•  

    The Excellents (2) (Brooklyn, New York)  
    aka The Ultimates (1)




    Personnel :

    Gary Allen (Lead)

    Carlos Miranda (First Tenor)

    Neil Bernstein (Second Tenor)

    Donald Scheer (Baritone)

    Dave Strum (Bass)

     

     

    Discography :

    The Ultimates (1)
    1961 - I Can Tell You Love Me Too / Lonely Nights (Envoy 2302)


     

    The Excellents (2)
    1962 - I Hear Rhapshody / Why Did You Laugh (Blast 207)

     



    Biography :

    The Excellents (1) looked set for a promising career with "Coney Island Baby" until record business skulduggery intervened. Booked for an appearance on Dick Clark’s American Bandstand television programme, their record company refused to pay their travelling fees.


    The Excellents (1)

    When they learned that the group simply could not afford to travel to Philadelphia, the label instead sent a Brooklyn group, The Ultimates. This Group composed by Gary Allen, Carlos Miranda, Neil Bernstein, Donald Scheer and Dave Strum, was from Brooklyn and had previously record for the Envoy record Label the sides "I Can Tell You Love Me Too" / "Lonely Nights".


      
    The Excellents (2)                                                                   

    This substitute Excellents group did record for Blast records "I Hear Rhapshody" b/w Why "Did You Laugh" as The Excellents.



    Songs :


    The Ultimates (1)


      
    I Can Tell You Love Me Too              Lonely Nights


    The Excellents (2)

       
    I Hear Rhapsody                      Why Did You Laugh

     

     

     

     

     

    ...


    1 comment

  • Ronnie Howard, Tommy Burton, Ron Buonaro and Sammy Basile 

    The Parlaments  (Chicago)
    aka The Deltones (1) aka The Del Tones (3)
     

     Personnel :

    Sammy Basile (Lead)

    Ron Buonaro (First Tenor)

    Ronnie Howard (Baritone)

    Tommy Burton (Bass)



    Discography :

    The Deltones (1)

    Singles :
    1958 - Jerry / Rockin' Cha Cha (with Debbie Stevens) (Roulette 4081)
    1958 - Early Morning Rock / I'm 'Coming Home (Vee Jay 288)
    1959 - A Lover's Prayer / First Man To The Moon (Vee Jay 303)
    Unreleased :
    1958 - Baby I Need You (Vee Jay)
    1960 - Good Luck Charms (USA Records)

    The Del Tones (3)
    Singles :
     1960 - And The Angels Sang / Please Talk to Me (USA Records 711)
    Unreleased :
    1960 - Good Luck Charms (USA Records)

    The Parlaments
    1961 - My Only Love / To Be Alone (USA Records 719)



    Biography :

     At 12, Sammy Basile and his close friend Tommy Burton would harmonize to the sounds and vocals of Frankie Lymon and the Teenagers and other groups whose records were on the candy store juke box. They grew up on the west of Chicago, now called K-Town, since all the streets in their neighborhood start with a  "K," i.e. Kilborne, Karlov, Keeler, etc. They attended Marshall high school, located on the corners of 5th Ave, and Adams & Kedzie streets.

      
    Debbie Stevens                                                                            

    During their freshmen year (1956) they met Ronnie Howard. Early in 1958, and Ronnie introduced the group to a Ron Buonaro, and the Deltones was formed. Like all other vocal groups, they used to practice harmonizing in the school halls and bathrooms. On Roulette, they backing Debbie Stevens (Debbie Dean) on their own composition : " Jerry" b/w "Rockin' Cha Cha". They recorded "Early Morning Rock" at the Chess Studios on south Michigan Ave. The flip side was a slow song that the unforgettable voice of Ronnie Howard sang, titled "I'm Coming Home,".


    Ronnie Howard, Sammy Basile, Tommy Burton and Ron Buonaro

    Jim Lounsberry took the songs to Ewart Abner and Calvin Carter. They liked the songs and signed the group to Vee-Jay Records.Within a few weeks the song had seen some success. Their next recording with VeeJay was in early 1959, "A Lover's Prayer" The session was at Universal Recording Studio in Chicago. Ron Bounoro sang the lead on this one. The flip-side, "First Man to the Moon" was selected by Calvin Carter. In 1960 They moved to USA Records. Recordings there included: Please Talk To Me, Good Luck Charms, and remakes of The Angels Sang  and under the name of The Parlaments " My Only Love" b/w "To Be Alone" .




