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The Duals (1)

Posted on by dion1

 The Duals (1)
L.Russell Brown & Richard Martin Oxman

The Duals (1) (Newark, New Jersey)

 

Personnel :

Richard Martin Oxman

L.Russell Brown

 

Discography :

1958 - Wait Up Baby / For Ever And Ever (Fury 10113)
1959 - Nearest To My Heart / Bye-Bye (ARC 4446)

 

Biography :

By Richard Martin Oxman
Richard Oxman was a "patrol boy" at grammar school in Newark, New Jersey, helping pupils to cross the street on the corner by his family's apartment when he was about nine-years-old. One day, Larry (Brown) came to his corner and began to cross the street without his permission. Patrol boys wore white strips across the chest as a kind of uniform, letting everyone know that they were positioned on a particular corner to regulate crossing for safety purposes. Well, Larry had absolutely no respect for any of that, and Richard yelled after him as he crossed the street, headed for home which was in another apartment building (which was part of The Seth Boyden Housing Project, a low-income complex built for families after WWII). Larry's family lived about a block from Richard's family.

The Duals (1)    The Duals (1)

Anyway, Richard yelled at him, saying that he was going to report him to Mr. Pearl. Mr. Pearl was a gym teacher, and the adult at school in charge of all patrol boys, the entire operation concerned with crossing guards at street corners.  Well, when Richard Martin knocked off for lunch that day... He walked the few steps to his apartment, and there was Larry waiting for him! He started to hit him in anger, and, then, his mother, hearing Richard screaming, came out of his apartment with a Broom screaming at Larry to leave him alone!  She chased him all the way home. [Remember that Doo Wop song with the line "I ran all the way home, just to say I'm sorry."???] That's how they met. Their families reconciled, and though they never really got close, it was the beginning of their relationship.  Once he found out that Richard played the guitar, he asked Richard to teach him.

The Duals (1)
Richard Martin Oxman & L.Russell Brown

In 1958, Larry and Richard just traveled into Harlem from New Jersey (across the Hudson River) where they lived to make record contacts With Bobby Robinson, the record shop guy in Harlem. It was much different then, easier to make that crucial one-on-one contact. Bobby, with Larry fast-talking about what was special about the group ("We're a combo of the Everly Brothers and Little Richard.") got Bobby to walk them up to a nearby apartment where they were introduced to a fat guy named "Fats" who played the piano. They asked Richard & Larry to show what they could do, and then, after they sang and played, Bobby Robinson immediately signed the duet! In those days,  record producers routinely screwed performers. They had to give them forms for their parents to sign first because they were underaged. But that didn't keep Bobby and Fats from pulling a fast one on them, screwing them as far as potential royalties went.

The Duals (1)
L.Russell Brown & Richard Martin Oxman

They recorded at historic Beltone Studios in New York, where many huge hits had been recorded. They met many stars. One of them was the great DOO WOP sax player, King Curtis... who walked into one of their sessions. They were given the opportunity to have him play on "Wait Up, Baby", but They turned the offer down… -- STUPIDLY, RIDICULOUSLY! -- because... guitars were, they felt, IN, the latest thing, the upcoming thing, the thing to embrace. Talk about mistakes! Talked about missed opportunities! Can you imagine having a Duals' record today with King Curtis playing the riff on it? . They met Nina Simone , and many others.  There was a great, unknown, Doo woo group (the Du Mauriers) , which was at their recording session. They did "All Night Long". Fury released "Wait Up Baby" b/w "For Ever And Ever" in early 1958. Richard Oxman and Larry Brown made a second single, "Nearest To My Heart" b/w "Bye-Bye" in Elizabeth NJ at the ARC records studio owned by Ed Dambach. Russell Brown continued in the music industry and wrote many hit songs subsequently, like "Tie a Yellow Ribbon 'Round the Old Oak Tree"... and many more.
Richard Martin Oxman



Songs :
(updated by Hans-Joachim) 


  
    Nearest To My Heart                                  Bye-Bye                  

  
For Ever And Ever                                   Wait Up Baby     



 

 

...

