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The Metrotones (2) aka The Five Jades (1)

Posted on by dion1

The Five Jades (1) aka The Metrotones (2)

1956 - Leonard Veal, Sonny Turner, James Frierson  & Melvin Smith - (Bottom) Leuvenia Eaton
 

 The Metrotones (2)  (Cleveland, Ohio)
aka The Five Jades (1) 




Personnel :

Charles "Sonny" Turner (Lead)

Leonard Veal (Second Tenor)

Fred Camp (First Tenor)

James Frierson (Baritone)

Melvin Smth (Bass)

Leuvenia Eaton

 



Discography :

The Metrotones (2)
1957 -  Please Come Back / Skitter Skatter (Reserve 116)

The Five Jades (1)
Without Your Love / Rock And Roll Molly (Duke 118)

 



Biography :

The Metrotones were among the myriad doo wop acts to emerge from postwar-era Cleveland. According to Marv Goldberg's profile in the November 1997 issue of Discoveries, baritone/tenor Guy Spears, baritone James Frierson, and bass Andrew Fortson co-founded the group in 1953 while students at John Adams High School, cycling through several tenors before adding first tenor Fred Camp and second tenor Leonard Veal the following year.

The Five Jades (1) aka The Metrotones (2)

1955 - Fred Camp,  Leonard Veal, Russel Cole (Manager) James Frierson  & Andrew Fortson - (Bottom) Leuvenia Eaton  

 In late 1954, Spears was drafted into military duty, and after a brief collaboration with alto Kim Tolliver, the Metrotones recruited alto Leuvenia Eaton. In March 1955, this new lineup claimed top honors in the inaugural Fame and Fortune amateur showcase at Gleason's Musical Bar, earning a weeklong headlining engagement at the club that resulted in performances at Cleveland's Quincy Theater and Circle Theater.  The Metrotones also opened for the Ravens and the Drifters at Cleveland Arena before adding tenor Sonny Turner in the spring of 1955. 

The Five Jades (1) aka The Metrotones (2)      The Five Jades (1) aka The Metrotones (2)

Camp exited the lineup soon after, and that summer Fortson received his draft papers as well, prompting the addition of bass Melvin Smith. Despite their local popularity, the Metrotones did not sign a record deal until early 1957, inking with the Reserve label to cut their debut single, "Please Come Back," which featured Turner on lead. Local station WJMO nevertheless found its nonsensical flip side, "Skitter Skatter," too suggestive and banned the record from the air, effectively crippling its commercial momentum.

The Five Jades (1) aka The Metrotones (2)

1958 - Bill Brent,  Sonny Turner, Angelo Jones, Leuvenia Eaton & Leonard Veal

The single proved their lone Reserve release, and in 1958 the Metrotones renamed themselves the Five Jades and signed to Don Robey's Duke Records to issue "Without Your Love," with Eaton on lead.  It too failed to catch on at radio, and when Frierson was the next co-founder summoned to serve military duty, the group's days were numbered. After much additional personnel turnover, Turner exited in late 1958 to pursue a solo career, followed a few months later by Eaton.

The Five Jades (1) aka The Metrotones (2)    The Five Jades (1) aka The Metrotones (2)

While the remaining roster continued as the Five Gents, Turner successfully auditioned to join the Platters, replacing the great Tony Williams in 1959 and remaining with the R&B legends for over a decade.
http://www.uncamarvy.com/Metrotones/metrotones.html


 




Songs :

The Metrotones (2)

  
Please Come Back                            Skitter Skatter


The Five Jades (1)

  
Without Your Love                     Rock And Roll Molly


 

 

 

 


...



 

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The Amitones

Posted on by dion1

The Amitones

The Amitones (Massillon, Ohio)

This 1959 vocal group from Vocal group from Massillon, Ohio, Composed of, front row, left to right, Owen Humphries, Bob Herring and Jerome Myricks; rear row, Jimmy Longshore and Bob Herndon

 

 

 

 

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The Runarounds (2) aka The Run-A-Rounds (2)

Posted on by dion1

The Run-A-Rounds aka The Runarounds (2)

The Runarounds (2) (Bronx, New York)
aka The Run-A-Rounds (2)
ref: The Regents (3)
ref : The Desires (3) 



 


Personnel :

Guy Villari (Lead)

Chuck Fassert

Ronnie Lapinsky

Sal Corrente

 

Discography :


The Run-A-Rounds
1963 - Unbelievable / Hooray For Love  (KC 116)
1963 - Let Them Talk / Are You Looking For A Sweetheart (Tarheel 065)

The Runarounds (2)
1964 - Carrie (You're An Angel) / Send Her Back (Felsted 8704)
1966 - Perfect Woman / You're a Drag (Capitol 5644)
1967 - You Lied / My Little Girl (MGM 13763)

Unreleased :
1963- A Lovely Way To Spend An Evening
1963- Crazy Love
1963 - Tonight Could Be The Night
1963 - Let Them Talk (alt. version)
1963 - Unbelievable (alt. demo version)
1964 - Carrie (You're An Angel) (alt. version)

 

Biography :

When Their Last single "Oh Baby" b/w "Lonesome Boy"  received no radio response, the Regents decided to separate but reemerged in 1964 as the Runarounds, named after their second release. This contingent contained Guy Villari and Chuck Fassert from the original Regents along with Ronnie Lapinsky of the Tremonts and Sal Corrente.

