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The Accents (3) aka The Dreamers (16)

Posted on by dion1

  

Shelly Weiss, Al Senzon, Mike Lasman, Ian Kay 

The Accents (3)  (Brooklyn, New-York)


aka The Dreamers (16)

 

 Personnel :

Mike Lasman (Lead)

Shelly Weiss (First Tenor)

Alan Senzon (Second Tenor)

Ian Kay (Baritone)

 

Discography :

The Dreamers (16)
Single :
1960 - Mary Mary / Canadian Sunset (Guaranteed 219)
Unreleased :
1960- Zing  (Guaranteed)

The Accents (3)
1963 - Where Can I Go / Rags To Riches (Sultan 5500)

Scott English & The Accents (3)
1963 - High On A Hill / When (By the Dedications) (Sultan 4003 / Spokane 4003)
1964 - Here Comes The Pain / All I Want Is You  (Spokane 4007)

 

Biography :

This doo wop quartet in this segment met on the boardwalk of Brighton Beach and formed a group in 1960. They were Shelly Weiss (first tenor), Ian Kaye (baritone), Allan Senzan (second tenor), and Mike Lasman (lead). They were students at Erasmus and Lincoln high schools. Ian Kay sang with several Doo Wop groups from 1957 - 1963.  His first group was the Vocal Kings from Flatbush.


The Vocal Kings  

Lasman had previously recorded as lead singer of Mike and the Utopians on the Ceejay label. Weiss had recorded for JDS Records in early 1960 as a member of the Bobby Roy and the Chord-a-roys, who also backed Barry Mann on various demo records that reportedly included “Who Put the Bomp (In the Bomp Bomp Bomp)” The four boardwalk vocalists originally called themselves the Dreams and practiced regularly on the corner of Church and Flatbush Avenues. They met Jerry Halperin, owner of Halperin Music on Flatbush Avenue in Brooklyn, who liked their intricate pop harmonies and became their manager.

   

Henceforth the group practiced right in Halperin’s record store.
The boys’ polished pop sound soon earned them a deal with Guaranteed Records of New York, a subsidiary of Carlton Records. The first release was the old standard “Canadian Sunset,” but the bland production and lack of promotion doomed it almost from inception.

   

Dropped after only one release, the group changed its name to the Accents and its style to doo-wop, putting together a reworking of the old ballad “Rags to Riches.” They also began practicing an old Jewish ballad entitled “Where Can I Go,” complete with middle section sung in Hebrew, and it was this song they performed in an audition for Sultan Records. The audition was successful, and “Rags to Riches” backed with “Where Can I Go” became their first single release as the Accents. “Rags” became a Brooklyn favorite among doo-wop enthusiasts but never hit the charts. It did, however, give them enough exposure to land them a spot in an Allan Freed Show at the Ambassador Hotel in the Catskill Mountains.

The Accents (3) aka The Dreamers (16) 

The Castaways

Between the group’s local engagements Kaye and Senzan sang backup with the Del Satins on Dion’s hit “Ruby Baby” in late 1962.  Weiss began singing with Jay and the Americans and became that group’s road manager for a period in 1965.The group back up to Scott English on his 1963 Spokane’s sides : "High on A Hill", "Heres Comes The Pain" and "All I Want Is You". And finally broke up.  Mike Lasman  then joined a short lived group called the Castaways with Bobby Kutner, Shelly Weiss and Larry Kasman, who was the lead singer of the Quotations. 

 

Songs :

(Update By Hans-Joachim)

  The Dreamers (16)

    
Canadian Sunset                                  Mary Mary

The Accents (3)

       
Rags To Riches                       Where Can I Go
                     

Scott English & The Accents (3)

       
High On A Hill                  Here Comes The Pain                All I Want Is You

 

 

 

...