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Bunny Sigler & The Cardells (2) aka The Cordells aka The Whirlwinds (2) aka The Exceptions

Posted on by dion1

The Cordells aka  The Whirlwinds (2) aka The Exceptions aka The Cardells (2)

The Cordells  (Philadelphia)
aka The Cardells (2)
aka The Whirlwinds (2)
aka The Exceptions

 

Personnel:

Jimmy Ellis (Lead)

Earl Young (Bass)

Val Walker

Russell Boston

Charles Hynes

 

Discography :

The Cordells
1958 - Please Don't Go / Believe in Me (Bullseye 1017)
1962 - The Beat of My Heart / Laid Off (Bargain 5004)

Bunny Sigler & The Cardells (2)
1959 - Square From Nowhere / Laddy Daddy (Bee 1013)

The Whirlwinds (2)
1963 - After The Party / Heartbeat (Phillips)

The Exceptions
1965 - Down by the Ocean / Pancho's Villa (Inst.) (Pro 1/ Cameo 378)

 

Biography :

Along with the original Harold Melvin & the Bluenotes, the Dreamlovers, and others, the Cordells were one of Philadelphia's pioneering R&B groups. The members were Jimmy Ellis, (lead), Earl Young (bass), Val Walker, and Russell Boston, all from the Broad & Lehigh area of North Philly. They recorded "Please Don't Go" b/w "Believe in Me," for Bullseye Records in 1958 and didn't get the opportunity again until 1959 when they Backed Bunny Sigler on "Square From Nowhere" b/w "Laddy Daddy" as the Cardells. Bunny Sigler was a champion swimmer, having won the city Championship representing Bok School in South Phully. Walter "Bunny" Sigler  will become a pop and R&B songwriter and record producer who has done extensive work with the team of Kenny Gamble and Leon Huff, and who was instrumental in creating the "Philly Sound" in the early 1970s. He is nicknamed "Mr. Emotion."

The Cordells aka  The Whirlwinds (2) aka The Exceptions aka The Cardells (2)   The Cordells aka  The Whirlwinds (2) aka The Exceptions aka The Cardells (2)
Bunny Sigler                                                                                                           

Return to Jimmy Ellis and his fellows. The Group didn't get the opportunity again until 1961 when "The Beat of My Heart"/"Laid Off," fell on Bargain Records, this time using their original name, The Cordells. Neither side was more than a local play and while the group kept busy doing local gigs and built a little reputation around town, nothing really happened for them. The Philly singers became the Whirlwinds and recorded in 1963, this time for Phillips Records. "Heartbeat" b/w "After the Party" stiffed. They added Charles Hynes and tried it as The Exceptions. Pro 1 Records released the first Exceptions' single, "Down by the Ocean" b/w "Pancho's Villa," in 1965. It was originally scheduled for Phil Gaber's P & L label, but the deal never consummated. The record created a stir locally so Cameo Records snagged it for national distribution, but it never took off. Switching to Cameo's subsidiary, Parkway Records.

The Cordells aka  The Whirlwinds (2) aka The Exceptions aka The Cardells (2)    The Cordells aka  The Whirlwinds (2) aka The Exceptions aka The Cardells (2)

By the late 1960's Jimmy Ellis and the Exceptions had moved from doo wop into soul music.  The signed with the Groovy Grooves label and had two releases. Groovey Groves issued two of their shelved singles in 1972 to piggyback on the Trammps' Buddah recordings. Ellis and Young, two ex-Exceptions, were now Trammps, comprised at that time of members from the Exceptions and the Volcanoes. In addition, Young became a sought after session musician and recorded with Ron Baker and Norman Harris as Baker, Harris, & Young.


Songs :

The Cordells


Please Don't Go / Believe in Me

  
The Beat of My Heart                                 Laid Off          


Bunny Sigler & The Cardells (2)


Square From Nowhere / Laddy Daddy


The Whirlwinds (2)

  
Heartbeat                                   After The Party


The Exceptions

  
Down by the Ocean                              Pancho's Villa        



...

See comments

Bunny Sigler & The Cardells (2) aka The Cordells aka The Whirlwinds (2) aka The Exceptions

Posted on by dion1

The Cordells aka  The Whirlwinds (2) aka The Exceptions aka The Cardells (2)

The Cordells  (Philadelphia)
aka The Cardells (2)
aka The Whirlwinds (2)
aka The Exceptions

 

Personnel:

Jimmy Ellis (Lead)

Earl Young (Bass)

Val Walker

Russell Boston

Charles Hynes

 

Discography :

The Cordells
1958 - Please Don't Go / Believe in Me (Bullseye 1017)
1962 - The Beat of My Heart / Laid Off (Bargain 5004)

Bunny Sigler & The Cardells (2)
1959 - Square From Nowhere / Laddy Daddy (Bee 1013)

