled before becoming professional entertainers.

After London Records signed them in March 1956, "Look Homeward Angel" was a turntable hit, but it was eclipsed by Johnnie Ray's version. The group signs with Paris Records which will release a dozen singles. Their workmanlike "Love Me Forever' (augmented with a female session vocalist's obligato), was overshadowed by a US cover version by Eydie Gorme and one in Britain by Marion Ryan."Love Me Forever" Charted at #25 on Billboard Hot 100 in November 1957 and #23 on UK Singles chart. The Four Esquires had two other Billboard chart records, "Look Homeward Angel" (#55 in May 1956) and "Hideaway" (#21 in September 1958).

While able to fill moderate-sized auditoriums and becoming a reliable support act in bigger venues, the Esquires clocked up no further chart entries and had disbanded by the early 60s. In the 1960's Wally Gold co-wrote Elvis Presley's "Good Luck Charm" and "It's Now Or Never", Lesley Gore's "It's My Party" and Gene Pitney's "Half-Heaven, Half-Heartache." Later in the decade, he produced albums for Barbra Streisand, Jerry Vale, and Tony Bennett.

Songs :

(updated by Hans-Joachim)

The Esquires (1)

If You Only Knew What A Three Cent Stamp Could Do / Now, Now, Now

The Four Esquires

Love Me Forever                     Follow me                   Look Homeward Angel


Hideaway                         The Land of You and Me          Always And Forever


The Chopstick Rock                   Steam Heat          Sweet Sixteen She'll Never Be


Wonderful One             I Ain't Been Right Since You Left             Non E Cosi

Three Things / The Sphinx Won't Tell My Heart Belongs To Only You / Momma Look Sharp

....

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The Aquatones

Posted on April 7 2009 by dion1

The Aquatones (Queens, New-York)

Personnel :

Dave Goddard

Lynne Nixon

Larry Vannata

Gene McCarthy

Discography :

Singles :
1958 - You / She's the one for me (Fargo 1001)
1958 - Say you'll be mine / So fine (Fargo 1002)
1958 - Our first kiss / The drive-in (Fargo 1003)
1959 - My one desire / my Treasure (Fargo 1005)
1959 - My darling / For you, for you (Fargo 1111)
1959 - Every time / There's a long long trail (Fargo 1015)
1960 - Crazy for you / Wanted (A solid gold cadillac) (Fargo 1016)
1962 - My treasure / Say you'll be mine (Fargo 1022)

Lps :
1959 - The Aquatones Sing (Fargo LP 3001)
You / She's the One for Me / My Darling / So Fine / Say You'll Be Mine / Everytime / My Treasure / My One Desire / Light Up the Sky / Wanted (A Solid Gold Cadillac) / Our First Kiss / For You, For You

Biography :

The Aquatones were formed as "The Rhythm Kings" in September 1956. The original members were Dave Goddard, Larry Vannata, and Gene McCarthy. They got together to record a song written by Dave for their junior class play at Valley Stream Central High School on Long Island.

All of them played instruments as well as sang – Gene on clarinet and tenor sax, Larry on alto and tenor sax, Dave on piano. They added a drummer – their friend Bob Boden – to perform their music live. They were never a dance band – all of their songs were original, and they hoped to be "discovered" and become recording stars.

The Aquatones

They played some of their home recordings for a classmate's father, a record distributor, and he suggested that they needed a high voice in the group. Shortly thereafter, Larry met Lynne Nixon at a dance, found out that she sang, and asked Gene and Dave to give her an audition. They agreed and were happy to hear Lynne's beautiful voice. At first, she sang only backgrounds, until Larry wrote the song "You" for her to sing.

After changing their name to the Aquatones – so the guys could wear a "cool" shirt from the 1950s (aqua with a black velvet "V" down the front) as a uniform – the group continued their efforts to land a recording contract. In November 1957 they appeared in a talent show in the neighboring town of Malverne, NY. At that show, they were heard by Lou Fargo, a local realtor who wanted to get into the music business – and Fargo asked them the question they'd been waiting to hear:  "How'd you like to make a record?"

Fargo was interested in working with a vocal group, so Bob, the non-singing drummer, left. The group's very first release, in January of 1958, was the ballad "You", with the rocker "She's The One For Me" on the flip side. Helped by airplay on American Bandstand, "You" soon hit the Top 40 charts all over the country.