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The Embers (6) aka The Seminoles

Posted on by dion1

The Seminoles aka The Embers (6) 

The Seminoles (Detroit)
aka The Embers (6)

 

Personnel :

Joey Finazzo (Lead)

Jesse Zenega

Andy Bonaventura

Paul Lecrecio


Discography :

The Seminoles
1961 - True Love / Open Your Eyes (Go-Gee 287)
1962 - I Can't Stand It / It Takes a Lot (Checkmate 1012 / Hi-Lite 80043)
1962 - Forever / You Can Lump It (Mid Town 101)
1963 - Trouble in Mind / Have You Got A Love (Hi-Lite 87578) 

The Embers (6)
1962 - Forever / You Can Lump It (Act IV)


Biography :

Early-'50s and -'60s Detroit blue-eyed soul vocal groups usually had great first tenor leads, and the Seminoles were no exception. These smooth harmonizers, led by Joey Finazzo and consisting of members Jesse Zenega, Andy Bonaventura and Paul Lecrecio, debuted with "Open Your Eyes" b/w "True Love" in 1961 on local hopeful Go Gee Records. The record got their name known around town, and local disc jockeys gave it a few spins, but it was nothing special.

The Seminoles aka The Embers (6)    The Seminoles aka The Embers (6)

When Roquel "Billy" Davis left Anna Records to form Checkmate Records, he gave the Seminoles a shot. "It Takes a Lot," released May 1962, was starting to do something when Roquel closed Checkmate to take an A&R position with Chess Records (who distributed Anna and Checkmate), leaving the Seminoles in a lurch.Not for long, though -- Hi-Lite Records picked up the song and managed to get an area hit for their troubles. A second Hi Lite release, "Trouble in Mind" b/w "Have You Got Love," bombed. They were The embers for one release on Act IV Records, "Forever" b/w "You Can Lump It"; when Act IV failed to do anything, the Seminoles took the master to Midtown Records who re-released the sides as the Seminoles. It didn't matter, the single still failed to ignite and the Seminoles disbanded.

 

 

 



Songs :
(updated by Hans-Joachim) 


     
Open Your Eyes                   It Takes a Lot                   I Can't Stand It

     
Forever / You Can Lump It                  Trouble in Mind                    True Love

 

 

 

...

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The Team Mates (1) aka The Kilts (2)

Posted on by dion1

The Team Mates (1) aka The Kilts (2)
(L to R) Jerry Jack Terrell , Charles Jester,and Eddy Jester

The Team Mates (1) (Fort Worth, Texas)
aka The Kilts (2)

 

Personnel :

Charles Jester

Eddy Jester

Jerry Jack Terrell


Discography : 

The Team Mates (1)
1959 - Sooner Or Later / I Just Might (Le Cam 701)
1959 - I Just Might / If Only I Had Known (Le Cam 701)
1959 - Sooner Or Later / If Only I Had Known (Le Cam 706)
1959 - If Only I Had Known / You Must Pay (Le Cam 706/ ABC 10760 ’65’)
1960 - Come On Baby / In My Dreams (Twinkle 354)
1961 - Once There Was A Time / Never Believed In Love (Le Cam 960 / Philips 40029)
1961 - Just A Dream/ Please Believe Me (Le Cam 966)
1965 - Most Of All / Please, Please Me (Paula 220 / Soft 104)

Charlie Jester
1960 - Come On Baby / In My Dreams (Le Cam 981)
1960 - Come On Baby / Don't Let It End This Way (Le Cam 981)

Charles Jester
1960 - All For The Love Of A Girl / Once There Was A Time (Le Cam 707)

Charlie Jester & The Team Mates (1)
1962 - Sincerely Your Friend / Crazy Baby (Instr.) (Lanar 102)

Charlie Jester & The Kilts (2)
1961 - Sylvia / If Only I Had Known (Le Cam 722)

The Kilts (2)
1961 - Sylvia / If Only I Had Known (Le Cam 722)


Biography :

William Arthur “Major Bill” Smith was a Fort Worth record producer and music impresario who had several hit records in the early 1960.  Smith was a relentless self-promoter who seemed disinclined to let the facts get in the way of a good story, making the accounts of his life he told to various interviewers of somewhat dubious veracity. His bombastic manner earned him a reputation as a con man and hustler, but his savvy marketing instincts also made him a notable force in the recording industry.