The Run-A-Rounds aka The Runarounds (2)

Much of their fine material was to be written by another Bronxite, Tom Bogdany, who collaborated with Ernie Maresca on a number of local hits. Their single, the Ernie Maresca-Pete Baron song  "Unbelievable" (in an EARLS style), saw lots of New York airplay but limited sales on Nat Cole's K.C. label.

   The Run-A-Rounds aka The Runarounds (2)   The Run-A-Rounds aka The Runarounds (2)

 The Runarounds moved next to the Tarheel label, a subsidiary of London records, where they recorded "Let Them Talk" b/w "Are You Looking For A Sweetheart". Sal Corrente left at this point. 

  The Run-A-Rounds aka The Runarounds (2)

The Remaining Runarounds did "Carrie (You're An Angel)" on Felsted, a Four Seasons imitation that reached the low 30s on local charts.  Although "Carrie" was the closest the Runarouds ever came to a real hit, the group had plenty of public exposure, for they appeared at numerous record hops and related events sponsored by New York's WMCA.

The Run-A-Rounds aka The Runarounds (2)

This activity translated into releases on Capitol and MGM, but none with the magic of "Barbara-Ann." Once again they separated, regrouping in 1970 with Warren with Warren Gradus for one ill-conceived release as Cardboard Zeppelin on Laurie (" Ten Story Building").

 

Songs :

(updated by Hans-Joachim) 


  
 Unbelievable                             Hooray For Love

  
               Let Them Talk                   Are You Looking For A Sweetheart

  
Carrie (You're An Angel)                         Send Her Back    

  
Perfect Woman                           You're a Drag

  
You Lied                                  Crazy Love

  
                  My Little Girll                     Let Them Talk (unrel. alt. version)


  
Carrie (You're An Angel) (alt. version)            Unbelievable (alt. version)      
 

A Lovely Way To Spend An Evening / Tonight Could Be The Night (unreleased)

 ...

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The Quintones

Posted on by dion1

The Quintones

The Quintones (Imperial, PA)

This 1957 vocal group from West Allegheny High School consisted of Ken Dodds, Jim Marstellar, Al Puhlman, Bob Provost & Ray DeFade.

 

 

 

 

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The Supremes (5) aka Ruby & The Romantics - Ref The Skarlettones

Posted on by dion1

The Supremes (5) aka Ruby & The Romantics - Ref: The Skarlettones 

Top : Leroy Fann, Ronald Mosely - Bottom : Ed Roberts
 

The Supremes (5) (Akron, Ohio)
aka Ruby & The Romantics
Ref The Skarlettones



Personnel :

James Porter (First Tenor)

Ed Roberts (Second Tenor)

Ronald Mosely (Baritone)

Arthur Atkinson (Baritone/Bass)

Leroy Fann (Bass)


Discography :



The Supremes (5)

1960 -  Another Chance To Love / Fidgety (APT 25055)

The Skarlettones


Single :
1959 - Do You Remember / Will You Dream (Ember 1053)

Unreleased:
1959 - How Sentimental Can I Be

 



Biography :

The Skarlettones formed in 1958 and hailed from Akron, Ohio. Members were Ronald Mosely (whose career eventually took off), James Porter, Columbus Mitchell, Robert Carter, and Willie Tucker.  When their Ember recording went nowhere, members Ronald Mosely (baritone) and James Porter (first tenor) joined with Ed Roberts (second tenor), Arthur Atkinson (baritone/bass), and Leroy Fann (bass) eventually calling themselves The Supremes (male Group.) They recorded "Another Chance To Love" b/w "Fidgety" on Apt #25055 which was released in December 1960.

The Supremes (5) aka Ruby & The Romantics - Ref: The Skarlettones  The Supremes (5) aka Ruby & The Romantics - Ref: The Skarlettones 

                                                                              From Top to Bottom : Leroy Fann, Ronald Mosely & Ed Roberts

Still having no success with their recordings 2 members left The Supremes. Ronald Mosely, Leroy Fann and Ed Roberts recruited George Lee (1st tenor), changed their name to The Feilows, and in 1961 auditioned an impressive but inexperienced female vocalist, Ruby Nash who had never been out of Akron. After a year of rehearsing with all 5 singing lead, The Feilows travelled to NYC to record for Kapp Records but their name was changed to Ruby & The Romantics and the rest is history! Having 8 songs charted nationally on Billboard, their signature song (their biggest) was OUR DAY WILL COME - Kapp #501 which charted for 13 weeks and reached #1 in March 1963. Ruby has affirmed in interviews that all 5 members recorded and performed as Ruby & The Romantics until they broke up in 1971.
http://www.uncamarvy.com/Romantics/romantics.html




Songs :
 

The Supremes (5)

  
Another Chance To Love                         Fidgety               


The Skarlettones


     
Do You Remember              Will You Dream              How Sentimental Can I Be



 


...

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