It reached #7 in New York, #1 in Boston, and #21 on the Billboard national pop charts. After "You", the Aquatones released 6 more singles, but none of them made the charts. Their last single, "Crazy For You" b/w "Wanted (A Solid Gold Cadillac)" was released in July 1961.

After that, the Aquatones went their separate ways. Lynne stayed on Long Island, Larry moved to New Hampshire, Gene moved to the midwest and then to Atlanta, and Dave moved to California, Ohio, and finally Kentucky. Most important, Lynne stopped singing. Though the group members remained friends and stayed in touch, it was difficult to get together to perform – and without Lynne, they were missing the "sound" for which they were known.

http://thebigbeat.50megs.com/TheAquatones.htm
http://www.aquatones.us
http://www.destinationdoowop.com/aquatones.htm
http://www.colorradio.com/Aquatones.htm
http://www.doowopy.de/old/02page/A/eAquatones.html

Songs :

You                             She's the one for me                   Say you'll be mine


So fine                         Our first kiss                                The Drive-in


My one desire                       My treasure                         Every time


There's a long long trail            Crazy for you         Wanted (A solid gold cadillac)


My darling                          For you, for you                     Light Up the Sky

...

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The Diamonds (2)

Posted on April 6 2009 by dion1

The Diamonds (2) (Toronto, Canada)
(By Hans-Joachim)

Members :

Dave Somerville (Lead) (replaced by Jim Malone 1961)

Ted Kowalski (Tenor) (replaced by Evan Fisher 1958)

Phil Levitt (Baritone) (replaced by Mike Douglas 1957)

Bill Reed (Bass) (replaced by John Felten 1958)

Discography :

Singles

1955 - Black Denim Trousers And Motorcycle Boots / Nip Sip (Coral 61502)
1955 - Be My Lovin' Baby / Smooch Me (Coral 61577)
1956 - Why Do Fools Fall In Love / You Baby You (Mercury 70790)
1956 - Church Bells May Ring / Little Girl Of Mine (Mercury 70835)
1956 - Love, Love, Love / Ev'ry Night About This Time (Mercury 70889)
1956 - Ka-Ding-Dong / Soft Summer Breeze (Mercury 70934)
1956 - My Judge And Jury / Put Your House In Order (Mercury 70983)
1956 - A Thousand Miles Away / Ev'ry Minute Of The Day (Mercury 71021)
1957 - Little Darlin' / Faithful And True (Mercury 71060)
1957 - Words Of Love / Don't Say Goodbye (Mercury 71128)
1957 - Zip Zip / Oh, How I Wish (Mercury 71165)
1957 - Silhouettes / Daddy Cool Mercury 71197)
1957 - The Stroll / Land Of Beauty (Mercury 71242)
1957 - Straight Skirts / Patsy (Mercury 45223) (Canada)
1958 - High Sign / Chick-Lets (Don't Let Me Down) (Mercury 71291)
1958 - Kathy-O / Happy Years (Mercury 71330)
1958 - Kathy-O / Where Merry Go (n/a)
1958 - Happy Years / Honey (Mercury 71782)
1958 - Walking Along / Eternal Lovers (Mercury 71366)
1959 - She Say (Oom Dooby Doom) / From The Bottom Of My Heart (Mercury 71404)
1959 - Mothers Love / Gretchen (Mercury 71449)
1959 - Holding Your Hand / Sneacky Alligator (Mercury 71468)
1959 - Young In Years / Twenty Second Day (Mercury 71505)
1959 - Oh Carol / Believe Me (Mercury 45325) (Canada)
1959 - Walkin' The Stroll / Batman, Wolfman, Frankenstein Or Dracula (Mercury 71534)
1960 - Tell The Truth / Real True Love (Mercury 71586)
1960 - Passion Flower / San Antonio Rose (Mercury 45349) (Canada)
1960 - Slave Girl / Pencil Song (Mercury 71633)
1960 - You'd Be Mine / The Crumble (Mercury 71734)
1961 - I Sho Lawd Will / You Short Changed Me (Mercury 71782)
1961 - Munch / Woomai (Mercury 71818)
1961 - One Summer Night / It's A Doggone Shame (Mercury 71831)
1962 - The Horizental Lieutenant / Vanishing American (Mercury 71956)
1963 - Melody Of Love / The Slide (Nathaniel)