The Team Mates (1) aka The Kilts (2)     The Team Mates (1) aka The Kilts (2)
Sometimes four? (Cash Box)                                                                                                 

Smith had regional hits with such local acts as the Team-Mates, Ace Dinning, and the Straightjackets, led by a youthful Delbert McClinton. He also claimed to have turned down a singer named John Deutschendorf, who later changed his name to John Denver. Smith’s first national success came in 1962, however, with “Hey! Baby” by Bruce Channel. The Team Mates are  three handsome Texas football stars consisted by  Charles Jester, Jerry Terrell and Eddy Jester. Between 1959 and 1961, they recorded a good number of songs. The Cam released many singles, sometimes with the same music associated with others.

 

Songs :
(updated by Hans-Joachim) 


The Team Mates (1)

  
Sooner Or Later                                   I Just Might

  
If Only I Had Known                                You Must Pay    

  
Come On Baby                               In My Dream

  
Once There Was A Time                    Never Believed In Love 

Charlie Jester & The Team Mates (1)


 Sincerely Your Friend
 

Charles Jester


All For The Love Of A Girl

Charlie Jester & The Kilts (2)

  
           Sylvia                                        If Only I Had Known

 

...

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The Four Aims aka The Four Tops (1)

Posted on by dion1

The Four Aims aka The Four Tops (1)

The Four Aims   (Detroit)
The Four Tops (1)

 




Personnel :


Levi Stubbs

Abdul "Duke" Fakir

Renaldo "Obie" Benson

Lawrence Peyton




Discography :

The Four Aims
1956 - If Only I Had Known / She Gave Me Love (Grady 012)

The Four Tops (1)
1956 - Could it be you / Kiss me baby (Chess 1623)
1956 - Woke Up This Morning (Chess) (Unreleased)
1956 - All my life (Chess) (Unreleased)
1956 - I'm My Baby's Sitter (Chess) (Unreleased)
1960 - Ain't That love / Lonely Summer (Columbia 41755)
1962 - Pennies from heaven / Where you are (Riverside 4534)



Biography :

The Four Tops began life in 1953 (some accounts say 1954), when all of the members were attending Detroit-area high schools. Levi Stubbs and Abdul "Duke" Fakir went to Pershing, and met Northern students Renaldo "Obie" Benson and Lawrence Payton at a friend's birthday party, where the quartet members first sang together.

The Four Aims aka The Four Tops (1)   

                                The Four Tops (1)

Sensing an immediate chemistry, they began rehearsing together and dubbed themselves the Four Aims. Payton's cousin Roquel Davis, a budding songwriter who sometimes sang with the group during its early days, helped them get an audition with Chess Records in 1956. Although Chess was more interested in Davis, who went on to become Berry Gordy's songwriting partner, they also signed the Four Aims, who became the Four Tops to avoid confusion with the Ames Brothers.

   

The Four Tops' lone Chess single, "Kiss Me Baby," was an unequivocal flop, and the group moved on to similarly brief stints at Red Top and Riverside. They signed with Columbia in 1960 and were steered in a more upscale supper-club direction, singing jazz and pop standards. This too failed to break them, although they did tour with Billy Eckstine during this period.

http://www.starpulse.com/Music/Four_Tops,_The/Biography/
http://www.soulfulkindamusic.net/fourtops.htm




Songs :

  
Kiss me baby                          I'm My Baby's Sitter

     
All my life                               Could it be you                    Woke Up This Morning


 

 

 

...

 

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The Empires (1) aka The Prestos aka The Whirlers

Posted on by dion1

 The Whirlers aka The Empires (1) aka The Prestos
Johnny Barnes, Bobby Dunn, William Goodman & Les Cooper

The Empires (1) (Harlem, New-York)
aka The Prestos aka The Whirlers





Personnel :

Johnny "Buddy" Barnes (Lead)

Les Cooper (Tenor)

William Goodman (Bass)

Bobby Dunn (Baritone)





Discography :

 
The Empires (1)

Singles :
1954 - My Baby, My Baby / Corn Whiskey (Harlem 2325)
1955 - Magic Mirror / Make Me Or Break Me (Harlem 2333)
1955 - I Want To Know  / Shirley (Wing 90023)
1955 - Tell Me Pretty Baby / By The Riverside (Wing 90050)
1956 - My First Discovery  / Don't Touch My Gal (Wing 90080)
1956 - Whispering Heart / Linda (Whirlin' Disc 104)

