• The La Chords aka The Les Chimes

    Gene Blue, Al Douglas and Dan Moss

    The Les Chimes (Phoenix, Arizona)
    aka The La Chords 

     


    Personnel :

    Dan Moss

    Gene Blue

    Robert Brown

    Ron Post




    Discography :

    The Les Chimes
    1960 - Time Out For Love / Willie Did The Cha Cha (Johnny Otis) (Gay 628)

    The La Chords
    Singles:
    1962 - Flame Out / To Be (Gay 629)
    1962 - To Be / Hey Pretty Baby (Gay 629)
    1964 - Sit Down And Write / Hey Pretty Baby (Take Five 631-6)
    1964 - Hammer of My Heart / On the Beach (Take Five 631-8)
    1964 - Sit Down And Write / On The Beach (Take Five 631-?)
    Unreleased :
    1962 - Is It Wrong (Gay)

    Ladmo & The La Chords
    1964 -     LittIe Drummer Boy  / Rudolph The Red Nosed Reindeer (Ladmo) (Take Five 631-12)




    Biography :

    The singing group known as The La Chords originally got together in Germany. US servicemen Dan Moss, Gene Blue, Robert Brown and Ron Post were the original members. At the time, the quartet was known as The Les Chimes. They Recorded "To Be" in a radio studio in Germany in 1959

     The Les Chimes aka The La Chords

     When Ron Post and Robert Brown were shipped back to to Phoenix, Arizona the following year they made a deal with dairy man Carl Hightower (A local school teacher who wanted to get into the record business) to release it on his Gay Records imprint.  

     The Les Chimes aka The La Chords   The Les Chimes aka The La Chords

    When the rest of them got back to Arizona, they soon changed their name to the La Chords and recorded "To Be" and "Hey Pretty Baby". The record did fine on local stations and the group made many public appearances.

     The Les Chimes aka The La Chords

    Ron Post decided that he was going to go back to California and get into his father’s business. Robert Brown was still in the military. He was having personal problems, so eventually he was gone. Then they picked up Al Douglas. .
    http://www.wallacewatchers.com/music.html





    Songs :

    The Les Chimes


    Time Out For Love


    The La Chords
    (updated by Hans-Joachim)


      
    Is It Wrong                     To Be / Hey Pretty Baby

      
    Sit Down and Write                         Hammer Of My Heart


    Flame Out

     

     

     

     

    ....


    your comment
  •  

    The Cardinals (1) (Baltimore, MD)
    (By Hans-Joachim) 

     

    Personnel:

    Ernie Lee Warren (Lead)

    Meridith Brothers (Tenor)

    Jack Sam Aydelotte (Tenor)

    Donald Jack Johnson (Baritone)

    Leon "Tree Top" Hardy (Bass)

     

    Discography:

    Singles:
    1951 - Shouldn't I Know / Please Don't Leave Me (Atlantic 938)
    1951 - Pretty Baby Blues / I'll Always Love You (Atlantic 952)

    1952 - Wheel Of Fortune / Kiss Me Baby ( Atlantic 958)
    1952 - She Rocks / The Bump (Atlantic 972)

    1953 - Lovie Darling / You Are My Only Love (Atlantic 995)

    1954 - Please Baby / Under A Blanket Of Blue (Atlantic 1025)

    1955 - The Door Is Still Open / Misirlou (Atlantic 1054)

    1955 - Come Back My Love / Two Things I Love (Atlantic 1067)

    1955 - Lovely Girl / Here Goes My Heart To You (Atlantic 1079)
    1956 - Off Shore / Choo Choo (Atlantic 1090)

    1956 - I Won't Make You Cry Anymore / The End Of The Story (Atlantic 1103)
    1957 - One Love / Near You (Atlantic 1126)
    1977 - Would I Love You / I'll Always Love You (Robin Hood 154)

    Eps:
    1974 - Train (Choo Choo) / Love Me / Have I Been Gone Too Long / Sure Nuff (Bim Bam Boom EP 1000)

    Unreleased :
    1951 - (Give Me) A Little Something (Atlantic)
    1951 - Give Me Another Chance (Atlantic)

    1952 - This Can't Be The End (Atlantic) 

    1952 - If You See My Baby (Atlantic)
    1953 - For A While (Atlantic)
    1955 - Love Came Tumbling Down (Atlantic)