    Songs :
    (updated by Hans-Joachim)
     

    The Deltones (1) (with Debbie Stevens)


    Jerry / Rockin' Cha Cha


    The Deltones (1)

         
     Early Morning Rock                I'm 'Coming Home             A Lover's Prayer

      
    Baby I Need You                 First Man To The Moon

     

    The Del Tones (3)

            
    Good Luck Charms             And The Angels Sang              Please Talk To Me 


    The Parlaments

      
    My Only Love                       To Be Alone






    ...


    your comment


  • The Ponsonby Sisters  (Azalea, Oregon)
    Aka The Ponsi Sisters





    Personnel:

    Shella Ponsonby

    Sharon Ponsonby

    Patty Ponsonby

    Donna Ponsonby

    Maureen Ponsonby





    Discography :

    The Ponsi Sisters
    1959 -  School Bells, Wedding Bells / Chihuahua Cha Cha (Bingo 104)

    Leon Smith & The Ponsonby Sisters
    1959 - Once I Had A Heart / Little Forty Ford (Leon Smith) (Willamette 101)





    Biography :


    This group of five sisters from Azalea, started singing since 1955. The Sisters are Shella 8, Sharon 20, Patty 16, Donna 17 and Maureen 18. They have appeared at various county celebrations and win some Talent Contest. Other successes included winning third place on a pacific states talent show held in Portland's Paramount theatre in which 60 musical groups vied for the opportunity to appear on the Patty Page Show in New York City.


    Shella in front and from left to right : Sharon , Patty , Donna  and Maureen

    The group has received some national recognition because of their  appearance in March 1959 on The Lawrence Welk television program. They were special guest stars "The Ponsonby Sisters" of Azalea, Oregon. They did two numbers, "Mommy" and "No Other Arms". Thus far, the group has cut one record, "School Bells, Wedding Bells" and "Chihuahua Cha Cha" on the Bingo Label as the Ponsi Sisters.

    Bingo Records was owned by Los Angeles DJ and TV personality Jim Specs Hawthorne. During 1959 and 1960 it produced at least seven 45rpm records featuring acts like Bing Crosby soundalike Troy Cori or the Ponsi sisters.

     
    Leon Smith                                                                               

    In 1959, The Ponsonby Sisters backed Leon Smith on "Once I Had A Heart" for Willamette Records Owned by Leon Smith' Father. In 1960, they have signed a contract to record for Capitol, Unfortunately, nothing will be released and the success fades gradually.









    Songs :

    Leon Smith & The Ponsonby Sisters


    Once I Had a Heart


     

    ...


    your comment
  • The Cardinals (4) aka The Equadors aka aka The Modern Ink Spots 

    Top : O.Drummond, B.Davis, M.Robinson & R. Grant - 

Bottom : R.Foreman, A.Turner & L. Thomas

     

    The Cardinals (4) (Philadelphia, PA)
    aka The Modern Ink Spots aka The Equadors




    Personnel :

    Al Turner (Lead)

    Oscar Drummond (First Tenor)

    Rilly Foreman (Second Tenor)

    Lynn Thomas (Baritone)

    Reginald Grant (Bass)

    Mitchell Robinson (Guitar)

    Billy Davis (Drums)





    Discography :

    The Equadors

    Single:
    1958 - Sputnik Dance / A Vision (RCA EPA 4286)
    Ep :
    1958 - Sputnik Dance / I'll Be The One / A Vision / Stay A Little Longer (RCA EPA 4286)

    The Modern Ink Spots
    1962 - Spotlight Dance / Together (In Your Arms) (Rust 5052)

    The Cardinals (4)
    1963 - Why Don't You Write Me / Sh-Boom (Rose 835)

     

     


    Biography :

    Philadelphia R&B group the Equadors formed in 1955. According to Marv Goldberg's profile in the February 1999 issue of Discoveries, lead Al Turner, first tenor Oscar Drummond, second tenor Rilly Foreman, baritone Lynn Thomas, and bass Reginald Grant were all high-school friends born and raised in the same North Philly neighborhood. Originally dubbed the Chants, the quartet typically performed alongside accompanists Mitchell Robinson on guitar and Billy Davis on drums, eventually making them full-time members of the roster. Local real estate salesman Larry Kerrin soon agreed to manage the Chants, landing them a plum gig in New Jersey opening for Ray Charles and Pigmeat Markham. The exposure nevertheless failed to launch the group to the next level, and in mid-1956 they began appearing as the Equadors, replacing Kerrin with WHAT DJ Lloyd "Fatman" Smith. Upon signing with the Jolly Joyce Booking Agency, the group landed a record deal with RCA Victor, and in early 1958 traveled to New York City to record a four-song session issued in full a month later.