Unreleased :
1955 - Happy Am I  (Wing)
1955 - Your Christmas And Mine  (/Wing)
1955 - You Are My Baby (Wing)
1955 - The Clock (Wing)

 


Lightnin' Junior & The Empires (1)
1955 - Somebody Changed The Lock / Ragged And Hungry (Harlem 2334)   


The Prestos
1955 - Looking For Love  /' Til We Meet Again (Mercury 70747)

The Whirlers
1957 - Magic Mirror / Tonight And Forever (Whirlin' Disc 108/Port 108)





Biography :

The Empires hailed from Harlem, so it's only right that they began their recording career on the Harlem Records label. Consisting of Buddy Barnes, William Goodman, Bobby Dunn, and Les Cooper, the group came together in earnest in 1953, practicing R&B, pop, and gospel tunes, and occasionally performing in the area at small venues.  After a long search for a label to record them, they happened upon Morty Shad's Harlem label and released “Corn Whiskey” backed with “My Baby My Baby” ( Harlem #2325).

The Whirlers aka The Empires (1) aka The Prestos

Because they were from the Empire State, they first used the name the Empires. That single was a bust, but they got more chances at Harlem Records and in 1955 released the first version of one of their most beloved ballads, “Magic Mirror ,” backed with “Make Me or Break Me” (Harlem #2333).  They were then relegated to providing background vocals for an artist listed as Lightning Junior on Harlem (#2334). Lightning Junior was an alias for blues artist Champion Jack Dupree, but when nothing happened with this single, the Empires were released from Harlem Records. From there, the group landed at Mercury Records and recorded for both Mercury and their Wing imprint label under different names.

The Whirlers aka The Empires (1) aka The Prestos
Clockwise from top left : James Pender, William Goodman, Bobby Dunn, Johnny Barnes & Les Cooper

On Mercury, they were the Prestos for one great release titled “Till We Meet Again ” backed with “Looking for Love” (Mercury #70747), and on the Wing wing, they kept their Empires name and released three singles, with “By the Riverside” being the most successful of the three (Wing #90050) in 1956. Mercury was really pushing and promoting their Wing subsidiary very heavily in all major markets of the country. Sadly, the records received much more trade promotion than actual airplay, and Wing eventually folded (not for a lack of trying) . Like their label mates the Platters and the Penguins, the Empires/Prestos were also managed by Buck Ram, but they did not attain the same level of success.

The Whirlers aka The Empires (1) aka The Prestos   The Whirlers aka The Empires (1) aka The Prestos

Citing the success of the Channels on the Whirlin' Disc label, the group pitched a recording contract with the company and got it. The result was two singles for the label—the first was a two-sided ballad release, “Linda” backed with “Whispering Heart” as by the Empires (Whirlin' Disc #104) in 1956, followed by a remake of “Magic Mirror” backed with a great up-tempo number called “Tonight and Forever". the latter as by the Whirlers (Whirlin' Disc #108) in 1957, a name inspired by the name of their label. This was one of the last releases for Whirlin' Disc, and it never got the push it deserved and flopped. At this point, the Empires/Prestos/Whirlers broke up, but there is a happy ending. Lead singer Les Cooper had a big instrumental hit in 1962 for the Everlast Records label (#5019) called “Wiggle Wobble.” It peaked at number 12 on the R&B charts and number 22 Pop. Despite many follow-ups for a myriad of record labels, Cooper was never able to cash in again.
http://www.uncamarvy.com/Empires/empires.html




Songs :


The Empires (1)

     
       Corn Whiskey                        Magic Mirror                      Make Me Or Break Me

     
I Want To Know                          Shirley                                Tell Me Pretty Baby

     
By The Riverside               My First Discovery                      Don't Touch My Gal

  
Whispering Heart                             Linda       



Lightnin' Junior & The Empires (1)

  
Somebody Changed The Lock                    Ragged And Hungry   



The Prestos


Til We Meet Again  / Looking For Love


The Whirlers

  
       Magic Mirror                              Tonight And Forever











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The Expressions (3) aka The Imaginations (2)

Posted on by dion1


The Expressions (3)  (Long Island, New York)
aka The Imaginations (2)

 

Personnel :

Bobby Bloom (Lead)