    1955 - You Won't Be True To Your Heart (Atlantic)

    1955 - Today, Tomorrow, Forevermore (Atlantic)
    1955 - Bang-A-Lang (Atlantic)
    1956 - The Show Is All Over (Atlantic)

    1956 - Let The Sunshine Shine On You (Atlantic) 

    1956 - Neki Hoki (Atlantic)

     

    Biography:

    The Cardinals, early balladeers that few remember, recorded 12 singles for Atlantic Records (their only label) between 1951 and 1957. They debuted with "Shouldn't I Know," a willowy ballad featuring a prominent lead guitar, tight harmonies, and a deep bass; lead Ernie Warren impressed listeners at the fade by holding a long note in breathtaking fashion. One of the bird groups, the Cardinals formed in their hometown, Baltimore, MD, in 1946, a year before a more famous bird group from Baltimore, the Orioles. Originally they were the Mellotones.


    Johnson,Brothers, Warren, Hardy & Aydelotte

    The lineup was Warren, Donald Johnson, Meredith Brothers, Leon Hardy, and guitarist Sam Aydelotte, who also sang. They did the Baltimore bar scene for years, imitating all the ballad and modern harmony groups including the Ink Spots. A recording opportunity came in 1951 when a representative from Atlantic Records inked them after a talent search audition.

     
    The Cardinals arrive in Philadelphia For a Show at The Uptown. Brothers, Hardy & disc jockey Georgie Woods

    Atlantic renamed them the Cardinals to avoid confusion with another Mellotones group that recorded for Columbia Records. The first single "Shouldn't I Know" (1951) mimicked the Orioles sound; it rode into the R&B Top Ten and took the fellows on tours at big-city venues with other star R&B artists. A second single "I'll Always Love You," a 1951 release, didn't do as well but wasn't a total flop either. They followed with "Wheel of Fortune," a song from their first recording session. It wasn't a scheduled release; Atlantic took advantage of four pop releases of "Wheel..." at the same time by Sunny Gale, Bobby Wayne, Kay Starr, and the Bell Sisters; all cracked the pop Top Ten except Gale's which nailed down the number 13 spot. The Cardinals competed with Dinah Washington for R&B honors and managed a number six R&B showing.


    The Cardinals At New York's Paramount Theater : Johnson, Warren, Brothers, Hardy & Aydelotte

    Uncle Sam drafted Warren who was replaced by Leander Tarver for the fourth single "The Bump" b/w "She Rocks." James Brown (not "Mr. Please, Please") replaced Tarver who left for unknown reasons; Warren, on a leave, participated in the next session which included six Cardinals. The septet recorded "You Are My Only Love" (1953) and "Under a Blanket of Blue" (1954); both flopped, Atlantic lost interest in recording and promoting the group; that interest didn't return until Warren's service duty ended and he rejoined full-time early in 1954.

        

    A new recording session resulted in the Chuck Willis-penned "The Door Is Still Open to My Heart" (1955) The lineup was now Warren, Johnny Douglas, Brothers, Hardy, and Johnson.The gigs picked up and the Cardinals toured extensively on shows sponsored by Alan Freed, Buddy Johnson, and others. They appeared with the Ravens, the Moonglows, the Nutmegs, Chuck Berry, Dinah Washington and other stars.

    They hit the Midwest many times. In Cleveland, OH, they played the Circle Theater two or three times, and once did a show at the Uptown in bright orange suits, sharing the bill with Luther Bond & the Emeralds, Arthur Prysock, Tiny Grimes, and others.  Atlantic issued six more singles that didn't do well, though a couple are considered classics. The interest in the Cardinals' singing style was waning.

    About the time Atlantic dropped the final Cardinals single "One Love" (1957), the group had splintered. Warren formed another group before reuniting the originals with different members. The new guys hung in until the early '60s before breaking up for good. Atlantic thought a lot of the group - they recorded 36 sides, though only 24 were released via 12 singles. The 36 singles have not been released as an album.