Albums

1957 - 'Til My Baby Comes Home / Shoo Ya Blues / Oh, How I Wish / One And Only / Honey / Girl Of Mine / /Honey Bird / For You Alone / My Dog Likes Your Dog / Zip Zip / Cool, Cool Baby / You Are The Limit (Mercury LP 20309)

1958 - Wrap Your Troubles In Dreams (And Dream Your Troubles Away ) / Baby Won't You Please Come Home / The Best Things In Life Are Free / Ain't Misbehavin' (I'm Savin' My Love For You) / Until The Real Things Comes Along / I'll Always Be In Love With You / Will You Still Be Mine / Tenderly / For All We Know / One For My Baby (And One More For The Raod) / Lulu's Back In Town / You'll Never Walk Alone (Mercury LP 20368)

1958 - The Stroll / You Baby You / Ev’ry Night About This Time / Ka-Ding-Dong / A Thosand Miles Away / Ev’ry Minute Of The Day / Little Darlin’ / Faithful And True / Straight Skirts / Silhouettes / Passion Flower / Daddy Cool (Mercury-Wing LP 12114)

1959 - Cool Water / San Antonio Rose / Beautiful Brown Eyes / High Noon / Wagon Wheel / Gold Mine In The Sky / My Little Buckaroo / Cattle Call / Empty Saddles / Streets Of Laredo / Train Of The Lonesome Pine / Home On The Range (Mercury LP 20480)

Biography :

The Diamonds were a clean-cut white vocal group that had sixteen hits between 1956 and 1961, ten which were covers of songs sung by black R&B artists. The original group, formed in 1953, consisted of Dave Somerville, Phil Levitt, Ted Kowalski, and Bill Reed. In the beginning the group practiced several types of vocal styles, including four part "barber style" harmony. The Diamonds began their singing in local clubs, school functions, church socials, and anywhere they could find an audience.

They came to the attention of Coral Records, a subsidiary of Decca Records, where they covered two records, Black Denim Trousers and Motorcycle Boots (a hit for the Cheers) b/w "Nip Sip" (a Clovers song) during the summer of 1955. Neither sold well enough to convince Coral to retain them. However, Bill Randle, an influential Cleveland deejay, liked them enough to mention their name to an executive at Mercury Records. The Diamonds signed with one of the labels that developed the market for "covers."
The Diamonds decision to cover rhythm and blues artist was the result of economic reality: cover records sold very well in markets where the original versions wouldn't be acceptable. Among their hits in 1956 were "Why Do Fools Fall In Love," "Church Bells May Ring," "Love, Love, Love" and "Ka-King-Dong," originally recorded by The Teenagers, The Willows, The Clovers, and The G-Clefs, respectively.

Their biggest hit was a cover of The Gladiola's "Little Darlin'." The Gladiolas version came out in the first week in February, 1957. In less then two weeks the Diamonds version was out. Legend has it that prior to the recording session the group rehearsed the song all night in their hotel room, becoming so fed up that they exaggerated the bass and falsetto parts in an attempt to turn the song into a satire of itself. This is only partly true. Maurice Williams, The Gladiola's lead singer, invented all the vocal trills and hiccups. However, the spoken bridge was not performed by The Gladiolas.

The Diamonds continued covering other artists and their version of "Words of Love" brought the song's writer Buddy Holly his first significant royalties. By late 1957, the music industry began to accept as true that what had been known by teenagers for two years: original rock and roll couldn't be copied just by anyone. Rock and Roll was a form of expression that relied as much on delivery as on lyrics and musical notation. Rock and Roll singers learned this lesson for themselves as they many switched from small companies to major labels. Often their first session's attempted to record their earlier hits by copying the original style.

Seeing the future The Diamonds sought an original song to record. In the late spring of 1957, Chuck Willis' "C.C. Ryder" became the first of a string of rhythm and blues songs based on a dance named the Stroll. Clyde Otis, a songwriter who had with Nancy Lee written a song based on the new dance, approached the Diamonds. "The Stroll" became a huge hit partly as a result as a result of repeated airings on American Bandstand. "The Stroll" was perfect for television because it was exuberant and photogenic.
The groups popularity waned after "The Stroll." By 1959, after "She Say (Oom Dooby Doom), the group's popularity was over as they no longer appealed to the teenagers. During the next two years the Diamonds became a popular attraction on the dinner club circuit in Las Vegas, New York, and Chicago. They had a minor hit in 1961 with a version of the Danleers 1958 hit, "One Summer Night." Soon thereafter, the group disbanded.