    The Cardinals (4) aka The Equadors aka aka The Modern Ink Spots    The Cardinals (4) aka The Equadors aka aka The Modern Ink Spots
                                                                                                  King Curtis

    The EP format actually hampered the Equadors' chances at radio, where the conventional single reigned supreme, and although the lead track, "Sputnik Dance" (featuring the great King Curtis on saxophone), was subsequently reissued with flip side "A Vision," the damage was done. The Equadors nevertheless performed the single on American Bandstand, and toured the East Coast on a bill with Frankie Lymon and Paul Anka. In early 1960 Jolly Joyce execs rechristened the Equadors the Modern Ink Spots in a scheme to position the group for the supper-club circuit. The ploy was a success, with gigs at upper-crust nightspots like the famed Peppermint Lounge soon to follow. Although their repertoire now consisted of the usual ballads and standards, the Modern Ink Spots gradually worked some of their old R&B material back into their sets.

    The Cardinals (4) aka The Equadors aka aka The Modern Ink Spots    The Cardinals (4) aka The Equadors aka aka The Modern Ink Spots

    Baritone/tenor Gary Evans joined the lineup in 1962, around the same time drummer Davis left the group. His replacement, Claude Higgs, signed on in time to cut the lone Modern Ink Spots single, the Rust release "Spotlight Dance." Prior to a 1963 booking in Quebec, the Modern Ink Spots learned of a rival group with the same name already touring Canada -- after another quick change, they traveled north as the Cardinals, and under that moniker recorded "Why Don't You Write Me" for the Rose imprint. In the final months of their career they again performed as the Modern Ink Spots, but split in 1965 when Turner signed on with the Philadelphia Police Department.
    http://www.uncamarvy.com/Equadors/equadors.html

     

     


    Songs :

    The Equadors

      
    Sputnik Dance                           I'll Be The One

      
            A Vision                                   Stay A Little Longer


    
The Modern Ink Spots


      
    Spotlight Dance                      Together (In Your Arms)


     

    
The Cardinals (4)


      
    Why Don't You Write Me                                Sh-Boom
          








    ….


    1 comment
  • The Threeteens aka The Dreams (4) aka The Cupcakes (2)
    Janis Cox, Left, Donna Crunk,  top, Pam Crunk

    The Threeteens (Phoenix, Arizona)
    aka The Dreams (4)
    aka The Cupcakes (2)
     


    Personnel :

    Donna Crunk

    Pam Crunk

    Janis Cox


    Discography :

    The Threeteens
    1958 - Dear 53310761 / Doowaddie (Rev 3516)
    1959 - For The Love Of Mike / X + Y = Z (Rev 3522/Todd 1021)

    The Cupcakes (2)
    1959 - It's Willy / Deutsche Rock und Roll (Time 1011)

    The Dreams (4)
    Singles :
    1962 - Too Late / Inexperience (Smash 1748)
    Unreleased :
    1962 - No Love Lost
    1962 - I Forgot About You

    Denny Reed bb Donna & Pam Crunk (Uncredited)
    1960 -  A Teenager Feels It Too / Hot Water  (Trey 3007)


    Biography :

    The Threeteens were a Phoenix girl group consisting of Donna and Pam Crunk (daughters of Connie Conway, whose real name is Connie Crunk) and their friend Jan Cox. Connie Conway, a noted musician, singer, songwriter, producer, and music teacher worked with songwriter/producer Lee Hazelwood (writer of “These Boots Are Made of for Walking”(Nancy Sinatra), and producer of Wayne Newton) . The Three girls were from Washington High School in Phoenix and in 1958 Donna, Jan & Pam signed a recording contract with Lester Sill and Lee Hazlewood to record at the Audio Recorders studio in Phoenix.


    Donna Crunk & Janis Cox

    As the Threeteens, they cut four songs released by Rev Records in Phoenix owned by Bill Thorne & Frank Porter . "Dear 53310761"  b/w "Doowaddie" on Rev 3516 and "For The Love Of Mike" b/w  "X + Y = Z" on Rev 3522, This Rev 45 was also released on Todd label. "Dear 53310761" On Rev Records #3516 had Duane Eddy on Guitar (The number "53310761", of course, refers to Elvis' U.S. Army serial number). The girls did most of the girl backgrounds at Audio Recorders.

       
    Donna Crunk                                               Janis Cox                                                              Pam Crunk

    In 1959 They changed their name as the Cupcakes and cut "It's Willy" b/w "Deutsche Rock und Roll" for Time records. In 1961, Pam & Donna, renamed the Dreams,  drove to L.A. to work with Lee Hazlewood and cut 4 sides for smash Records.  Only the single "Too Late" b/w "Inexperience" was released on Smash 1748 .


    Songs :
    (updated by Hans-Joachim) 
     

    The Threeteens

      
    Doowaddie                                      Dear 53310761

       
    X + Y = Z                                  For The Love Of Mike

    The Cupcakes (2)


     It's Willy / Deutsche Rock und Roll
     

    The Dreams (4)

      
    Too Late                                        Inexperience


    Denny Reed bb Donna & Pam Crunk (Uncredited)

       
    A Teenager Feels It Too                               Hot Water



    ...


    your comment



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