Andrew Hamilton, All Music Guide

    http://home.earthlink.net/~jaymar41/Cardinals.html
    http://www.geocities.ws/doo_wop_gino/cardinal.htm
    http://www.rockabilly.nl/references/messages/cardinals.htm

     


    Songs :

      
    Shouldn't I Know / Please Don't Leave Me              She Rocks / The Bump     

      
    Wheel Of Fortune / Kiss Me Baby     Pretty Baby Blues / I'll Always Love You

      
    Please Baby / Under A Blanket Of Blue         The Door Is Still Open / Misirlou

         
     Two Things I Love               You Are My Only Love          Come Back My Love

          
    Lovely Girl                   Here Goes My Heart To You           Off Shore / Choo Choo

       
    Lovie Darling                       For A While

       
    I Won't Make You Cry Anymore / The End Of The Story      One Love / Near You

        
    Would I Love You / I'll Always Love You     Train (Choo-Choo) / Love Me


    Have I Been Gone Too Long / Sure Nuff

     

     

     



    CDs :




     

     

     

    ...


    your comment
  •  

    The Opals (4) (East Chicago, Indiana)

     

    Personnel :

    Rose Addison (Lead)

    Myra Tillison

    Rose "Tootsie" Jackson

     

    Discography :

    The Opals (4)
    1964 - Does It Matter / Tender Lover (Okeh 7188)
    1964 - You Can't Hurt Me No More / You're Gonna Be Sorry (Okeh 7202)
    1965 - I'm So Afraid / Restless Days (Okeh 7224)

    Otis Leavill (bb the Opals)
    1963 - Rise Sally Rise / I Gotta Right To Cry (Lucky 1004)

    Betty Everett (bb the Opals)
    1964 - The Shoop Shoop Song (It's In His Kiss) / Hands Off (Vee-Jay 585)


    Biography :


    The Opals recorded for Three singles for Okeh Records from 1963 to 1965 and also backed Otis Leavil and Major Lance on recordings. Their fame never extended outside the Windy City boundaries despite recording material by Curtis Mayfield, Billy Butler, and sax player Clifford Davis, the brother of producer Carl Davis. Rose Addison (lead singer), Myra Tillison, and a member only remembered as Tootsie were the Opals; the trio made their recording debut in 1963 accompanying Leavil (uncredited) on both sides of his Lucky Records' single: "I Got a Right to Cry" b/w "Rise Sally Rise." When Carl Davis assumed the A&R duties at Okeh Records the Opals were brought along, along with Davis' assistant Leavil; a young Curtis Mayfield, making a name for himself with the Impressions, contributed independent productions. They backed Major Lance (uncredited) on the B-side "Crying in the Rain" of his number 13 pop and number 12 R&B smash "Hey Little Girl.

        
    Major Lance                                                                                                            Betty Everett             

    The spectacular job they did on "Crying" earned them a contract. Okeh issued their debut single late in 1963, two Clifford Davis songs "Losers Weepers" b/w "Take It Right," the latter co-written with Phil Upchurch, and they were off and running. It was followed by Billy Butler's "Does It Matter" in 1964 and Curtis Mayfield's "You Can't Hurt Me No More," later that year. The Opals backed Major Lance (again uncredited) on Van McCoy's "Everybody Loves a Good Time," released May 1965, but Lance had peaked and the song bubbled under Billboard's Pop 100 at number 109. A final single "I'm Afraid" b/w "Restless Days" dropped in July 1965, Verne Allison and Mickey McGill (the Dells) wrote the latter, but the results were the same; nothing the Opals recorded took off nationally or even regionally and the trio vanished from the music scene. Their sides are available on many compilation albums and are getting more acclaimed and play these days then when first released in the mid-'60s.
    Andrew Hamilton, All Music Guide

     

    Songs :

      

      I'm So Afraid                                You're Gonna Be Sorry

     

    ...


    your comment
  • Shirley & Lee (New Orleans, Louisiana)
     Aka The Heart-Throbs
    (By Hans-Joachim)

     

     

    Part II - Songs & Video

     

     

     

    Video:


    Let The Good Times Roll (1974)


    Songs:

         
    Sweethearts                I'm Gone                              Baby

         
    Shirley Come Back To Me             Shirley's Back        Shirley's Back (unrel. alt. take)

         
    So In Love              So In Love (unrel. alt. take)           The Proposal
     
         
    Two Happy People             Lee Goofed               Why Did I

         
    Keep On / Confessin'              Comin' Over                 Takes Money

         
    Lee's Dream           You'd Be Thinking Of Me / Feel So Good          I'll Do It

            
    Let The Good Times Roll         Do You Mean To Hurt Me So            I Want To Dance  

