Eklablog
Follow this blog Administration + Create my blog

The Roulettes (2) aka Billy & the Patios aka The Singing Roulettes

Posted on by dion1

The Roulettes (2) aka Billy & the Patios aka The Singing Roulettes
The Roulettes (2)

The Roulettes (2)  (Manhattan, New York)
aka Billy & the Patios aka The Singing Roulettes



Personnel :

Billy Galante

Bobby Galante

Bobby Wicks

Victor Points

Lillie Acosta




Discography :

The Roulettes (2)
1958 - I See A Star / Come On Baby (Champ 102)

The Singing Roulettes
1959 - Hasten Jason / Wouldn't Be Going Steady (Scepter 1204)

Billy & The Patios
1961 - Love Is A Story / You Name It (Lite 9002)

Billy Gallant
1962 - Scribbling On The Wall / Thinking Wishing Hoping (Dee Dee 501)
1963 - Thinking Wishing Hoping / If You'd Only Be My Love (Goldisc G6)




Biography :

Bobby Galante was singing with a group of guys from the neighborhood that included himself, Bobby Wicks and Victor Points. Bobby wanted his brother Billy to write a song for his group. Billy wrote two songs, "I See A Star" and "Come On Baby". Victor Points was supposed to do the lead on "I See A Star", Victor simply froze at the microphone, He would open his mouth but nothing came out.

The Roulettes (2) aka Billy & the Patios aka The Singing Roulettes   The Roulettes (2) aka Billy & the Patios aka The Singing Roulettes
Billy at the Arthur Godfrey                                                                       1960 At the Hop with Dick Clark

They had no choice to quickly find a new lead singer for the song. Billy Galante spoke with Johnny Maestro, who mentioned a girl named Lillie Acosta. She was a stand-in for the Crests and the new lead singer for the group. They booked the Allegro Studios in New York and recorded "I See A Star" and "Come On Baby". Bobby Galante sang lead on the flip. After listening to the record, Florence Greenberg from Champ Records on Broadway signed with them a recording contract. Florence contacted Radio DJ Jocko Henderson to acquaint him with the records.

The Roulettes (2) aka Billy & the Patios aka The Singing Roulettes
 Contract signing and Autographswith Sal Galante, Bobby Galante, Joan Galante

The record got significant airplay in the Tri-State area and The Roulettes appeared at records Hops all over New York, New Jersey and Connecticut. The record appeared as #55 on the CashBox chart. In 1959, they Waxed their second Records "Hasten Jason" and "Wouldn't Be Going Steady" released on Florence’s new Scepter label. the record didn't stand a chance, Florence Greenberg provided no support for "Hasten Jason".

The Roulettes (2) aka Billy & the Patios aka The Singing Roulettes
Billy & The Patios

Billy Galante decided to continue singing after group broke up. Billy sang lead for the Intros as they played the club circuit in New York and New Jersey. In 1961, Billy wrote "Love Is A Story" and decided to record the song at the regency Studios in New York City. He assembled a group wing included Bobby Wicks, Victor Points and his wife’s Brother, Robert Malfi. They used the name Billy & The Patios because he wanted a new name and a clean slate. The record was put out on the Lite label but again, the record didn’t have a chance. Billy Galante continued as a solo singer under his name & Billy Vance...






Songs :

The Roulettes (2)

  
I See A Star                                     Come On Baby


The Singing Roulettes

  
    Hasten Jason                            Wouldn't Be Going steady


Billy & The Patios

  
Love Is A Story                                     You Name It


..

See comments

The Five Echoes (1) aka The Five Echos

Posted on by dion1

The Five Echoes (1) aka The Five Echos
The Five Echoes (L-R) Johnnie Taylor, Earl Lewis, Constant Sims, Jimmy Marshall, and Freddie Matthews.

The Five Echoes (1) (Chicago)
aka The Five Echos


 


Personnel :

Walter Spriggs(Lead / Tenor)

Tommy Hunt(Lead / Second Tenor)

Earl Lewis (First Tenor)

Constant Count Sims(Baritone)

Herbert Lewis(Baritone)

Jimmy Marshall(Bass)





Discography :

Singles :
 

The Five Echoes (1)
1953 - Lonely Mood / Baby, Come Back To Me(Sabre 102)
1954 - So Lonesome / Broke(Sabre 105)


Wally Wilson bb The Five Echoes (1)
1954 - If You Don't Love Me / The Hunt Sabre 106)

The Five Echos
1954 - Tell Me Baby / I Really Do(Vee Jay 129)
1955 - Fool's Prayer /    Tastee Freeze(Vee Jay 156)

 

Unreleased :

1954 - Evil Woman (Vee Jay)
1954 - Why Oh Why / That's My Baby(Sabre 107)

Album:

1964 - Collectors Showcase Groups Three Vol. V
Lonely Mood / That's My Baby / Baby Come Back To Me / Why, Oh Why / So Lonesome / Broke (Constellation LP CS-5)
 