The Whirlwinds (2)
1963 - After The Party / Heartbeat (Phillips)

The Exceptions
1965 - Down by the Ocean / Pancho's Villa (Inst.) (Pro 1/ Cameo 378)

 

Biography :

Along with the original Harold Melvin & the Bluenotes, the Dreamlovers, and others, the Cordells were one of Philadelphia's pioneering R&B groups. The members were Jimmy Ellis, (lead), Earl Young (bass), Val Walker, and Russell Boston, all from the Broad & Lehigh area of North Philly. They recorded "Please Don't Go" b/w "Believe in Me," for Bullseye Records in 1958 and didn't get the opportunity again until 1959 when they Backed Bunny Sigler on "Square From Nowhere" b/w "Laddy Daddy" as the Cardells. Bunny Sigler was a champion swimmer, having won the city Championship representing Bok School in South Phully. Walter "Bunny" Sigler  will become a pop and R&B songwriter and record producer who has done extensive work with the team of Kenny Gamble and Leon Huff, and who was instrumental in creating the "Philly Sound" in the early 1970s. He is nicknamed "Mr. Emotion."

The Cordells aka  The Whirlwinds (2) aka The Exceptions aka The Cardells (2)   The Cordells aka  The Whirlwinds (2) aka The Exceptions aka The Cardells (2)
Bunny Sigler                                                                                                           

Return to Jimmy Ellis and his fellows. The Group didn't get the opportunity again until 1961 when "The Beat of My Heart"/"Laid Off," fell on Bargain Records, this time using their original name, The Cordells. Neither side was more than a local play and while the group kept busy doing local gigs and built a little reputation around town, nothing really happened for them. The Philly singers became the Whirlwinds and recorded in 1963, this time for Phillips Records. "Heartbeat" b/w "After the Party" stiffed. They added Charles Hynes and tried it as The Exceptions. Pro 1 Records released the first Exceptions' single, "Down by the Ocean" b/w "Pancho's Villa," in 1965. It was originally scheduled for Phil Gaber's P & L label, but the deal never consummated. The record created a stir locally so Cameo Records snagged it for national distribution, but it never took off. Switching to Cameo's subsidiary, Parkway Records.

The Cordells aka  The Whirlwinds (2) aka The Exceptions aka The Cardells (2)    The Cordells aka  The Whirlwinds (2) aka The Exceptions aka The Cardells (2)

By the late 1960's Jimmy Ellis and the Exceptions had moved from doo wop into soul music.  The signed with the Groovy Grooves label and had two releases. Groovey Groves issued two of their shelved singles in 1972 to piggyback on the Trammps' Buddah recordings. Ellis and Young, two ex-Exceptions, were now Trammps, comprised at that time of members from the Exceptions and the Volcanoes. In addition, Young became a sought after session musician and recorded with Ron Baker and Norman Harris as Baker, Harris, & Young.


Songs :

The Cordells


Please Don't Go / Believe in Me

  
The Beat of My Heart                                 Laid Off          


Bunny Sigler & The Cardells (2)


Square From Nowhere / Laddy Daddy


The Whirlwinds (2)

  
Heartbeat                                   After The Party


The Exceptions

  
Down by the Ocean                              Pancho's Villa        



...

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The Coeds (1) aka The Co-Eds (2)

Posted on by dion1

The Versatones (1)
1962 - (clockwise from top) : Fannie Henderson, Beatrice Johnson, John"Wes"Hayes, Bernard Harris & Maurice Hayes  

The Coeds (1) (Philadelphia, PA)
aka The Co-Eds (2)

 

Personnel :

John"Wes"Hayes (Baritone)

Bernard Harris (Tenor)

Beatrice Johnson (Second Soprano/Alto)

Fannie Henderson (First Soprano)

Barge Hammond (Bass)

Jeanette Taylor (First Soprano/ Lead)

 

Discography :

The Coeds (1)
1957 - Big Chief / Juke Box! (Swan 4004)
1958 - Big Chief / Juke Box! (Cameo 3129)
1958 - La La (Lessons Of The Cha Cha Cha) / Juke Box!(Cameo 134)

John Zacherle bb The Coeds (1)
1958 - I Was A Teen-Age Caveman / Dummy Doll (no group) (Cameo 145)

Cozy Morley bb The Coeds (1)
1958 - As We're Happy Tonight / I Chicken Out (Cameo 147)