         
    Marry Me      That's What I Wanna Do / When I Saw You          Rock All Nite

         
    Don't You Know I Love You         Rockin' With The Clock / The Flirt          I'll Thrill You    

        
    Love No One But You         Everybody's Rockin’        Don't Leave Me Here To Cry

         
    Come On And Have Your Fun      All I Want To Do Is Cry         When Day Is Done       

         
    True Love              I’ve Been Loved Before            Like You Used To Do

         
    Together We Stand (Divided We Fall)        Keep Loving Me / Let The Good Times Roll (Warwick)      The Joker

      
    Two Peas In A Pod / Your Love Makes The Difference               Well-A, Well-A / Our Kids

      
    Girl, You’re Married Now / Let’s Live It Up            My Last Letter / I’m Old Enough

      
    A Little Thing / Don’t Stop Now                    Hey Little Boy / The Golden Rule

         
    Dancing World     Somebody Put A Jukebox In The Study Hall      Never Let Me Go

         
    Who Are We Fooling?          Lovers' Mistake           They've Got To Understand

         
    I Love The Way You Love         It's Been So Long              You Moves Me

         
    The Real Thing                 The Reason Why                      Korea

         
    Every Fools Has His Day          I Didn’t Want You      Everything (When I Saw You) (1956)

         
    We Will Be Forever Happy          Before I Go     Everything (When I Saw You) (1957)

         
    After Last Night                   Bewildered              Everybody Needs Somebody

         
    I’ll Never Be Free            Shirley Come Back                   I Was Lucky

         
    The Engagement               You Wouldn’t                   Honky Tonk Music

         
    Surfer's Hangout                Surf Heaven                     So Glad


    All The Way Home

     

     

     

     

    ....


    your comment


  • The Cadets (1) aka The Jacks   (Los Angeles)
    (By Hans-Joachim)


    Members:

    Willie Davis (First Tenor)

    Austin “Ted” Taylor (First Tenor)

    Aaron Collins (Second Tenor)

    Glendon Kingsby (Baritone)

    Will “Dub“ Jones (Bass)



    Discography:

    The Cadets (1)
    1955 - Don't Be Angry / I Cry (Modern 956)
    1955 - Rollin' Stone / Fine Lookin' Baby (Modern 960)
    1955 - I Cry / Fine Lookin' Baby (Modern 963)
    1955 - Annie Met Henry / So Will I (Modern 969)
    1955 - Do You Wanna Rock? / If It Is Wrong (Modern 971)
    1956 - Heartbreak Hotel / Church Bells May Ring (Modern 985)
    1956 - Stranded In The Jungle / I Want You (Modern 994)
    1956 - I Got Loaded / Dancin' Dan (Modern 1000)
    1956 - I'll Be Spinning / Fools Rush In (Modern 1006)
    1956 - Love Bandit / Heaven Help Me (Modern 1012)
    n/a - Let's Rock And Roll (unreleased)
    n/a - Away (unreleased)
    n/a - Memories Of You (unreleased)

    Young Jessie (bb the Cadets)

    1955 - Mary Lou/Don't Think I Will (Modern 961)


    Albums

    1957 - Why Don't You Write Me** / Oo Wee Baby* / Let's Make Up** / Dream A Little Longer** / This Empty Heart** / So Wrong** / /Wiggle Waggie Woo* / You Belong To Me* / Sugar Baby** / Why Did I Fall In Love** / Do You Wanna Rock* / My Clumsy Heart** (RPM LP 3006 / Crown LP 5021)

    1963 - Stranded In The Jungle / Annie Met Henry / Marie My Love*** / The Riddle*** / John Henry*** / Love Bandit / Rollin' Stone / Heaven Help Me / I Had But 50 Cents*** / Rum Jamaica Rum*** (Crown LP 5370)

    1963 - So Wrong / You Are The First One**** / My Love Has Gone / Be Loves Dovey**** / Why Don’t You Write Me / Hey Little Girl* / Away (prev. unrel.), Fine Lookin’ Woman* / Dream A Little Longer (Crown LP 5372)

    *Cadets, ** Jacks, *** Aaron Collins with studio group, ****Rockets




    Biography:

    The Los Angeles-based Jacks were so good at covering popular hits of the day that their versions were often equal to (if not better than) the original versions. They were versatile in R&B, jump tunes, ballads, calypso songs, and recorded some of the greatest early rock & roll songs ever, including "Stranded in the Jungle" (released in June of 1956, and charting at number four R&B/number 15 pop). Mostly, though, the Jacks are remembered for recording under two names simultaneously: as the Jacks (for Modern) and the Cadets (for RPM). Each group had its own hits and each with a slightly different sound and musical direction.

