The Classics (3)
The Classics (3) (Brooklyn, New-York)
Emil Stuccio (Lead)
Tony Victor (First tenor)
John Gambale (Second Tenor)
Jamie Troy Bbass)
1960 - Cinderella / So in love (Dart 1015 / musictone 1114)
1961 - Angel Angela / Eenie Minie (Dart 1032)
1961 - Life Is But A Dream, Sweetheart / That's The Way (Dart 1024/ Mercury 71829)
1961 - Life Is But A Dream, Sweetheart / Nuttin' In The Noggin (Streamline 1028)
1963 - Till Then / Eenie Minie (musictone 1116)
1963 - P.S. I Love You / Wrap Your Troubles In Dreams (musictone 1118)
1964 - Too Young / Who's Laughing, Who's Crying (musictone 6131)
1965 - You'll Never Know / Dancing With You (Stork 2)
1966 - Over The Weekend / Dancing With You (Josie 939)
1967 - I Apologize / Love For Today (Piccolo 500)
1971 - Wind / Vagabond (Sire 353)
N/A - Again / The Way you look tonight (Bed-Stuy 222)
The Classics were a white harmony vocal group from Brooklyn, NY, similar to the Mystics or the Earls. Originally known as the Perennials, they consisted of Emil Stucchio on lead, Tony Victor as first tenor, Johnny Gambale as second tenor, and bass/baritone Jamie Troy. They'd been singing together in high school, two of them coming out of another local group called the Del-Rays, and became known in their neighborhood at dances and clubs.
They turned professional after attracting the attention of manager Jim Gribble, and made their recording debut during the summer of 1959 with "Cinderella," a group original that showcased their range, from falsetto to bass with a rocking beat, and which just missed charting in early 1960.
L/R: Tony Victor, Johnny Gambale, Jamie Troy - Front: Emil Stucchio (lead)
They failed to hit with their second single, "Angel Angela," and just missed the pop listings again with "Life Is But a Dream" in early 1961, though the latter record, after it was picked up by Mercury, earned a place on the R&B charts. Their next record, a version of "Blue Moon" cut with Herb Lance singing lead and the group members in a support role, made it to number 50 on Billboard's Hot 100. In 1963, the group switched to the Musicnote label and made the Top 20 their first time out for the newly founded company, with "Till Then." The latter remains their best-known record. The group's strength lay in their handling of ballads -- they loved reviving '20s and '30s standards such as "P.S. I Love You" and "Wrap Your Troubles in Dreams," though they also wrote their share of songs; they were never quite as successful or distinctive doing numbers with more of a beat.
L/R: Emil Stucchio (lead), Tony Victor, Johnny Gambale, Jamie Troy
One reason why they aren't better known today beyond the ranks of harmony vocal enthusiasts may have to do with the fact that the Classics were seldom on the same label for two releases in a row, moving among Dart, Musicnote, Stork, and other small companies, and only attracted a major label's interest the one time, with the Mercury pick-up of "Life Is But a Dream." And for every "Life Is But a Dream" that passed muster with R&B stations and listeners, they recorded three songs like the straight pop "Again." After "Till Then," they never made the pop charts, which was understandable -- rock & roll was changing and the kind of harmony vocal sound that was selling, rooted in the more focused West Coast-generated surf sound of the Beach Boys and in the flashier, more beat-driven work of the Four Seasons, was very different from the Classics' more elegant brand of harmonizing.
Albee Galione, Emil Stucchio & Lou Rotondo - The Classics as they appeared in the 1970s! (Albee & Lou are original recording members of The Passions
Occasionally, as on "Portrait of a Fool" -- an original, no less -- they could deliver a pop ballad that crossed over to rock & roll successfully, but a lot of their other output couldn't compete with the sounds of the mid-'60s, next to which they sounded ever more dated. The group moved among labels throughout the 1960s without ever finding a home, and split up around 1966; by that time, their sound was very much an anachronism and there seemed to be little point to continuing. During the oldies boom of the early '70s, however, Stucchio and Troy joined with Lou Rotundo, originally from a rival Brooklyn group called the Passions, and formed a new vocal group called the Profits, who recorded briefly for Sire Records before changing their name to the Classics, under which they finished their career. Stucchio is still performing with a version of the Classics as of 2003, his lead voice one of the most beloved ever to come out of Brooklyn, and the group performs up and down the East Coast regularly. In 2001, Collectables Records released Till Then: The Very Best of the Classics, a 20-song compilation covering their history from 1959 through the late '60s. ~ Bruce Eder, All Music Guide
Till then Life Is But A Dream, Sweetheart
So in love Angel Angela
P.S. I Love You I Apologize
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