Philip Agtuca (Second Tenor)

John Governale (First Tenor)

Pete Lanzetta (Baritone)

Richie LeCausi (Bass)

 

Discography :

1963 - To Cry / On The Corner (Parkway 892)

 

Biography :

When Frank Mancuso (Imaginations Lead singer) joined the air forces, and Music Makers closed down, Bobby Caupin took over on lead as the Imaginations switched to a new title, the Ebonaires. A single was recorded ("Chapel Bells") but never released.   Still not dispirited, Bobby Bloom took over on lead as the group then reverted to their former name (The Imaginations) for "Wait A Little Longer Son", issued on new label Ballad Records.


The Imaginations

By 1963 the group had broken up, but they re-formed when producers Pete Antell and John Linde (The Chants) took an interest in their careers.  Bloom, Phil Agtuca and LeCausi were then joined by John Governale (first tenor) and Pete Lanzetta (baritone) in the Expressions.


The Four Motions : left to right Felix Barreto , Googie Page, David Barreto, sitting Phil Agtuca

As well as backing Tommy Boyce in the studio, the Expressions released a debut single in 1963, "On The Corner" - a eulogy to the origins of doo-wop on street corners. However, it flopped, and the group broke up once again. Bobby Bloom & John Governale joined by Bob Kneiper formed a new group, the TrainsIn 1964, Phil Agtuca recorded with The Four Motions, they have a demo song "My Hero".

 

Songs :

   
To Cry                                          On The Corner

...

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The Jamies

Posted on by dion1


The Jamies (Dorchester, Mass)




Personnel :

Tom Jameson

Serena Jameson

Jeannie roy

Arthur Blair




Discography :

1958 - Summertime, Summertime / Searching For You (Epic 9281)
1958 - Snow Train / When The Sun Goes Down (Epic 9299/9565)
1959 - Don't Darken My Door / The Evening Star (United Artists 193)



Biography :

The New York-based group derived its name from lead singer Thomas Earl Jameson, who wrote the song with the lyrics "Summertime, summertime/sum, sum, summertime" with Sherman Feller; the pair also collaborated on the flip side "Searching for You." The 45, released in 1958 on Epic, became one of the most popular summer songs of all time. It broke the Top 40 but stopped short of the Top 20 by six rungs at number 26, on September 22, 1958.

"Summertime, Summertime"'s follow-up, "Snow Train" (written by Feller) b/w "When the Sun Goes Down" (written by Jameson) failed to chart and slowed the Jamies' roll to a virtual stop. A switch to United Artists was hardly a panacea, as "Don't Darken My Door," written by Larry Jaspon and Vicki Gay, stiffed (along with the flip side, Jameson's "The Evening Star") in 1959.

The Jamies had numerous personnel changes: Robert Paolucci joined shortly after "Summertime, Summertime" hit, he became a monk afterward, but eventually left that calling to work as a translator. When they couldn't find another hit, the Jamies went to the well again with "Summertime, Summertime" and broke the Top 40 with it for the second time on August 4, 1962, at number 38.

A year later, the Fortunes (formerly the Cliftones) redid the song for their first release on Decca Records. But they weren't the only ones. The infectious ditty has also been redone by the Doodletown Pipers, Hobby Horse, Jan & Dean, the Legendary Masked Surfers, Mongo Jerry, and Sha Na Na. In addition, Buick and Applebee Restaurants both revitalized the song in their commercials. ~ Andrew Hamilton, Rovi
http://www.toddbaptista.com/the%20jamies.html



Songs :

     
Summertime, Summertime            Snow Train                Don't Darken my door

  
Searching for you                  Don't Darken My Door

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The Jewels (2) aka The Marbles aka The Rollers

Posted on by dion1



The Jewels (2) (Los Angeles)
aka The Marbles aka The Rollers

 




Personnel :


Johnny Torrence (Second Tenor)


Rudy Jackson (Second Tenor)


Dee Hawkins (Tenor)


Vernon Knight (Baritone)


James Brown (Bass)



 
Discography :


The Marbles
1954 - Golden Girl / Big Wig Walk (Lucky 002)