    The Jacks/Cadets began as a gospel group during the late '40s in Los Angeles, under the guidance of former Dixie Hummingbirds' baritone Lloyd McGraw. In 1954, McGraw joined up with first tenor Austin "Ted" Taylor, lead and second tenor Aaron Collins (brother of Betty and Rosie Collins, who recorded as the Teen Queens), tenor Willie Davis, and Will "Dub" Jones (lead and bass), who possessed a stratospheric falsetto. The band on most of the group's sessions was lead by tenor saxophonist Maxwell Davis.


    It was Modern's Joe Bihari who came up with the idea of having one group with a split personality, envisioning the Jacks as a ballad harmony group utilizing the writing talents of Aaron Collins and the Cadets as an up-tempo and novelty song quintet who mostly covered other acts' material. As a rule, either Dub Jones or Aaron Collins sang lead on the Cadets recordings, while tenor Willie Davis fronted the Jacks.
    In late 1954, the quintet - as the Cadets - recorded a version of Nappy Brown's "Don't Be Angry" and a calypso-flavored cover of "Rolling Stone," which outsold the original by Excello's Marigolds. Later, the Cadets issued their third single, "I Cried," backed up singer Dolly Cooper on "My Man," Young Jessie on "Mary Lou," and Richard Berry on "Jelly Roll" and "God Gave Me You."


    Young Jessie

    By the summer of 1955, the Cadets had released "Annie Met Henry," a single that fell in line with the whole "Annie" craze created in the aftermath of Hank Ballard & the Midnighters' big hit "Work With Me Annie," which had been released some 16 months earlier and was still going strong. The public was quickly tiring of the whole "Annie" phenom, however, so DJs flipped over the 45 and gave the B-side, "So Will I," the push instead.
    The Cadets' next Modern release was "Do You Wanna Rock," an exciting up-tempo revision of the Drifters' big R&B hit (number two) "Whatcha Gonna Do." The song also had a big impact on Hank Ballard and provided the format for Chubby Checker's "The Twist." It was the Cadets' next single, the buoyant "How Soon," that scored the regional airplay and sales.

    In early 1956, Prentice Moreland replaced Ted Taylor (although he only recorded with the group on three early songs, he didn't usually perform with them), who had left the group for a solo career as a solo blues vocalist. By February, the Cadets had moved on to new cover material, including Elvis Presley's "Heartbreak Hotel" and the Willows' "Church Bells May Ring." Around this time, Aaron Collins brought his two little sisters, Rosie and Betty, to Joe Bihari with an original song called "Eddie My Love." By the spring, the Teen Queens had the number two R&B record in America with "Eddie," which also charted number 14 on the pop chart.

    One day, Bihari and arranger Maxwell Davis handed the group a beautiful ballad titled "Why Don't You Write Me?," the original of which - by the Feathers - was soon to be issued on the Showtime label. They quickly did a cover; the Feathers' original came out in the fourth week of April 1955 and the Jacks' copy came out one week later (on the Modern affiliate RPM). The flipside, Charlie Calhoun's "Smack Dab in the Middle," was actually cut as being by the Cadets and wound up on their first LP. Even though it was recorded by the same group, it was listed as being by the Cadets in keeping with the "two groups in one" philosophy.
    The Jacks' "Why Don't You Write Me?" hit the R&B charts on August 6th, and jumped up to number three R&B by September; it even managed to cross over to the pop charts to reach number 82, charting before the Cadets charted with their outlandish cover of "Stranded in the Jungle."

     

    When the ballad side began to break big in the pop field, Bihari immediately bumped the B-side and a second pressing was hastily issued with a ballad on the flipside, "My Darling."