Charlie Gracie bb The Coeds (1)
1958 - Dressin' Up / Crazy Girl (no group) (Cameo 127)

The Co-Eds (2)
1961 - Time After Time / To Be Or Not To Be (Sheryl 337)

 

Biography :

John"Wes"Hayes & Bernard Harris were members of the Dreams, who in 1957 had morphed into Kenny Esquire & The Starlites. Following their dissolution, Wes Rounded up Bernard and other lifelong friends from the neighborhood to form the Coeds. The Group make appearances all over the area. The Coeds consisted of John"Wes"Hayes (Baritone), Bernard Harris (Tenor), Beatrice Johnson (Second Soprano/Alto), Fannie Henderson (First Soprano), Barge Hammond (Bass) and Jeanette Taylor (First Soprano/ Lead).

The Versatones (1) 
1958 - (top L to R) : B. Harris, B. Hammond, J.Hayes  (Top Down - Girls) J. Taylor, F. Henderson, B.Johnson,

All this practice and rehearsal inspired their manager David King to ferry his charges downtown to Bernie Lowe and Kal Mann's merging shrine, Cameo records, then perched at 360 South Broad Street. The Poohabahs were duly impressed, thus aranging sessions at Reco-Arts  in mis 1958 where the sextet etched three sides, two of which were, well, lackluster, to put it kindly, "Juke Box" a sublimely silly sketch, matched with "(Lessons Of The Cha Cha Cha) "were tepid tunes hardly worthy of the intricate harmonies which were by now inbred in each and very Coed. "Big Chief " was their particular favorite. Thereafter, the Coeds began 1958 on Safari and on Cameo promoting the dickens out of their first release "Big Chief" b/w "Juke Box!" in the early spring.

The Versatones (1)  The Versatones (1)
1959 - (L to R) : Beatrice .Jonhson, Fannie Henderson, Jeanette Taylor, & John"Wes"Hayes


A couple months scudded by which saw Lowe and Mann issue "La La (Lessons Of The Cha Cha Cha)" once again, but this time paired with " Juke Box". At Cameo Records, they make plenty of Studio background work. The Coeds backing John Zacherle, Cozy Morley and Charlie Gracie. Despite the fact they had no new recording, The Coeds, now tabbed as John Hayes and the passions, dropped in at bistrosfrom time to time during relatively period, recording wise, of 1959-62.

The Versatones (1)  The Versatones (1)
1959 - (top L to R) :Barge Hammond & John"Wes"Hayes  (Bottom L to R) J. Taylor, B.Johnson & F. Henderson

in 1961, David King marched his troupe into Harold B. Robinson's studio located at 6600 North Broad Street. Jeanette Taylor  led both cuts "Time After Time" and "To Be Or Not To Be". The Single  will be released in August 1961 as the Co-eds (new spelling). Beatrice Johnson, Fannie Henderson, Bernard Harris and Wes Hayes accompanied by a bevy of musicians, circulated for many years under tha new monicker, John hayes and the Passions. Though they never rrecorded again, they weren't  lollygagging.

 

Songs :

(updated by Hans-Joachim)

The Coeds (1)

  
Big Chief                                       Juke Box!


La La


The Co-Eds (2)

  
Time After Time                         To Be Or Not To Be

John Zacherle bb The Coeds (1)


I Was A Teen-Age Caveman  

Charlie Gracie bb The Coeds (1)


Dressin' Up


...

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The Invictors (1) aka The Termites

Posted on by dion1

The Invictors (1) aka The Termites    The Invictors (1) aka The Termites
                     Gene Yuhas                                                                        Raymond Edwards

The Invictors (1) (Reading, PA.)
aka The Termites

 

Personnel :

Raymond Edwards (Lead)

Gene Yuhas (Lead)

Barry Boswell (Lead / Second Tenor)

Bobby Rohrbach (Baritone)

Bill Yuhas

 

Discography :

The Invictors (1)
Single :
1961 - I’ll Always Care For You / I Don't Wanna Go (Bee 1117)
Unreleased:
1961 - Goodbye To Love (Bee)
1961 - My Dream Girl (Bee)

The Termites
1963 - Carrie Lou (The Invictors) / Give Me Your Heart (The Paramounts) (Bee 1825)

 

Biography :

The Invictors were a mixed group : 3 white and 2 black members. Following the breakup of the Honeybees, vocalist Barry Boswell met Ray Edwards of the Silhouettes, who was living in Reading from 1944 to 1956. By 1962, the Silhouettes had become loosely organized, and Edwards had been performing on his own. The three white members of the group were brothers Bill and Gene Yuhas, and Bobby Rohrbach on baritone.