The Jewels (2)
Singles:
1954 - Hearts Of Stone / Runnin' (R and B 1301)   
1954 - A Fool In Paradise / Oh Yes, I Know (R and B 1303)   
1954 - Rosalie / Living From Day To Day (R and B 1306)   
1955 - Angel In My Life / Hearts Can Be Broken (Imperial 5351)   
1955 - Natural Natural Ditty / Please Return (Imperial 5362)   
1956 - How / Rickety Rock (Imperial 5377)   
1956 - Goin', Goin', Gone / My Baby (Imperial 5387)
Unreleased:
N/A - Keep Your Feet On The Floor (Imperial)
N/A - One Night  (Imperial)
N/A - No Shoulder To Cry On  (Imperial)
N/A - Skid Row  (Imperial)
N/A - Everybody Needs A Little Lovin' (Imperial)

The Jewels (2) (Second group)
1956 - She's A Flirt / B-Bomb Baby (RPM 474)

The Jewels (2) (Third group)
1959 - The Wind / Pearlie Mae (Antler 1102)

The Rollers
1961 - Got My Eye On You / Bonneville (Liberty 55303)
1961 - The Continental Walk / I Want You So (Liberty 55320)
1961 - The Bounce / A Teenagers' Waltz (Liberty 55357)
1962 - The Bug / Troubles (Bel Star 102) 





Biography :


The Jewels (Originally a gospel group from San Bernardino) were a Los Angeles, California based group that, in 1953 and early 1954, recorded under the name The Marbles on the Lucky label. The band's line-up was comprised of performers who, with the exception of baritone Vernon Knight (who was added around the time the band changed its name), had 'jubilee'-style gospel music backgrounds.

Johnny Torrence, a tenor, was the band's leader; Rudy Jackson was lead singer; Dee Hawkins (tenor); James Brown (bass). The Jewels were named after group member Rudy Jackson's sister. During their first session for the R&B label the group cut Hearts Of Stone, a song co-written by Jackson (with Eddie Ray). While The Jewels' recording of the tune sold well on the West Coast, the version released by Otis Williams And The Charms on DeLuxe outsold the Jewels' record everywhere else. In 1955 R&B sold the group's contract to Imperial where they had three releases and then disbanded in 1956.

      

Torrence, however, formed another incarnation that recorded one single for the RPM label (She's A Flirt/B.Bomb Baby). Not much is known about this version of The Jewels other than the fact that Torrence was in the group along with another tenor named John, a baritone named Sam and a bass named Arthur Wilson.

  
                   The Third group                                                                                                         

In 1959, Johnny Torrence formed a third Jewels group, consisting of Don Sampson (lead), Johnny Torrence (second tenor), Willie Willingham (bass), Eddie Wilson (tenor), and his brother, Al Wilson (baritone). They recorded "The Wind" (not the Diablos' song) and "Pearlie Mae" for Buck Ram's Antler label. By 1961 Johnny Torrence had left the Jewels, leaving the remaining members of Al & Eddie Wilson, Don Sampson and Willie Willingham to re-brand themselves as "The Rollers".


http://www.uncamarvy.com/Jewels/jewels.html
http://home.earthlink.net/~jaymar41/jewels.html




Songs :

   
A Fool In Paradise                  Oh Yes I Know

   
Rosalie                                Please Return

   
No Shoulder To Cry On              Hearts Of Stone


...

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The Impalas (3) aka The Four Jewels aka The Jewels (5)

Posted on by dion1

 

The Four Jewels  (Washington, D.C)
aka The Impalas (3) aka The Jewels (5) 


Personnel:

Sandra Peoples

Margie Clarke

Carrie Mingo

Grace Ruffin



Discography :

The  Impalas (3)
1961 - For The Love Of Mike / I Need You So Much (Checker 999)

The Four Jewels
1962 - Loaded With Goodies / Fire (Start 638)
1963 - Johnny Jealousy / Someone Special (Start 638)
1963 - All That's Good / I Love Me Some You (Start 641)
1963 - Dapper Dan / Loaded With Goodies  (Checker 1039)
1964 - Time For Love / That's What They Put Erasers On Pencils For (Checker 1069)
1964 - Baby It's You / She's Wrong For You Baby (Tec 3007)

The Jewels (5)
1964 - Opportunity / Gotta Find A Way (Dimension 1034)
1964 - This Is My Story / My Song (Federal 12541)
1965 - Smokey Joe / But I Do (Dimension 1048)
1966 - Papas Left Mama Holdin' The Bag / This Is My Story (Dynamite 2000)


Biography :

The Four Jewels formed at Roosevelt High School in Washington, DC. The group was first known as the Impalas. They changed their name to the Four Jewels. The Four Jewels consisted of Sandra Bears, Grace Ruffin, Margie Clarke and Carrie Mingo.