The Diamonds became inducted into The Vocal Group Hall of Fame in 2004.

http://www.min7th.com/diamonds
http://www.doowopy.de/old/02page/D/eDiamonds.html
http://www.rockabilly.nl/references/messages/diamonds.htm
http://www.vocalgroup.org/inductees/the_diamonds.html

Videos :

CD :

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The Versalettes aka The Trinkets (2)

Posted on April 5 2009 by dion1

The Versalettes (Chigago)
aka The Trinkets (2)

Personnel :

Viola Floyd

Vera Regulus Wallace

Kathleen Spates Robinson

Theresa Legg

Helen Greenfield

Discography :

The Versalettes
1963 - Shining Armor / True Love Is A Treasure (Witch 116)
1964 - Don Juan In Town / Don Juan In Town (Witch 120)

The Trinkets (2)
1964 - The Fisherman / Nobody But You (Cortland 111)

Biography :

The Versalettes were an exciting Chicago female group of the mid-'60s whose records never amounted to anything. Forming at Marshall High School in 1961, Theresa Legg, Kathleen Spates, Vera Rugulus, and Viola Floyd built a reputation doing talent shows and community functions. Personnel at Cortland/Witch Records caught wind of the Versalettes' buzz and signed them in 1963, while they were still in high school.

Donald Jenkins worked with them and imprinted his doo wop sound on their recordings, which, supposedly, they hated. At the urging of their manager, Bobby Mason, they added Helen Greenfield before cutting their first single, "Shining Armor" b/w "True Love Is a Treasure," in 1963 on Bill Erman's Witch label; the Blenders ("Daughter") recorded the B-side a year earlier.

Disc jockeys Lucky Cordell and Herb Kent gave it perfunctory hometown spins; for this favor, the Versalettes did free record hops for them. Around this same time, Erman released "The Fisherman" b/w "Nobody but You" on his Cortland imprint and credited it to the Trinkets, who were really the Versalettes. Again, sales were virtually nonexistent.

The Versalettes aka The Trinkets (2)

A third single, "Don Juan in Town," a dated doo wop, floundered as well; the Witch recordings never captured the group's essence. The song was an answer to "Don Juan," which was recorded by Donald Jenkins and Ronnie Strong as the Starr Brothers. Cortland also issued the song by the Ideals on the B-side of "Gorilla." Jenkins (Delighters) got them ready to record, but Bob Catron, the A&R man, got the production credits. Cortland/Witch stopped making records in 1964, and the original Versalettes took the opportunity to axe Greenfield, whom they considered a wayward outsider anyway. After graduating from high school in 1965, they continued the community gigs but didn't record again for awhile.

The Versalettes aka The Trinkets (2)

A final single surfaced in 1968 on Okeh Records. The nondescript sides "So Glad Your Love Don't Change" b/w "Love Made to Order" didn't have a chance. The group never even knew Okeh released the single until the '90s because nobody bothered to tell them; Okeh credited it to the Little Foxes. Bill Erman is reclusive about his Cortland/Witch recordings, which is why they aren't found compiled on any albums, cassettes, or discs. ~ Andrew Hamilton

Songs :
(updated by Hans-Joachim)

The Versalettes

Don Juan In Town                           Shining Armor


Shining Armor                   True Love Is A Treasure

The Trinkets (2)

Nobody But You The Fisherman

...