The Invictors (1) aka The Termites
The Silhouettes

Their sole release, Bee 1117 was put out in 1961, and featured Gene Yuhas on the A-side, "I’ll Always Care For You." The flip "I Don't Wanna Go" was written by Ray Edwards’s daughter, and features Edwards on the lead. The Invictors recorded these sides along with 3 others : "Carrie Lou", "Goodbye To Love" and "My Dream Girl", at Farraro’s Studio in the 400 Block Of Schuykill Ave., Reading.

The Invictors (1) aka The Termites  The Invictors (1) aka The Termites

The Termites were simply the Invictors minus Bobby Rohrbach, in 1963, Bee Records coupled an unreleased Invictors’ master, "Carrie Lou" which featured Barry Boswell on Lead with "Give Me Your Heart", a master from Pat Farraro’s Beck Music Company, and invented the name « Termites » for Bee 1825. "Give Me Your Heart" is not by the Invictors, but The Paramounts, featuring Wesley Parker who released another 45 on the Columbine Label in 1962. .

 

Songs :

The Invictors (1)

  
  I’ll Always Care For You                          I Don't Wanna Go      

The Termites

  
                       Carrie Lou                      Give Me Your Heart (The Paramounts)     

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Gino & The Dells (2)

Posted on by dion1

Gino & The Dells (2)
Frank "Gino" Amodeo

Gino & The Dells (2) (Eastern Suffolk County, Long Island)

 

Personnel :

Frank "Gino" Amodeo (Lead)

Peter Chacona

Louis Reyes

Augie Borgess

 

Discography :

Gino & The Dells (2)
1962 - Altar Of Dreams / Baby Don't Go Now (Golden Crest 567)

Gino
1963 - We'll Make It Someday / I'm A Boy In Love  (Golden Crest 576)
1963 - It's Only A Paper Moon / Home Sweet Home  (Golden Crest 581)
1964 -  Hand Clappin' Time / Gotta Travel On  (Golden Crest 588)

Darin D'Anna aka Darin D. Anna
1965 - We Were Lovers / Gunna Feel Alright  (World Artists  1045)
1965 - Bimbo / Your Love Is Strong (World Arists 1046)

 

Biography :

Frank "Gino" Amodeo was born on Dec. 16, 1938, in Brooklyn. Gino & Louis Reyes will be part of the group The Del-Quins with Morris Hopkins, Vinny Moraldo, Gerard Moraldo. Based in the Mastic & Bellport area, The Del-Quin's do not register records. Gino & Louis Reyes join Peter Chacona and Augie Borgess to Form Gino & The Dells. The group started in '62 on the Long Island streets of Eastern Suffolk County, NY.

Gino & The Dells (2)    Gino & The Dells (2)
Frank Amodeo (center) & Louis Reyes with the The Del-Quin's                                          Frank "Gino" Amodeo               

"Altar Of Dreams" became the title song  of Clark Galehouse's Shelley and Golden Crest Great Hits. By virtue of its location in Huntington Station, NY, Golden Crest was well placed to trawl talent from Long Island (including Queens and Brooklyn), also New York and New Jersey. But the label made its mark when ‘Tall Cool One’ by the Wailers, from the Northwest area, hit the Top 50 charts on Billboard and Cash Box in 1959 and then again in 1964. 

Gino & The Dells (2)     Gino & The Dells (2)

"Altar Of Dreams" never got any exposure and was a limited  pressing record so the value is higher than the group's other releases. This was the group's only actual release while Gino released other singles. Singers were just single names back then and Galehouse thought it might click better with just Gino! Gino had one record called "It's Only A Paper Moon" which got some play in cities and a few sales but never made it big. Gino went on to sing with the Royal-Aires on Gallo and toured with Gene Pitney's "Shower Of Stars" as the lead singer of the Reflections ("Just Like Romeo & Juliet) in the 60's.

 

Songs :

Gino & The Dells (2)

  
    Altar Of Dreams                              Baby Don't Go Now

 

Gino

  
    I'm A Boy In Love                            It's Only A Paper Moon

  
Home Sweet Home                        Gotta' Travel On

 

Darin D'Anna aka Darin D. Anna

  
Gunna Feel Alright                        Your Love Is Strong

...