    The instant that Bihari heard the Jay Hawks' "Stranded in the Jungle," a rough and ragged original that had been waxed first, then heard the version done by his own act, the Cadets, while in the studio, he knew that his group's was far superior. He quickly pressed up copies and got them to radio stations in strong regional markets across the country and into stores in those areas, before the Jay Hawks' even had a chance to make a move themselves. Released in June of 1956, the song shot up the charts, to number four R&B/number 15 pop.

    What would prove to be Prentice Moreland's only Cadets/Jacks recording session provided the group with a catch phrase of their own; he delivered the line "Great googly-moogly, let me outta here," on "Stranded in the Jungle." It was a line he had picked up from a Cincinnati DJ.

    Modern tried to forced Moreland to remain with the group instead of leaving for his own solo career, but Moreland quit anyway and was replaced by former Flairs baritone Thomas "Pete" Fox. Moreland later sang with the Colts and went on to become a single artist for various labels, recording for Edsel in 1959, Del-Fi Records' subsidiary Donna in 1960, and Challenge in 1962. Lloyd McCraw also left the group around this time.

    Subsequent Jacks/Cadets sides from 1956 failed to generate interest or sales for Modern, however. The Jacks tried again with a few original ballads and eventually hit with "Love Bandit," their last record of 1956, which was cut from the same cloth as "Stranded in the Jungle" and name-checked many of the outlaws and sheriffs of the Old West ("Frank James, Jesse James, and Billy the Kid....").
    The Jacks never again achieved the measure of success that "Stranded" had achieved. In September of 1956, they tried again as the Cadets for "Dancin' Dan," a slightly altered version of the Dominoes big hit "Sixty-Minute Man," which featured "Dub" Jones on lead vocals. After that, they covered "Johnnie" (Johnnie Louise Richardson, later a member of the Jaynettes, of "Sally Go Round the Roses" fame) and "Joe"'s (Joe Rivers) "I'll Be Spinning," a number ten hit on the East Coast (number one in NY), distributed by Chess Records. The Cadets' quickly recorded cover version of "I'll Be Spinning" outsold the original, however, on the West Coast.

    In February 1957, Modern issued Rockin' and Reelin', the Cadets' first LP, one of the very first R&B group LPs, which collected most of their previously released A and B-sides. In March, eight months after their last release and 22 months after the release of their only hit, RPM put out the Jacks' Jumpin' With the Jacks LP, which contained ten sides of which three ("You Belong To Me," "Do You Wanna Rock," and "Wiggie Waggie Woo") were released on singles by the Cadets. Another single called "Pretty Evey" was thought to be a Cadets release, and even listed incorrectly as such when it was issued in May 1957, but was actually Aaron singing lead with another obscure house group.

    By this time, Bihari and Modern had given up on the Jacks part of the equation and from that point on, the group was exclusively known as the Cadets. Their last RPM single was "Ring Chimes," issued in December 1957. By the turn of the new decade, the Cadets had been ready to call it a career.

    Will "Dub" Jones later became the main bass man for the mega-popular group the Coasters. Davis and Collins soon re-formed the Cadets, this time adding Thomas Miller (baritone) and George Hollis (bass), both previously of the Flares. The new Cadets signed with the Felsted label, a New York-based label headed by Walt McGuire. After two singles in 1960, they were ready to call it a career, but in name only; Randolph Jones later joined the group, substituting for Hollis on bass, and the quartet became the Peppers. They released one single, "One More Chance," on Ensign in 1961.

    That year, with Hollis back on bass, the group became the Flares (different spelling this time) on Felsted. Their third single for the label, the energetic dance record "Foot Stomping, Pt. 1," went to number 25 on the pop Charts (number 20 R&B). The group then signed to Press Records for seven more singles, all of which went nowhere. A year later (in 1962), Davis and ex-Cadet McCraw teamed to form the Thorables (Titanic Records); in total, there were six more recordings by the Flares and none went anywhere. 1964 and the British Invasion pretty much brought the end of the road for the Jacks/Cadets/Flares at this point.

    In the early '80s, Aaron Collins wrote songs for John Water's Hairspray. Ted Taylor died in 1987, Lloyd McCraw in 1987, Prentice Moreland in 1988, Aaron Collins in 1997, and Dub Jones in 2000.

    Bryan Tomas, All Music Guide
    http://home.att.net/~uncamarvy/JacksCadets/jackscadets.html
    http://home.earthlink.net/~jaymar41/jacks_cadets.html


    CD :






    MP3 :



    2 comments