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The Squires (8) aka The Stagehands aka The Empires (4)

Posted on April 3 2009 by dion1

The Squires (8) (Brooklyn, New York)
aka The Stagehands aka The Empires (4)

Personnel :

Richie Kaufman

Eddie Robbins

Gary Kessler

Phil Horowitz

Discography :

The Two Chaps
1960 - Forgive Me / No More (Atlantic 1195)

The Empires (4)
1962 - Time And A Place / Punch Your Nose (Epic 9527)

Linda Lawrence bb The Empires (4)
1963 - At This Stage Of The Game / A Tear For Tommy (Epic 9607)

The StageHands
1964 - Hello Dolly / You Started It (T.A. 101)

The Squires (8)
1964 - Joyce / Can't Believe That You've Grown Up (Congress 223)

Biography :

David (Jay) Black and Marty Sanders were next door neighbors who started to sing together in High School. A friend of theirs took them to Nat Garrick who decided to manage them and took them to Ivy Records as The Two Chaps. Atlantic Records heard the master of "Forgive Me" on Ivy and purchased it. The record didn't do much and that was the brief career of The Two Chaps. Subsequently, Marty formed another group called The Interludes who later changed their name to The Empires when they started recording for Epic.

The Empires (4) aka The Stagehands aka The Squires (8)
The Two Chaps David Black & Marty Sanders The Empires

The group consisted of Marty, Eddie Robbins, Leo Rose (lead) , Phil Horowitz and Gary Kessler. Right after their demo session, Leo dropped out of the group and Marty called in Jay Black. The Empires cut one record entitled "Time And A Place" b/w "Punch Your Nose". Jay and Marty wrote "Time And A Place" and Jay sang lead. "Punch Your Nose" was written by Marty and he sang lead. This too, was a short lived group.

Jay & The Americans

After this release, Jay and Marty left to join the already successful Jay & The Americans. The Other Members with Richie Kaufman continued as the Stagehands for T.A. and as the Squires for Congress Records.

Songs :

The Two Chaps

Forgive Me No More

The Empires (4)

Time And A place Punch Your Nose

Linda Lawrence bb The Empires (4)

At This Stage Of The Game A Tear For Tommy

The StageHands

Hello Dolly You Started It

The Squires (8)

Joyce Can't Believe That You've Grown Up

..

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The Passions (1)

Posted on April 1 2009 by dion1

The Passions (1) (Brooklyn, New York)

Personnel :

Jimmy Gallagher (Lead)

Tony Armato (First Tenor)

Albee Gallone (Second Tenor)

Vinnie Aceierno (Baritone)

Discography :

1958 - Tango Of Love / Nervous About Love (Dore 505)
1959 - Just To Be With You / Oh Melancholy Me (Audicon 102)
1960 - I Only Want You / This Is My Love (Audicon 105)
1960 - Gloria / Jungle Drums (Audicon 106)
1960 - Beautiful Dreamer / One Look At You Is All It Look (Audicon 108)
1960 - Made For Lovers / You Don't Love Me Anymore (Audicon 112)
1961 - I Gotta Know / Aphrodite (Octavia 8005)
1962 - Lonely Road / One Look At You Is All It Look (Jubilee 5406)
1963 - The Bully / Empty Seat (ABC 10436)
1963 - Sixteen Candles / The Third Floor (instrumental) (Diamond 146)

Biography :

One of the best of Brooklyn's white doo wop groups, the Passions helped to further the careers of two top writer/artists. The group members were among those vocalists whose harmony haven was the alley of Loew's Oriental Theatre in the Bensonhurst section of Brooklyn. The nearby Kelly's pool room served as an occasional rehearsal hall.

The Passions (1)

1958 - The Sinceres

When five of the bunch formed the Overons (who later became the Mystics), the remaining members became the Sinceres. They included Tony Armato, Albee Galione, Vinny Acierno, Nicky Lombardi and John Pangi.The quintet recorded a few demos in 1958, at which time Tony, Albee and Vinny began looking for replacements who were more career-minded.

Another group in Bensonhurst had what they needed; when the three Sinceres heard Runarounds lead singer Jimmy Gallagher, they knew he was the one for them (Jimmy’s previous group, the Palladiyms, included Joe DiBenedetto, who later formed "The Four-evers".)

The Sinceres weren’t sure how to approach Jimmy, so they followed him home one night and knocked on his door. After convincing his mother that they only wanted to sing with her son, not mug him, the foursome went to a nearby park and ended up harmonizing for hours. They were now a quartet, with Jimmy on lead, Tony on first tenor, Albee on second tenor, and Vinnie on baritone. In 1959, while the Mystics were recording "Hushabye" at their first session, their friend Tony Armato was there cheering them on promoting his own group to their manager, Jim Gribble. Gribble soon signed the Sinceres and renamed them the Passions. He gave them a demo by a duo of studio singers who called themselves the Cousins. The song was "Just to Be with You" written by Mary Kalfin. The Cousins were Paul Simon and Carole King.