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The Cameos (3)

Posted on by dion1

The Cameos (3) (Spring Valley, New York)


Personnel :

Jeff Matles (Tenor)

Bill Marlin (Tenor)

Gary Itkin (Bass)

Diane Schultz (Soprano)


Discography :

The Cameos (3)
1959 - Please Love Me / Shanga-Langa-Ding-Dong (Flagship 115) 

Walt And Joan bb The Cameos (3)
1959 - Darling I'm Hoping / I'm Sorry For You (My Friend) (Flagship 111/112)

Tiny Dean & The Cameos (3)
1960 - Now That Summer Is Over / That's All I Want (Flagship 117/118)


Biography :

Vocal group from Spring Valley, this quartet consists of Three Young men and a girl : Jeff Matles, Bill Marlin, Gary Itkin and Diane Schultz. The group recorded at Flagship Records of Ridgewood (New Jersey) two songs "Please Love Me" b/w "Shanga-Langa-Ding-Dong". In 1959, with The release of the Single, their popularity has grown considerably in New York. The Same year at Flagship , they backed Walt And Joan  "Darling I'm Hoping" b/w "I'm Sorry For You (My Friend)" and Tiny Dean  "Now That Summer Is Over" b/w "That's All I Want". Flagship was owned by Vincent and Julia Sardo and Julia's brother, Howard W. Brady, who also recorded for the label.

     

                                                                                                       Jeff Matles

Over The Summer 1959, They toured New York state. The stopovers included Rochester, Syracuse, Cornell & Utica. They were so well received in Utica that they were asked for a return engagement. This return show consisted of 30.000 people. They appeared with The Belmonts, The Mystics, Gary Stites and Frankie Ford. Despite some promises to record a new disc on the Flagship label, the band will split before recording their new songs.

 

 


Songs :

The Cameos (3)

  
      Please Love Me                          Shanga-Langa-Ding-Dong

Tiny Dean bb The Cameos (3)

  
That's All I Want From Life              Now That Summer Is Over


Walt And Joan bb The Cameos (3)


Darling I'm Hoping

 

 



...

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The Darlings (2) aka The Sweethearts (2) aka ...

Posted on by dion1

The Sweethearts (2) aka The Darlings (2)  aka......
Oma Heard

The Darlings (2) (Los Angeles, CA)
aka The Sweethearts (2)
aka The Sa-Shays
aka The Utmosts
aka The Dynels
aka The Postalettes
aka The Delicates (2)

 

Personnel :

Oma Heard (Lead)

Carlotta "Cookie" Robertson (Lead)

Maxine Waters

Julia Waters

 

Discography :

The Sweethearts (2)
1961 - They Talk Too Much / Puppy Love (Hi-III 116)
1961 - Summer Days / What Is Love (Hi-III 117)

The Sa-Shays
1961 - You Got Love / Boo Hoo Hoo (Zen 101 / Alfi 1)
1963 - Here Comes The Love / I’ll Make You Love Me (Zen 109)

The Utmosts
1962 - I Need You / Big Man (Pan Or 1123)

The Dynels
1962 - Boy Friend / Let's Do It Again  (Dot 16382)
1964 - Just A Face In The Crowd / C'mon Little Darlin’ (Natural 7001)

The Postalettes
1963 - He Played One, Two, Three, Four / Like Chalypso (Instrumental) (Dore 662)

The Darlings (2)
1963 - To Know Him Is To Love Him / Train Out Of Memphis (Instrumental) (Dore 663)
1963 - He Played One, Two, Three, Four / My Pillow (Dore 677)
1966 - The Horn Goes Beep Beep Beep / Floatin' On Cotton Candy (Instrumental) (Dore 775)

The Delicates (2)
1963 - My Pillow / He Played One, Two, Three, Four (Dee Dee 677 / Celeste 676)

 

Biography :

The Darlings, a female quartet comprising Oma Heard, Carlotta "Cookie" Robertson (Gaynell Hodge’s niece who In 1960 with Joyce Chapel & Marie Love recorded as The Chiffons and The Unforgettables) and the sisters Maxine and Julia Waters, were managed and produced by a former artist named Bobby Sanders - real name: Jerome Lenoir. In 1963, Dore issued two consecutive singles by the group under different names, the first as the Postalettes singing 'He Played 1, 2, 3, 4' (a variation of 'The Paddiwack Song'), the second as the Darlings with their punchy revival of 'To Know Him Is To Love Him', heard here. Sanders produced all four at the same (with Grayson arranging) and assigned the masters over Dore on 23 January 1963.