 



Biography :

The work of the Five Echoes on Sheridan's Sabre label ranks among the bluesiest ever recorded in the city. The group originally consisted of four kids from the South Side, in the vicinity of Thirty-fifth to Thirty-ninth Streets. They were Constant "Count" Sims, Herbert Lewis, Jimmy Marshall, and Tommy Hunt (who years later scored with "Human"). The group's hangout was the Morocco Hotel, at Thirty-ninth and Cottage Grove, home of a famous nightspot, the Flame. Around 1952 the Flamingos expelled their original lead singer, Earl Lewis. The banished singer loved to sing so he started looking for a new group, and the Flames gladly incorporated him into the group. Another, less-official, member was Freddie Matthews, who served as chauffeur and who also occasionally sang with the group. Not long afterward, the group changed its name to the Five Echoes after they discovered a previous claim to the "Flames" name.

The Five Echoes (1) aka The Five Echos    The Five Echoes (1) aka The Five Echos   The Five Echoes (1) aka The Five Echos
Walter Spriggs                    

They ran into Walter Spriggs. He had heard about the Echoes. Walter Spriggs send them in a place up in Kenosha, Wisconsin, called the Right Spot owned by two Italian guys. Spriggs took them up there one weekend, and when they did this job there that night they had a nice crowd, which was the way Spriggs figured it. They did a good show for them and these two Italian guys told them to stay, and they stayed there 'bout a year. Walter Spriggs  wrote a couple, which was "Lonely Mood" and "Baby Come Back to Me." So when Ewart Abner of Chance Records came out there, by that time we were swinging. We had the house packed every weekend. Abner asked us to record and that's how we started recording records.The first record, "Lonely Mood" backed with "Baby Come Back to Me," was released on Sabre in September 1953. The first record, "Lonely Mood" backed with "Baby Come Back to Me," was released on Sabre in September 1953. Spriggs sang lead on both sides but was considered a member of the group only for the session;  Sims sang baritone; Herbert Lewis, baritone; Tommy Hunt, second tenor; Earl Lewis, first tenor; and Jimmy Marshall, bass.   

The Five Echoes (1) aka The Five Echos    The Five Echoes (1) aka The Five Echos    The Five Echoes (1) aka The Five Echos
                  Johnnie Taylor

Both sides got radio play in various cities across the nation, but the record could not be called a big seller since it did not get on the charts nationally. It did, however, make the group known, so that when they were billed they had some name recognition. After the record, Hunt was lost to the group. He had been drafted, leaving the Five Echoes short a member. The remaining singers in the group — Sims, the two Lewises, and Marshall —  recruited Johnnie Taylor, a Kansas City native who was bumming around Chicago singing in a local gospel group, the Highway QC's.  This was the same Taylor who became a hit- making phenomenon of the 1960s and 1970s.  With Taylor as a member, the Five Echoes' next record was "So Lonesome" backed with "Broke," released on Sabre in February 1954. Two further sides were done at the same session with one "Wally Wilson" joining the Five Echoes and the Al Smith group. These were released as Sabre 106. "Wilson" was in fact Walter Spriggs (who didn't seem to like record companies using his right name); he got composer credit (as "Spreegs") for all four sides from the session, and sings the lead on both "Wilson" sides.

The Five Echoes (1) aka The Five Echos
Freddie Matthews & his Four Echoes

By early 1954 the Five Echoes were becoming regulars in the clubs, playing such venues as the New Heat Wave, in January, and Martin's Corner, in March. The Five Echoes had one more session with Sabre. The company seemingly was trying to get the Echoes away from blues so it had them record a ballad, "Why Oh Why," and a jump, "That's My Baby." * Hunt, while AWOL from the service joined the group on this session, singing second lead on "Why Oh Why." Hunt was soon lost to the group again after the FBI caught up with him and sent him to the stockade. The Five Echoes moved to Vee-Jay where they had two releases .
"The Five Echoes" on a bootleg 45rpm release Vee-Jay 190 are not The Five Echoes of Sabre/Vee-Jay Records at all but actually another group called The Echoes. The titles "Pledging To You" / "Soldier Boy" were originally released on "4 Hits" EP. There is also a repro edition of Sabre 106 on Rascio blue wax as by The Five Echoes.
*Annotation: These 1954 recordings were originally planned for Sabre 107, first time issued on Constellation Records in 1964.
Doowop: The Chicago Scene (Robert Pruter)







Songs :
(updated by Hans-Joachim) 


The Five Echoes (1)

     
   Lonely Mood              Baby, Come Back To Me                      So Lonesome

     
     Broke                                   Why Oh Why                          That's My Baby
 

Wally Wilson bb The Five Echoes (1)

  
If You Don't Love Me                    The Hunt          


The Five Echos

     
Tell Me Baby                            I Really Do                            Fool's Prayer


Tastee Freeze



 




See comments

<< < 1 2