Released in August 1959 on Sol Winkler’s Audicon label, the Passions’ impeccable harmonies and Gallagher’s impassioned lead put "Just to Be with You" on radios across America. It was a top 20 hit in many eastern cities and it charted nationally, rising to number 69. The follow-up out of Audicon’s 1674 Broadway digs was twice as good. Both sides—the harmony filled "I Only Want You" and the beautiful Billy Dawn Smith ballad "This Is My Love" –vied for radio play and sales throughout the states.

A reviewer in the in the January 11, 1960, issue of Billboard commented, "The group could score again via either of these rock-a-ballads. On both, the lead comes through with fine readings and he gets good group assists. Both remind of their previous hit, "Just to be with you.’" "I Only Want You" eventually took the lead, but the split play killed any hopes of one single becoming a national hit. "I Only Want You" stopped at number 113 in March 1960.

The group attracted a great deal of attention from these singles and toured with some of the industry’s top talent, including Chubby Checker, Dion & the Belmonts, The Skyliners The Isley Brothers, and of course their Kelly’s pool room pals the Mystics. They also appeared on Dick Clark’s Tver, Alan Freed’s "Big Beat" TV show, and Clay Cole’s show while performing at the Brooklyn Fox with Alan Freed.

By the time the group recorded "Gloria" Vinny had left and been replaced by Gallagher’s friend Lou Rotondo. Also in 1960 Lou Rotondo and Albie Galione, along with Albie Contrera of the Mystics, sang behind Clay Cole on "Here, There, Everywhere" (Roulette), single that became popular in the New York area. Audicon Records lost the group’s next release, the harmony rocker "Made for Lovers."

The Passions (1)

The group recorded a few more sides for Audicon which were leased to Jubilee and Octavia.By 1962, Gallagher had joined the navy and Gribble had died. The group signed with producer Teddy Vann, ABC Records and drafted Joey O’Neal for the lead. Before Joey could sing, however, Jimmy returned on leave and joined with the Passions to record "The Bully" (ABC, 1963) and an up-tempo version THE CRESTS’ "Sixteen Candles" (Diamond, 1963).

When both went out unpromoted, Gallagher returned to the navy. Graham Lee True (the Hitones, Fonsca) took over the lead, but they only recorded unreleased demos. The group broke up in 1963.
http://www.saddlebrooketimes.com/mp3/Passions/Passions.html

Movies :

Just To Be With You

This is My Love

Songs :


Just To Be With You / Oh Melancholy Me      I Only Want You / This Is My Love    Gloria / Jungle Drums


Beautiful Dreamer                     Aphrodite             Made For Lovers / You Don't Love Me Anymore


Lonely Road / One Look At You Is All It Look           The Bully

The Empty Seat Sixteen Candles

....

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The Marvels (3) aka The Marvells aka The Senators (3)

Posted on March 31 2009 by dion1

The Marvels (3) (Washington, DC)
aka The Marvells
aka The Senators (3)

Personnel :

Sam Gilbert (Lead)

James "Junior" Isom (Second Tenor)

Ronald Boyd (Baritone)

James Mitchell (Bass)

Discography :

The Marvels (3)
1958 - I Shed So Many Tears / So Young So Sweet (Laurie 3016)

The Marvells
1961 - For Sentimental Reasons / Come Back (Winn 1916)

The Senators (3)
1962 - Wedding Bells / I Shouldn't Care (Winn 1917)

Biography :

The Marvels emerged from the fertile Washington, D.C. doo wop scene of the 1950s. According to Marv Goldberg's profile in the December 1976 issue of Yesterday's Memories, lead Sam Gilbert, second tenor James "Junior" Isom, baritone Ronald Boyd and bass James Mitchell co-founded the group in 1954 -- after honing their harmonies on local street corners, the Marvels achieved sufficient notoriety to appear on the popular local television show Milt Grant's Record Hop, but did not actively seek a record deal until 1958, traveling to New York City to audition for the Laurie label. Laurie immediately offered a deal, and that July issued the Isom-led "I Shed So Many Tears" -- when the single went nowhere, the label terminated their contract and the Marvels returned to the Washington club circuit, waiting three years for their chance to cut a follow-up.