The Sweethearts (2) aka The Darlings (2)  aka......   The Sweethearts (2) aka The Darlings (2)  aka...... 

Three of the four girls had previously sung in a Fremont High School group named the Sweethearts, who recorded for producer H.B. Barnum in 1961 and moonlighted on obscure one-off 45s as the Utmosts and the Sa-Shays.  Although amateur, they were already establishing career paths as versatile session vocalists and barely knew their identity from one release to the next - immediately prior to signing for Dore, they had recorded a one-off 45 for producer Steve Venet (himself a former Dore artist) as the Dynels on Dot.

The Sweethearts (2) aka The Darlings (2)  aka......   The Sweethearts (2) aka The Darlings (2)  aka...... 

                                                                                                   Oma Heard

Something about 'He Played 1, 2, 3, 4' piqued Lew Bedell interest because a few months later, he re-issued it with a new B-side ('My Pillow') on Dore 677 crediting the Darlings. Then again, in October 1963 on Dee Dee 677 as by the Delicates!. And he wasn't finished yet. Possibly frustrated by his inability to break the record, Bedell sold the master to a couple who ran a tiny R&B label, Celeste, out of their LA home, prompting a further re-issue with the revised title 'This Old Man' on Celeste 676. Oma Heard later sang with Ike Turner's Ikettes, did session work and recorded under her own name for Motown in the late 1960s, while the Water sisters worked as background singers on countless sessions by such diverse artists as Paul Simon, Diana Ross, Bruce Springsteen, Billy Paul and Rod Stewart.

 

Songs :

The Sweethearts (2)

  
   They Talk Too Much                            Puppy Love         

  
Summer Days                                  What Is Love

The Sa-Shays

  
You Got Love                          Boo Hoo Hoo

  
Here Comes The Love                I’ll Make You Love Me

The Utmosts

  
I Need You                                    Big Man

The Dynels

  
     Boy Friend                                     Let's Do It Again

  
Just A Face In The Crowd                   C'mon Little Darlin’        

The Darlings (2)

  
To Know Him Is To Love Him                             My Pillow                   

The Delicates (2)


My Pillow


...

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The Regals (2)

Posted on by dion1


The Regals (From Top) Billy Adams, Aaron Cornelius, Albert Russell, Jerry Holeman & Harold Wright

The Regals (2) (Cleveland)
Ref The Orioles (2) 

 

Personnel :

Billy Adams (Lead)

Albert “ "Diz"” Russell (Bass/Baritone)

Jerry Holeman (Baritone/Tenor)

Aaron "“Tex" ” Cornelius (Baritone/Tenor)

 

Discography :

Singles :
1954 - Run Pretty Baby / May The Good Lord Bless And Keep You (Aladdin 3266)
1955 - Got The Water Boiling / I'm So Lonely (Atlantic 1062)

Unreleased :
1955 - Cha Cha (Atlantic)
1955 - Gotta Find My Baby (Atlantic)


Biography :

Albert “Diz” Russell first ran into Sonny Til around 1951 in St. Louis, where both were spending quality time with a young lady named Adell Chapelle. Russell was doing some gigs with his group, The Modern Sounds, a vocal quintet from his native Cleveland that leaned more toward jazz than pop. They met again two years later in New York City, after The Modern Sounds became The Four Jays and blew Cleveland in a rickety Buick belonging to Aaron “Tex” Cornelius.

The Regals (2)
The 4 Jays (Top) Jerry Holeman  & James Brunson (Bottom) Aaron Cornelius & Albert Russell

After breaking down in Pennsylvania, borrowing money in Atlantic City, and living for days off of stale donuts in the Lower West Side of New York, Russell and The Four Jays abandoned their car by the Hudson River, tossed the tags, and headed up to Birdland, the famous Broadway jazz club, to find work. What they found was scat-cat Eddie Jefferson, an old singing buddy from their days of rehearsing at the Cleveland YMCA, who took them immediately for an audition with none other than Duke Ellington himself, in his office in the Brill Building.

The Regals (2)
At The Apollo Theater

Ellington was so impressed that he set them up with a gig at Snookie’s, a midtown Mafia-owned Italian joint at 47th Street and Broadway. From there, The Four Jays moved up to amateur shows at the Apollo, where they scored a management contract with Bobby Shiffman, son of the nightclub’s owner. 