Along with other talented young singers out of Washington, DC, such as The Marquees (the first vocal group that Marvin Gaye sang with) and Billy Stewart, The Four Jewels would gather at the home recording studio of the legendary R&B singer, Bo Diddley, who then lived in Northeast Washington. In the early 1960s, Carrie Mingo left the group, and she was replaced by Martha Harvin (now known as Martha High). In 1964 the group released their first national hit "Opportunity" on the Dimensions label.

 

The Dimensions label was owned by rock and roll promoter, Don Kirshner. The song “Opportunity” stayed on the Billboard R&B charts for seven weeks.The Jewels have over 20 recordings, which have made an impact on the national and local R&B charts. Jewel’s member, Grace Ruffin, is the cousin of the legendary DC singer, Billy Stewart.

  
The Jewels                                                                                                                 The Jewels

The Jewels sing back up on the Billy Stewart song “Reap What You Sow”. They recently appear on the CD, The Velons & Their Divas (October 2007), where they sing new music written by Reese Palmer of The Marquees (which featured a young Marvin Gaye) (“Sugar Wooga Baby”), as well as a song penned by The Jewels (“Someone to Love”) In 1965, now The Jewels Impressed with The Jewels talents, Brown recruited the ladies to join him as part of the legendary “James Brown Revue”. The Jewels went on the road for one year with James Brown as his background singers. They appear on the song “Say It Loud, I’m Black and I’m Proud”. On the James Brown song “Don’t Be A Dropout”, James Brown calls out “The Jewels” during the song, and the Jewels recorded several songs produced by Brown, including “This Is My Story.”

http://www.myspace.com/thefabulousjewels

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The Graduates (1) aka The Question Marks (2) ref The Playboys (4)

Posted on by dion1

The Graduates (1) aka The Question Marks (2) ref The Playboys (4)

The Graduates (1) (Buffalo N.Y)
aka The Question Marks (2) ref The Playboys (4)

 

 Personnel :

John Cappello

Bruce Hammond

Fred Mancuso

Jack Scorsone

 

Discography:

The Playboys (4)
1957 - Don't Do Me Wrong / Why Do I Love You, Why Do I Care (Mercury 71228)

The Graduates (1)
1959 - Ballad of A Girl And Boy / Care (Shan-Todd 0055)
1959 - What Good Is Graduation / Lonely (Corsican 0058)

 

The Question Marks (2)
1959 - Ballad of A Girl And Boy / Concerto rock (Inst. by The Tune Rockers)  (First 102)

Johnny Holliday & The Graduates (1)
1963 - Goodbye My Love / Ballad Of A Boy And A Girl (Lawn 208)

 

Biography :

In 1956, six guys decided to form a vocal group. They were frat members and high school students (mostly at Lafayette High School and Hutch Tech). Jack Scorsone, Ronald Page, Bruce,Hammond, Raymond Baunler, Harold Rogers and Anthony Mancuso called themselves The Rays.  By 1957,  they went to a Buffalo demo studio and recorded their one original song, Jack’s “Why Do I Love You, Why Do I Care”. Local DJ Frank Ward flipped when he heard it and immediately played it on the air. It got a great response so he called up somebody affiliated with Mercury Records, played it over the phone, and Mercury expressed an interest. A few days later the boys got an offer to come to New York City to record it. Two things happened as they set about recording - they learned of the already-existing Rays (soon to hit with “Silhouettes”) and had to come up with a name change.