The Marvels (3) aka The Marvells aka The Senators (3)

The Winn label issued "For Sentimental Reasons" in the fall of 1961, and when it too failed to generate much attention, the Marvels -- now facing competition from hitmakers like the Marvellos and the Marvelettes -- decided a fresh start was in order, renaming themselves the Senators in honor of the local major league baseball franchise. Winn released the Gilbert-led "Wedding Bells" in the spring of 1962, but it too fared poorly and the group soon dissolved -- Isom later resurfaced in the Gales before signing on with the Satisfactions, who in 1970 scored the R&B Top 40 hits "This Bitter Earth" and "One Light, Two Lights."

Songs :

The Marvels (3)


I Shed So Many Tears                            So Young So Sweet

The Marvells


For Sentimental Reasons                               Come Back

The Senators (3)


Wedding Bells                            Shouldn't Care

...

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The Dynamics (8) aka The Sweet Sick Teens aka The Dellwoods

Posted on March 30 2009 by dion1

The Dynamics (8) (New York)
aka The Sweet Sick Teens aka The Dellwoods

Personnel :

Victor Buccellato (Lead)

Mike Ellis (First Tenor)

Andy Ventura (Second Tenor)

Amadeo Tese (Baritone)

Saul Zeskand (Bass)

Discography :

The Sweet Sick Teens
1961 - The Pretzel (Lead Mike Russo) / Agnes, The Teenage Russian Spy (RCA 7940)

The Dynamics (8)
1963 - Chapel On A Hill / Conquistador (Liberty 55628)

The Dellwoods
1963 - Don't Put Onions On Your Hamburger / Her Moustache (Big Top 3137)

Lps:

1962 - Mad "Twist" Rock'n Roll (Big Top LP 1305)
(She Got A) Nose Job / Please Betty Jane (Shave Your Legs) / Agnes (The Teenage Russian Spy) / Let's Do The Pretzel (And End Up Like One) / (Even If I Live To Be 22) I'll Always Remember Being You

1963 - Fink Along With Mad (Big Top LP 1306)
I'll Never Make Fun Of Her Moustache Again / Don't Put Onions On Your Hamburger / When The Braces On Our Teeth Lock / The Neighborhood Draft Board

Biography :

Mad, the American humour magazine, was founded by editor Harvey Kurtzman and publisher William Gaines in 1952. Widely imitated and hugely influential, although a lot of the 'humour' is probably lost on us Brits, it has satirised all aspects of life, from pop culture and politics to entertainment and public figures

Saul Zeskand, Mike Ellis, Andy Ventura, Victor Buccellato & Amadeo Tese

The 1962 album MAD Twists Rock 'n Roll, a 12 track lampoon of then-current rock and roll styles and stars. The material on the album was written and produced independently of MAD, as a parody album, by Norm Blagman and Sam Bobrick, two men who had already scored a couple of hits between them with Elvis Presley's The Girl of My Best Friend and Ral Donner's top 10 US hit To Love Someone. Failing to attract much interest in their rock and roll parody it wasn't until MAD became involved that the duo get managed to this released - on Big Top records in 1962. Sure they were on to a winning formula, they followed this up with the similar Fink Along With MAD a year later.

Mike Russo

Incidentally, the Dellwoods - who recorded the majority of the tracks on both albums both under their original name and as the Sweet Sick Teens - were a real group, consisting of Saul Zeskand, Mike Ellis, Andy Ventura, Victor Buccellato and Amadeo Tese. Unfortunately, before the release of Fink Along... group member Mike Ellis overdosed on drugs. The group went on to change their name to The Dynamics, releasing the 45 Chapel On A Hill/Conquistador for Liberty Records.

http://worldsworstrecords.blogspot.fr/2010/02/its-mad-mad-world.html

Songs :

The Sweet Sick Teens

Agnes, The Teenage Russian Spy         The Pretzel (Mike Russo)

The Dellwoods

Don't Put Onions On Your Hamburger       Please Betty Jane (Shave Your Legs)       (She Got A) Nose Job

I'll Always Remember Being You     I'll Never Make Fun Of ...      When The Braces On Our Teeth Lock

The Neighborhood Draft Board

The Dynamics (8)

Chapel On A Hill / Conquistador

....

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