The Regals (2)
The Regals (L to R) Jerry Holeman, Billy Adams, Harold Wright, Albert Russell &  Aaron Cornelius

The Four Jays became The Regals after deciding there were too many groups with the names of birds, such as the Orioles. The name Regals was taken from a shoe store. The Regals began performing regularly. The Regals began recording for Aladin Records, where Atlantic’s Jesse Stone was moonlighting. Specialists in modern harmony, the group signed with Atlantic Records in February 1955.

The Regals (2)    The Regals (2)
                                                                    At The Apollo Theater

Albert “Diz” Russell and Aaron Cornelius of the group wrote the song “Got the Water Boiling” and presented it to delighted audiences at the famous Apollo Theater, complete with choreography by Cholly Atkins. Members of the Cadillacs were in the audience, and admit later that this performance inspired their smash hit “Speedo”. Sonny Wright was a member of The Regals, but never recorded with them. He had been lead singer of The Diamonds on Atlantic (1952-53) and would later become the lead of The Metronomes on Cadence (1957).

The Regals (2)
Sonny Til & The New Orioles (Top) Sonny Til & Albert Russell (Bottom) Aaron Cornelius, Billy Adams &  Jerry Holeman

Left without the Orioles, Sonny Til picked up  the Regals  and pianist Paul Griffin. This group became the New Orioles. Til liked the Regals' modern harmony style, and the existing tunes were rearranged to match the Regals' style (in many cases, sounding rather different than they formerly had). During this time, they were often billed as "Sonny Til and his New Orioles". They left Jubilee and signed with Vee-Jay Records.


Songs :
(updated by Hans-Joachim) 


  
       Run Pretty Baby                            Got The Water Boiling
 
  
            I'm So Lonely                 May The Good Lord Bless And Keep You

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The Arrogants (2)

Posted on by dion1

The Arrogants (2)
1962 (L to R) Marshall, Sal, Franky, Tisziji and Augie

The Arrogants (2) (Brooklyn, New York)

 


Personnel :



Franky Ayala (Lead)

Sal Giarraffa

Augie Miuzzo

Tisziji Munoz

Marshall Rivera


 


Discography :


Single:
1963 - Mirror Mirror / Canadian Sunset (Lute 6226 / Candlelite 425)


Demos:
1962 - My Heart Stood Still
1962 - Hold Me, Thrill Me, Kiss Me

 



Biography :


In 1959, Tisziji Munoz and his guitar join a local band called Quartet in Four, which consisted of Augie Miuzzo on saxophone and percussion, Sal Giarraffa on drums or timbales, and Marshall Rivera on congas. They performed on street corners and at show clubs and dances in New York City. As was typical in those ‘doo-wop’ days in New York, there were many street corner singing groups. It was a great time for doo-wop singing, which was very easy to sing . They found it to be a beautiful experience to be singing with his friends and experimenting with complex harmonic patterns other than the usual ‘1, 4, 5’ blues or rock structures.

The Arrogants (2)
1959 (Quarter In Four) Tisziji, Sal, Augie and Marshall

With Lead Singer Franky Ayala the new quintet recorded two demos in Brooklyn (“My Heart Stood Still” and “Hold Me, Thrill Me, Kiss Me”).  They ventured to California with the demos.  The group went out there for a few weeks, toured Hollywood and visited many famous recording companies. Group was now called The Arrogants, a name given to them by their manager, who may have found the group to be a little too outspoken, honest and real for his purposes which were totally materialistic.

The Arrogants (2)    The Arrogants (2)

At the time, The Arrogants were seeking exposure and they playing at the same event as The Beach Boys, at the Peppermint Lounge. They recorded two songs for Lute Records:  “Canadian Sunset” and “Mirror, Mirror”. The producer of the Lute sessions was Marshall Lieb, who had a hit in 1960 as a singer with the Hollywood Argyles on the song “Alley Oop”, and the Mar-Keys provided instrumental accompaniment.

The Arrogants (2)   The Arrogants (2)

Lute released a promotional single of “Canadian Sunset” with “Mirror, Mirror” as the B-side. “Canadian Sunset” was picked up by a number of radio stations, and began receiving considerable promotional play on some New York stations; the band returned to Brooklyn and performed until approximately 1965. In 1967, at the front side of a resurgence of interest in Doo-wop music, Candlelite Records acquired and re-released the single with “Canadian Sunset” and “Mirror, Mirror”.

 

Songs :

  
           Mirror Mirror                                  Canadian Sunset       


My Heart Stood Still

...

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