The Graduates (1) aka The Question Marks (2) ref The Playboys (4)
The Playboys (4)

A nearby copy of Playboy magazine gave them the inspiration. And they had to come up with a B-side. Jack Scorsone sat down and wrote “Don’t Do Me Wrong” off the top of his head. The group recorded it in two takes, with no chance to correct the couple bad notes that appeared! Back to Buffalo… the group was coming to grips with their whirlwind of success. In just a few short weeks they’d gone from demo to national label. Waiting for news of it they were asked to perform at a school assembly and were introduced as Recording Artists, to great adulation. And a few days later they started hearing “Why Do I Love You, Why Do I Care” on the radio.

Following the release of The Playboys' 45 membership changed and eventually settled into a lineup of Johnny Cappello, Bruce Hammond, Fred Mancuso and Jack Scorsone. They adopted a new name - The Graduates. DJs Tommy Shannon and Phil Todaro decided to issue a record on them, on their new label Shan-Todd (named for Shannon -Todaro). They'd previously hit with their first Shan-Todd release "Rockin' Crickets" by The Hot Toddys. The Graduates 1959 "Ballad of A Girl And Boy" came out as Shan-Todd 0055. Shan-Todd soon underwent a name change to Corsican Records, kept the same numbering sequence, in time for the next Graduates release ("What Good Is Graduation", also 1959).

The Graduates (1) aka The Question Marks (2) ref The Playboys (4)

They recorded this one at Buffalo Recording Service, scene of their first recording when The Playboys made a demo there. This time however it was a different group - John Cappello was now the lead vocalist. "Ballad of A Girl And Boy" made it on to the national Billboard Hot 100, at #74. The followup "What Good Is Graduation" did not make it onto the top charts, though it it hit the Bubbling Under The Hot 100 chart at #110. If there were local charts I'm sure these achieved Top Ten status, especially with the push the DJs behind the labels could give them. They were definitely played often on WKBW, a local station but one that reached far up and down the East Coast.

The Graduates (1) aka The Playboys (4) aka The Question Marks (2)      1959 - (L to R)  John Cappello , Jack Scorsone, Bruce Hammond and Fred Mancuso

Whether they got properly paid for the records is anyone's guess. Standard procedure back then was that artists would recieve little royalties but could expect the make money with live appearances. Some big shows in father cities had to be cancelled when the still-young members couldn't get time off from school to travel! But the group apparently had their largest-paying show close to home, when they received the then-astronomical sum of $1500 for a show at Rochester's War Memorial Auditorium. With no real management, member Bruce Hammond handled the money and they all got paid.

With some shows, some TV appearances, nothing was breaking for them, and the group drifted apart. In 1963 a new single appeared on Lawn Records coupling "Goodbye My Love" with "Ballad Of A Boy And A Girl". Now credited to Johnny Holliday & The Graduates, apparently most of the group was not informed of its release until after the fact. "Goodbye My Love" is actually a retitled version of "What Good Is Graduation" making this single something of a reissue - merely compiling their two former A-sides.



Nothing much happened with this 1963 release, but it's then-dated sound couldn't really compete in the year 1963 with the coming invasion. That same year the Beatles 45 was released on Lawn's parent company Swan Records. An interesting and curious side-note is that many years later the group became aware of a mysterious record using their recordings. In 1959 a record was released on the First Records label, aka Another First, which contained "Ballad Of A Boy And A Girl" but now credited to The Question Marks. This seems to be an out take from the original Graduates sessions.

The Graduates (1) aka The Playboys (4) aka The Question Marks (2)
Johnny Cappello with the Tune Rockers

The flip is also credited to The Question Marks but this is actually an out-take by The Tune Rockers ! Point of interest is that John Capello belonged to both groups, and Dick Lawrence - owner of First - had been involved in managing both groups. More interesting is the fact that the record doesn't seem to have been issued in an attempt to make a hit - the artists involved weren't informed, so there could be no promotion, and it was never distributed at all in their hometown!
https://wnyfm.wordpress.com/tag/the-playboys/

 

Songs :
(updated by Hans-Joachim)

The Playboys (4)

   
          Don't Do Me Wrong                   Why Do I Love You, Why Do I Care

 The Graduates (1)

  
Ballad of A Girl And Boy                               Care                 

  
What Good Is Graduation                                   Lonely                  

 Question Marks (2)


Ballad Of A Girl And A Boy / Concerto Rock

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